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I. The Illusory Vanity Of The Objects Pursued. 
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The Old Testament tone of reference to idols is one of bitter contempt. Its rigid monotheism was intensified and embittered by the universal prevalence of idolatry; and there is a certain hardness in its tone in reference to the gods of the nations round about, which has little room for pity, and finds expression in such names as those of our text--vanities,' lies,' nothingness,' and the like. To the Jew, encompassed on all sides by idol-worshippers, the alternative was vehement indignation or entire surrender. The Mohammedan in British India exhibits much the same attitude to Vishnu and Siva as the Jew did to Baal and Ashtoreth. It is easy to be tolerant of dead gods, but it becomes treason to Jehovah to parley with them when they are alive.

But the point which we desire to insist upon here is somewhat wider than the vanity of idols. It is the emptiness of all objects of human pursuit apart from God. These last three words need to be made very prominent; for in itself every creature of God is good,' and the emptiness does not inhere in themselves, but first appears when they are set in His place. He, and only He, can, and does, satisfy the whole nature--is authority for the will, peace for the conscience, love for the heart, light for the understanding, rest for all seeking. He, and He alone, can fill the past with the light in which is no regret, the present with a satisfaction rounded and complete, the future with a hope certain as experience, to which we shall ever approximate, and which we can never exhaust and outgrow. Any, or all, the other objects of human endeavour may be won, and yet we may be miserable. The inadequacy of all these ought to be pressed home upon us more than it is, not only by their limitations whilst they last, but by the transiency of them all. The fashion of this world passeth away,' as the Apostle John puts it, in a forcible expression which likens all this frame of things to a panorama being unwound from one roller and on to another. The painted screen is but paint at the best, and is in perpetual motion, which is not arrested by the vain clutches of hands that would fain stop the irresistible and tragic gliding past.

These vanities are lying vanities.' There is only one aim of life which, being pursued and attained, fulfils the promises by which it drew man after it. It is a bald commonplace, reiterated not only by preachers but by moralists of every kind, and confirmed by universal experience, that a hope fulfilled is a hope disappointed. There is only one thing more tragic than a life which has failed in its aims, and it is a life which has perfectly succeeded in them, and has found that what promised to be bread turns to ashes. The word of promise may be kept to the ear, but is always broken to the hope. Many a millionaire loses the power to enjoy his millions by the very process by which he gains them. The old Jewish thinker was wise not only in taking as the summing up of all worldly pursuits the sad sentence, All is vanity,' but in putting it into the lips of a king who had won all he sought. The sorceress draws us within her charmed circle by lying words and illusory charms, and when she has so secured the captives, her mask is thrown off and her native hideousness displayed.



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