Topic : Suffering, cf trials

A Song in the Heart

Every Christian should have a song in his heart. In Ephesians 5:19 the apostle Paul speaks of “singing and making melody” in our hearts to the Lord. This verse should encourage everyone who finds it difficult to carry a tune that’s suitable for listening ears. Whether with the lips or in the heart only, singing can characterize our lives, even under the worst of circumstances. Many times that is precisely when God gives us a song to sing.

American pastor and author James H. Brookes told of visiting a friend’s house and hearing the music of a bird singing. It was not the ordinary sound of chirping; instead it resembled the strains of a lovely melody. At first Brookes didn’t know where it was coming from; but when he glanced around the room, he saw a beautiful bullfinch in a birdcage. The lady of the house explained that it had been taught to sing that way at night. The teacher would repeat the notes time and again until the bird was able to mimic them. But this was possible only because it was dark and the bird’s attention would not be diverted.

How often we learn our sweetest songs when the blackness of trial closes in around us. This was David’s experience. Cast down and almost despairing of life, he said,”...in the night His song shall be with me.” Elihu spoke of God giving “songs in the night” (Job 35:10).

Oh, friend, let’s not despair when the darkness of trouble descends upon us. God is with us; God will help us; God will give us a song.

Our Daily Bread, Monday, May 23

Nazi Death Camp Prisoner

Almost 50 years ago Elie Wiesel was a fifteen-year old prisoner in the Nazi death camp at Buna. A cache of arms belonging to a Dutchman had been discovered at the camp. The man was promptly shipped to Auschwitz. But he had a young servant boy, a pipel as they were called, a child with a refined and beautiful face, unheard of in the camps. He had the face of a sad angel. The little servant, like his Dutch master, was cruelly tortured, but would not reveal any information. So the SS sentenced the child to death, along with two other prisoners who had been discovered with arms. Wiesel tells the story:

One day when we came back from work, we saw three gallows rearing up in the assembly place, three black crows. Roll call. SS all around us; machine guns trained: the traditional ceremony. Three victims in chains—and one of them, the little servant, the sad-eyed angel. The SS seemed more preoccupied, more disturbed than usual. To hang a young boy in front of thousands of spectators was no light matter. The head of the camp read the verdict. All eyes were on the child. He was lividly pale, almost calm, biting his lips. The gallows threw its shadow over him. This time the Lagercapo refused to act as executioner. Three SS replaced him. The three victims mounted together onto the chairs. The three necks were placed at the same moment within the nooses. “Long live liberty!” cried the two adults. But the child was silent.

“Where is God? Where is He?” someone behind me asked. Total silence throughout the camp. On the horizon, the sun was setting. “Bare your heads!” yelled the head of the camp. His voice was raucous. We were weeping. “Cover your heads!” Then the march past began. The two adults were no longer alive. Their tongues hung swollen, blue-tinged. but the third rope was still moving; being so light, the child was still alive...For more than half an hour he stayed there, struggling between life and death, dying in slow agony under our eyes. And we had to look him full in the face. He was still alive when I passed in front of him. His tongue was still red, his eyes were not yet glazed. Behind me, I heard the same man asking: “Where is God now?” And I heard a voice within me answer him: “Where is He? Here He is—He is hanging here on this gallows.” That night the soup tasted like corpses.

Elie Wiesel, Night, Bantam, 1982, pp. 75-6, quoted in When God Was Taken Captive, W. Aldrich, Multnomah, 1989, pp. 39-41.



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