15:14 The nations will hear 7 and tremble;
anguish 8 will seize 9 the inhabitants of Philistia.
15:15 Then the chiefs of Edom will be terrified, 10
trembling will seize 11 the leaders of Moab,
and the inhabitants of Canaan will shake.
48:4 For 12 look, the kings assemble; 13
they advance together.
48:5 As soon as they see, 14 they are shocked; 15
they are terrified, they quickly retreat. 16
48:6 Look at them shake uncontrollably, 17
like a woman writhing in childbirth. 18
“Woe, woe, O great city,
Babylon the powerful city!
For in a single hour your doom 19 has come!”
1 tn Heb “has given the land to you.” Rahab’s statement uses the Hebrew perfect, suggesting certitude.
2 tn Heb “terror of you has fallen upon us.”
3 tn Or “melting away because of.”
4 tn Both of these statements are actually subordinated to “I know” in the Hebrew text, which reads, “I know that the
5 tn Heb “and what you did to the two Amorite kings who were beyond the Jordan, Sihon and Og, how you annihilated them.”
6 tn Heb “And we heard and our heart[s] melted and there remained no longer breath in a man because of you.”
7 tn This verb is a prophetic perfect, assuming that the text means what it said and this song was sung at the Sea. So all these countries were yet to hear of the victory.
8 tn The word properly refers to “pangs” of childbirth. When the nations hear, they will be terrified.
9 tn The verb is again a prophetic perfect.
10 tn This is a prophetic perfect.
11 tn This verb is imperfect tense.
12 tn The logical connection between vv. 3-4 seems to be this: God is the protector of Zion and reveals himself as the city’s defender – this is necessary because hostile armies threaten the city.
13 tn The perfect verbal forms in vv. 4-6 are understood as descriptive. In dramatic style (note הִנֵּה, hinneh, “look”) the psalm describes an enemy attack against the city as if it were occurring at this very moment. Another option is to take the perfects as narrational (“the kings assembled, they advanced”), referring to a particular historical event, such as Sennacherib’s siege of the city in 701
14 tn The object of “see” is omitted, but v. 3b suggests that the
15 tn Heb “they look, so they are shocked.” Here כֵּן (ken, “so”) has the force of “in the same measure.”
16 tn The translation attempts to reflect the staccato style of the Hebrew text, where the main clauses of vv. 4-6 are simply juxtaposed without connectives.
17 tn Heb “trembling seizes them there.” The adverb שָׁם (sham, “there”) is used here, as often in poetic texts, to point “to a spot in which a scene is localized vividly in the imagination” (BDB 1027 s.v.).
18 tn Heb “[with] writhing like one giving birth.”
19 tn Or “judgment,” condemnation,” “punishment.” BDAG 569 s.v. κρίσις 1.a.β states, “The word oft. means judgment that goes against a person, condemnation, and the sentence that follows…ἡ κ. σου your judgment Rv 18:10.”