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Exodus 32:2-4

Context

32:2 So Aaron said to them, “Break off the gold earrings that are on the ears of your wives, your sons, and your daughters, and bring them to me.” 1  32:3 So all 2  the people broke off the gold earrings that were on their ears and brought them to Aaron. 32:4 He accepted the gold 3  from them, 4  fashioned 5  it with an engraving tool, and made a molten calf. 6  Then they said, “These are your gods, 7  O Israel, who brought you up out of Egypt.”

Jude 1:24

Context
Final Blessing

1:24 Now to the one who is able to keep you from falling, 8  and to cause you to stand, rejoicing, 9  without blemish 10  before his glorious presence, 11 

Hosea 2:13

Context

2:13 “I will punish her for the festival days

when she burned incense to the Baal idols; 12 

she adorned herself with earrings and jewelry,

and went after her lovers,

but 13  she forgot me!” 14  says the Lord.

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[32:2]  1 sn B. Jacob (Exodus, 937-38) argues that Aaron simply did not have the resolution that Moses did, and wanting to keep peace he gave in to the crowd. He also tries to explain that Aaron was wanting to show their folly through the deed. U. Cassuto also says that Aaron’s request for the gold was a form of procrastination, but that the people quickly did it and so he had no alternative but to go through with it (Exodus, 412). These may be right, since Aaron fully understood what was wrong with this, and what the program was all about. The text gives no strong indication to support these ideas, but there are enough hints from the way Aaron does things to warrant such a conclusion.

[32:3]  2 tn This “all” is a natural hyperbole in the narrative, for it means the large majority of the people.

[32:4]  3 tn Here “the gold” has been supplied.

[32:4]  4 tn Heb “from their hand.”

[32:4]  5 tn The verb looks similar to יָצַר (yatsar), “to form, fashion” by a plan or a design. That is the verb used in Gen 2:7 for Yahweh God forming the man from the dust of the ground. If it is here, it is the reverse, a human – the dust of the ground – trying to form a god or gods. The active participle of this verb in Hebrew is “the potter.” A related noun is the word יֵצֶּר (yetser), “evil inclination,” the wicked designs or intent of the human heart (Gen 6:5). But see the discussion by B. S. Childs (Exodus [OTL], 555-56) on a different reading, one that links the root to a hollow verb meaning “to cast out of metal” (as in 1 Kgs 7:15).

[32:4]  6 sn The word means a “young bull” and need not be translated as “calf” (although “calf” has become the traditional rendering in English). The word could describe an animal three years old. Aaron probably made an inner structure of wood and then, after melting down the gold, plated it. The verb “molten” does not need to imply that the image was solid gold; the word is used in Isa 30:22 for gold plating. So it was a young bull calf that was overlaid with gold, and the gold was fashioned with the stylus.

[32:4]  7 tn The word could be singular here and earlier; here it would then be “this is your god, O Israel.” However, the use of “these” indicates more than one god was meant by the image. But their statement and their statue, although they do not use the holy name, violate the first two commandments.

[1:24]  8 tn The construction in Greek is a double accusative object-complement. “You” is the object and “free from falling” is the adjectival complement.

[1:24]  9 tn Grk “with rejoicing.” The prepositional clause is placed after “his glorious presence” in Greek, but most likely goes with “cause you to stand.”

[1:24]  10 tn The construction in Greek is a double accusative object-complement. “You” is the object and “without blemish” is the adjectival complement.

[1:24]  11 tn Or “in the presence of his glory,” “before his glory.”

[2:13]  12 tn Heb “the days of the Baals, to whom she burned incense.” The word “festival” is supplied to clarify the referent of “days,” and the word “idols” is supplied in light of the plural “Baals” (cf. NLT “her images of Baal”).

[2:13]  13 tn The vav prefixed to a nonverb (וְאֹתִי, oti) introduces a disjunctive contrastive clause, which is rhetorically powerful.

[2:13]  14 tn The accusative direct object pronoun וְאֹתִי (oti, “me”) is emphatic in the word order of this clause (cf. NIV “but me she forgot”), emphasizing the heinous inappropriateness of Israel’s departure from the Lord.



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