Every man walketh in a vain show.' The original is even more striking and strong. And although one does not like altering words so familiar as those of our translation, which have sacredness from association and a melancholy music in their rhythm--still it is worth while to note that the force of the expression which the Psalmist employs is correctly given in the margin,' in an image'--or in a shadow.' The phrase sounds singular to us, but is an instance of a common enough Hebrew idiom, and is equivalent to saying--he walks in the character or likeness of a shadow, or, as we should say, he walks as a shadow. That is to say, the whole outward life and activity of every man is represented as fleeting and unsubstantial, like the reflection of a cloud which darkens leagues of the mountains' side in a moment, and ere a man can say, Behold!' is gone again for ever.
Then, look at the other image employed in the other clause of our text to express the same idea, I am a stranger and a sojourner, as all my fathers.' The phrase has a history. In that most pathetic narrative of an old-world sorrow long since calmed and consoled, when Abraham stood up from before his dead,' and craved a burying-place for his Sarah from the sons of Heth, his first plea was, I am a stranger and a sojourner with you.' In his lips it was no metaphor. He was a stranger, a visitor for a brief time to an alien land; he was a sojourner, having no rights of inheritance, but settled among them for a while, and though dwelling among them, not adopted into their community. He was a foreigner, not naturalised. And such is our relation to all this visible frame of things in which we dwell. It is alien to us; though we be in it, our true affinities are elsewhere; though we be in it, our stay is brief, as that of a wayfaring man that turns aside to tarry for a night.'
And there is given in the context still another metaphor setting forth the same fact in that dreary generalisation which precedes my text, Every man at his best state' --or as the word means,' established,'--with his roots most firmly struck in the material and visible--is only a breath.' It appears for a moment, curling from lip and nostril into the cold morning air, and vanishes away, so thus vaporous, filmy, is the seeming solid fact of the most stable life.
These have been the commonplaces of poets and rhetoricians and moralists in all time. But threadbare as the thought is, I may venture to dwell on it for a moment. I know I am only repeating what we all believe--and all forget. It is never too late to preach commonplaces, until everybody acts on them as well as admits them--and this old familiar truth has not yet got so wrought into the structure of our lives that we can afford to say no more about it.
Surely every man walketh in a shadow.' Did you ever stand upon the shore on some day of that uncertain weather, when gloom and glory meet together,' and notice how swiftly there went, racing over miles of billows, a darkening that quenched all the play of colour in the waves, as if all suddenly the angel of the waters had spread his broad wings between sun and sea, and then how in another moment as swiftly it flits away, and with a burst the light blazes out again, and leagues of ocean flash into green and violet and blue. So fleeting, so utterly perishable are our lives for all their seeming solid permanency. Shadows in a career. as George Herbert has it--breath going out of the nostrils. We think of ourselves as ever to continue in our present posture. We are deceived by illusions. Mental indolence, a secret dislike of the thought, and the impostures of sense, all conspire to make us blind to, or at least oblivious of, the plain fact which every beat of our pulses might preach, and the slow creeping hands of every parish clock confirm. How awful that silent, unceasing footfall of receding days is when once we begin to watch it! Inexorable, passionless--though hope and fear may pray, Sun! stand thou still on Gibeon; and thou moon! in the valley of Ajalon,'--the tramp of the hours goes on. The poets paint them as a linked chorus of rosy forms, garlanded, and clasping hands as they dance onwards. So they may be to some of us at some moments. So they may seem as they approach; but those who come hold the hands of those who go, and that troop has no rosy light upon their limbs, their garlands are faded, the sunshine falls not upon the grey and shrouded shapes, as they steal ghostlike through the gloom--and ever and ever the bright and laughing sisters pass on into that funereal band which grows and moves away from us unceasing. Alas! for many of us it bears away with it our lost treasures, our shattered hopes, our joys from which all the bright petals have dropped! Alas! for many of us there is nothing but sorrow in watching how all things become part and parcel of the dreadful past.'
And how strangely sometimes even a material association may give new emphasis to that old threadbare truth. Some more permanent thing may help us to feel more profoundly the shadowy fleetness of man. The trifles are so much more lasting than their owners. Or, as the Preacher' puts it, with such wailing pathos, One generation passeth away, and another generation cometh, but the earth abideth for ever.' This material is perishable--but yet how much more enduring than we are! The pavements we walk upon, the coals in our grates --how many millenniums old are they? The pebble you kick aside with your foot--how many generations will it outlast? Go into a museum and you will see hanging there, little the worse for centuries, battered shields, notched swords, and gaping helmets--aye, but what has become of the bright eyes that once flashed the light of battle through the bars, what has become of the strong hands that once gripped the hilts? The knights aredust,' and their good swords are' not rust.' The material lasts after its owner. Seed corn is found in a mummy case. The poor form beneath the painted lid is brown and hard, and more than half of it gone to pungent powder, and the man that once lived has faded utterly: but the handful of seed has its mysterious life in it, and when it is sown, in due time the green blade pushes above English soil, as it would have done under the shadow of the pyramids four thousand years ago--and its produce waves in a hundred harvest fields to-day. The money in your purses now, will some of it bear the head of a king that died half a century ago. It is bright and useful--where are all the people that in turn said they owned' it? Other men will live in our houses, will preach from this pulpit, and sit in these pews, when you and I are far away. And other June days will come, and the old rose-trees will flower round houses where unborn men will then be living, when the present possessor is gone to nourish the roots of the roses in the graveyard!
Our days are as a shadow, and there is none abiding.' So said David on other occasions. We know, dear brethren! how true it is, whether we consider the ceaseless flux and change of things, the mystic march of the silent-footed hours, or the greater permanence which attaches to the things which perish,' than to our abode among them. We know it, and yet how hard it is not to yield to the inducement to act and feel as if all this painted scenery were solid rock and mountain. By our own inconsiderateness and sensuousness, we live in a lie, in a false dream of permanence, and so in a sadder sense we walk in a vain show,'--deluding ourselves with the conceit of durability, and refusing to see that the apparent is the shadowy, and the one enduring reality God. It is hard to get even the general conviction vivified in men's minds, hardest of all to get any man to reflect upon it as applying to himself. Do not think that you have said enough to vindicate neglect of my words now, when you call them commonplace. So they are. But did you ever take that well-worn old story, and press it on your own consciousness --as a man might press a common little plant, whose juice is healing, against his dim eye-ball--by saying to yourself, It is true of me. I walk as a shadow. I am gliding onwards to my doom. Through my slack hands the golden sands are flowing, and soon my hour-glass will run out, and I shall have to stop and go away.' Let me beseech you for one half-hour's meditation on that fact before this day closes. You will forget my words then, when with your own eyes you have looked upon that truth, and felt that it is not merely a toothless commonplace, but belongs to and works in thy life, as it ebbs away silently and incessantly from thee.
