Lift up your heads, O ye gates: and be ye lift up, ye everlasting doors; and the King of glory shall come in. 8. Who is this King of glory? The Lord strong and mighty, the Lord mighty in battle. 9. Lift up your heads, O ye gates; even lift them up, ye everlasting doors; and the King of glory shall come in. 10. Who is this King of glory? The Lord of hosts, He is the King of glory.'--Psalm 24:7-10.
THIS whole psalm was probably composed at the time of the bringing of the ark into the city of Zion. The former half was chanted as the procession wound its way up the hillside, It mainly consists of the answer to the question Who shall ascend into the hill of the Lord?' and describes the kind of men that dwell with God, and the way by which they obtain their purity.
This second half of our psalm is probably to be thought of as being chanted when the procession had reached the summit of the hill and stood before the barred gates of the ancient Jebusite city. It is mainly in answer to the question,' Who is this King of Glory?' and is the description of the God that dwells with men, and the meaning of His dwelling with them.
We are to conceive of a couple of half choirs, the one within, the other without the mountain hold. The advancing choir summons the gates to open in the grand words: Lift up your heads, O ye gates! even lift them up, ye everlasting doors, and the King of Glory shall come in.' Their lofty lintels are too low for His head to pass beneath; so they have to be lifted that He may find entrance. They are' everlasting doors,' grey with antiquity, hoary with age. They have looked down, perhaps, upon Melchizedek, King of Salem, as he went forth in the morning twilight of history to greet the patriarch. But in all the centuries they have never seen such a King as this King of Glory, the true King of Israel who now desires entrance.
The answer to the summons comes from the choir within. Who is this King of Glory?' the question represents ignorance and possible hesitation, as if the pagan inhabitants of the recently conquered city knew nothing of the God of Israel, and recognised no authority in His name. Of course, the dramatic form of question and answer is intended to give additional force to the proclamation as by God Himself of the Covenant name, the proper name of Israel's God, as Baal was the name of the Canaanite's God, the Lord strong and mighty; the Lord mighty in battle,' by whose warrior power David had conquered the city, which now was summoned to receive its conqueror. Therefore the summons is again rung out, Lift up your heads, O ye gates! and the King of Glory shall come in.' And once more, to express the lingering reluctance, ignorance not yet dispelled, suspicion and unwilling surrender, the dramatic question is repeated, Who is this King of Glory?' The answer is sharp and authoritative in its brevity, and we may fancy it shouted with a full-throated burst--The Lord of Hosts,' who, as Captain, commands all the embattled energies of earth and heaven conceived as a disciplined army. That great name, like a charge of dynamite, bursts the gates of brass asunder, and with triumphant music the procession sweeps into the conquered city.
Now these great words, throbbing with the enthusiasm at once of poetry and of devotion, may, I think, teach us a great deal if we ponder them.