He made the special curtain of blue, purple, and scarlet yarn and fine twisted linen; he made it with cherubim, the work of an artistic designer.

Bezalel made the ark of acacia wood; its length was three feet nine inches, its width two feet three inches, and its height two feet three inches.

one cherub on one end and one cherub on the other end. He made the cherubim from the atonement lid on its two ends.

He cast four gold rings for it and attached the rings at the four corners where its four legs were.

He made the incense altar of acacia wood. Its length was a foot and a half and its width a foot and a half – a square – and its height was three feet. Its horns were of one piece with it.

He overlaid it with pure gold – its top, its four walls, and its horns – and he made a surrounding border of gold for it.

He made the altar for the burnt offering of acacia wood seven feet six inches long and seven feet six inches wide – it was square – and its height was four feet six inches.

He put the poles into the rings on the sides of the altar, with which to carry it. He made the altar hollow, out of boards.

He made the large basin of bronze and its pedestal of bronze from the mirrors of the women who served at the entrance of the tent of meeting.

The one hundred talents of silver were used for casting the bases of the sanctuary and the bases of the special curtain – one hundred bases for one hundred talents, one talent per base.

They hammered the gold into thin sheets and cut it into narrow strips to weave them into the blue, purple, and scarlet yarn, and into the fine linen, the work of an artistic designer.

They set the onyx stones in gold filigree settings, engraved as with the engravings of a seal with the names of the sons of Israel.

He put them on the shoulder pieces of the ephod as stones of memorial for the Israelites, just as the Lord had commanded Moses.

He made the breastpiece, the work of an artistic designer, in the same fashion as the ephod, of gold, blue, purple, and scarlet, and fine twisted linen.

and they made two gold filigree settings and two gold rings, and they attached the two rings to the upper two ends of the breastpiece.

They made bells of pure gold and attached the bells between the pomegranates around the hem of the robe between the pomegranates.

There was a bell and a pomegranate, a bell and a pomegranate, all around the hem of the robe, to be used in ministering, just as the Lord had commanded Moses.

The sash was of fine twisted linen and blue, purple, and scarlet yarn, the work of an embroiderer, just as the Lord had commanded Moses.

They made a plate, the holy diadem, of pure gold and wrote on it an inscription, as on the engravings of a seal, “Holiness to the Lord.”

They attached to it a blue cord, to attach it to the turban above, just as the Lord had commanded Moses.