A damsel, named Rhoda.'--Acts 12:13.
RHODA' means a rose,' and this rose has kept its bloom for eighteen hundred years, and is still sweet and fragrant! What a lottery undying fame is! Men will give their lives to earn it; and this servant-girl got it by one little act, and never knew that she had it, and I suppose she does not know to-day that, every where throughout the whole world where the Gospel is preached, this that she hath done is spoken of as a memorial to her.' Is the love of fame worthy of being called the last infirmity of noble minds'? Or is it the delusion of ignoble ones? Why need we care whether anybody ever hears of us after we are dead and buried, so long as God knows about us? The damsel named Rhoda' was little the better for the immortality which she had unconsciously won.
Now there is a very singular resemblance between the details of this incident and those of another case, when Peter was recognised in dim light by his voice, and the Evangelist Luke, who is the author of the Acts of the Apostles, seems to have had the resemblance between the two scenes- that in the high priest's palace and that outside Mary's door--in his mind, because he uses in this narrative a word which occurs, in the whole of the New Testament, only here and in his account of what took place on that earlier occasion. In both instances a maid-servant recognises Peter by his voice, and in both she constantly affirms' that it was so. I do not think that there is anything to be built upon the resemblance, but at all events I think that the use of the same unusual word in the two cases, and nowhere else, seems to suggest that Luke felt how strangely events sometimes double themselves; and how the Apostle who is here all but a martyr is re-enacting, with differences, something like the former scene, when he was altogether a traitor. But, be that as it may, there are some lessons which we may gather from this vivid picture of Rhoda and her behaviour on the one side of the door, while Peter stood hammering, in the morning twilight, on the other.