What a miserable destiny to be gibbeted for ever by half a dozen sentences! One deed, after which she no doubt wiped her mouth, and said, I have done no harm,' has won for the mother an immortality of ignominy. Her portrait is drawn in few strokes, but they are enough. In strength of will and unscrupulous carelessness of human life, she is the sister of Jezebel, and curiously like Shakespeare's awful creation, Lady Macbeth; but she adds a stain of sensuous passion to their vices, which heightens the horror. Her first marriage was with her full uncle; and her second, if marriage it can be called when her husband and Herod's wife were both living, was with her step-uncle, and thus triply unlawful. John's remonstrance awoke no sense of shame in her, but only malignant and murderous hate. Once resolved, no failures made her swerve from her purpose. Hers was no passing fury, but cold-blooded, deliberate determination. Her iron will and unalterable persistence were accompanied by flexibility of resource.
When one weapon failed, she drew another from a full quiver. And the means which were finally successful show not only her thorough knowledge of the weak man she had to deal with, but her readiness to stoop to any degradation for herself and her child to carry her point. A thousand claims to' abhorrence meet in her, as mother, wife, and queen.' Many a shameless woman would have shrunk from sullying a daughter's childhood, by sending her to play the part of a shameless dancing-girl before a crew of half-tipsy revellers, and from teaching her young lips to ask for murder. But Herodias sticks at nothing, and is as insensible to the duty of a mother as to that of a wife. If we put together these features in her character, her hot animal passions, her cool inflexible revenge, her cynical disregard of all decency, her deadness to natural affection for her child, her ferocity and her cunning, we have a hideous picture of corrupted womanhood. We cannot but wonder whether, in after days, remorse ever did its merciful work upon Herodias. She urged Herod to his ruin at last by her ambition, which sought for him the title of king, and, with one redeeming touch of faithfulness, went with him into dreary exile in Gaul. Perhaps there, among strangers, and surrounded by the wreck of her projects, and when the hot fire of passion had died down, she may have remembered and repented her crime.
The criminality of the daughter largely depends upon her age, of which we have no knowledge. Perhaps she was too mere a child to understand the degradation of the dance, or the infamy of the request which her, we hope, innocent and panting lips were tutored to prefer. But, more probably, she was old enough to be her mother's fellow-conspirator, rather than her tool, and had learned only too well her lessons of impurity and cruelty. What chance had a young life in such a sty of filth? When the mother becomes the devil's deputy, what can the daughter grow up to be, but a worse edition of her? This poor girl, so sinning, and so sinned against, followed in Herodias's footsteps, and afterwards married, according to the custom of the Herods, her uncle, Philip the tetrarch. She inherited and was taught evil; that was her misfortune. She made it her own; that was her crime. As she stands there, shameless and flushed, in that hideous banqueting-hall, with her grim gift dripping red blood on the golden platter, and wicked triumph gleaming in her dark eyes, she suggests grave questions as to parents' responsibility for children's sins, and is a living symbol of the degradation of art to the service of vice, and of the power of an evil soul to make hideous all the grace of budding womanhood.
