Isaiah 15:5

15:5 My heart cries out because of Moab’s plight, ¹ 

and for the fugitives ²  stretched out ³  as far as Zoar and Eglath Shelishiyah.

For they weep as they make their way up the ascent of Luhith;

they loudly lament their demise on the road to Horonaim. ⁴ 

Isaiah 16:7-11

16:7 So Moab wails over its demise ⁵  –

they all wail!

Completely devastated, they moan

about what has happened to the raisin cakes of Kir Hareseth. ⁶ 

16:8 For the fields of Heshbon are dried up,

as well as the vines of Sibmah.

The rulers of the nations trample all over its vines,

which reach Jazer and spread to the desert;

their shoots spread out and cross the sea.

16:9 So I weep along with Jazer ⁷ 

over the vines of Sibmah.

I will saturate you ⁸  with my tears, Heshbon and Elealeh,

for the conquering invaders shout triumphantly

over your fruit and crops. ⁹ 

16:10 Joy and happiness disappear from the orchards,

and in the vineyards no one rejoices or shouts;

no one treads out juice in the wine vats ¹⁰  –

I have brought the joyful shouts to an end. ¹¹ 

16:11 So my heart constantly sighs for Moab, like the strumming of a harp, ¹² 

my inner being sighs ¹³  for Kir Hareseth. ¹⁴ 

[15:5]  ¹ tn Heb “for Moab.” For rhetorical purposes the speaker (the Lord?, see v. 9) plays the role of a mourner.

[15:5]  ² tn The vocalization of the Hebrew text suggests “the bars of her gates,” but the form should be repointed to yield, “her fugitives.” See HALOT 156-57 s.v. בָּרִחַ, and BDB 138 s.v. בָּרִיהַ.

[15:5]  ³ tn The words “are stretched out” are supplied in the translation for stylistic reasons.

[15:5]  ⁴ tn Heb “For the ascent of Luhith, with weeping they go up it; for [on] the road to Horonaim an outcry over shattering they raise up.”

[16:7]  ⁵ tn Heb “So Moab wails for Moab.”

[16:7]  ⁶ tn The Hebrew text has, “for the raisin cakes of Kir Hareseth you [masculine plural] moan, surely destroyed.” The “raisin cakes” could have cultic significance (see Hos 3:1), but the next verse focuses on agricultural disaster, so here the raisin cakes are mentioned as an example of the fine foods that are no longer available (see 2 Sam 6:19; Song 2:5) because the vines have been destroyed by the invader (see v. 8). Some prefer to take אֲשִׁישֵׁי (’ashishe, “raisin cakes of”) as “men of” (see HALOT 95 s.v. *אָשִׁישׁ; cf. NIV). The verb form תֶהְגּוּ (tehgu, “you moan”) is probably the result of dittography (note that the preceding word ends in tav [ת]) and should be emended to הגו (a perfect, third plural form), “they moan.”

[16:9]  ⁷ tn Heb “So I weep with the weeping of Jazer.” Once more the speaker (the Lord? – see v. 10b) plays the role of a mourner (see 15:5).

[16:9]  ⁸ tc The form אֲרַיָּוֶךְ (’arayyavekh) should be emended to אֲרַוָּיֶךְ (’aravvayekh; the vav [ו] and yod [י] have been accidentally transposed) from רָוָה (ravah, “be saturated”).

[16:9]  ⁹ tn Heb “for over your fruit and over your harvest shouting has fallen.” The translation assumes that the shouting is that of the conqueror (Jer 51:14). Another possibility is that the shouting is that of the harvesters (see v. 10b, as well as Jer 25:30), in which case one might translate, “for the joyful shouting over the fruit and crops has fallen silent.”

[16:10]  ¹⁰ tn Heb “wine in the vats the treader does not tread.”

[16:10]  ¹¹ sn The Lord appears to be the speaker here. See 15:9.

[16:11]  ¹² tn Heb “so my intestines sigh for Moab like a harp.” The word מֵעַי (me’ay, “intestines”) is used here of the seat of the emotions. English idiom requires the word “heart.” The point of the comparison to a harp is not entirely clear. Perhaps his sighs of mourning resemble a harp in sound, or his constant sighing is like the repetitive strumming of a harp.

[16:11]  ¹³ tn The verb is supplied in the translation; “sighs” in the preceding line does double duty in the parallel structure.

[16:11]  ¹⁴ tn Heb “Kir Heres” (so ASV, NRSV, TEV, CEV), a variant name for “Kir Hareseth” (see v. 7).