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Text -- Job 21:12 (NET)

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Context
21:12 They sing to the accompaniment of tambourine and harp, and make merry to the sound of the flute.
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Names, People and Places, Dictionary Themes and Topics

Dictionary Themes and Topics: Worldliness | Wicked | Timbrel | Sin | Rich, The | Pleasure | ORGAN | Music, Instrumental | Music | Job | Harp | Happiness | Amusements and Worldly Pleasures | more
Table of Contents

Word/Phrase Notes
JFB , Clarke , TSK

Word/Phrase Notes
Barnes , Gill

Verse Notes / Footnotes
NET Notes

Verse Range Notes
TSK Synopsis , MHCC , Matthew Henry , Keil-Delitzsch , Constable

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Commentary -- Word/Phrase Notes (per phrase)

JFB: Job 21:12 - -- Rather, "lift up the voice" (sing) to the note of [UMBREIT].

Rather, "lift up the voice" (sing) to the note of [UMBREIT].

JFB: Job 21:12 - -- Rather, "tambourine."

Rather, "tambourine."

JFB: Job 21:12 - -- Not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all ki...

Not the modern "organ," but the "pipe" (Gen 4:21). The first clause refers to stringed, the latter, to wind instruments; thus, with "the voice" all kinds of music are enumerated.

Clarke: Job 21:12 - -- They take the timbrel and harp - ישאו yisu , they rise up or lift themselves up, probably alluding to the rural exercise of dancing. תף toph...

They take the timbrel and harp - ישאו yisu , they rise up or lift themselves up, probably alluding to the rural exercise of dancing. תף toph , which we translate timbrel, means a sort of drum, such as the tom-tom of the Asiatics. כנור kinnor may mean something of the harp kind. עוגב ugab , organ, means nothing like the instrument now called the organ, though thus translated both by the Septuagint and Vulgate; it probably means the syrinx, composed of several unequal pipes, close at the bottom, which when blown into at the top, gives a very shrill and lively sound. To these instruments the youth are represented as dancing joyfully. Mr. Good translates: "They trip merrily to the sound of the pipe."And illustrates his translation with the following verse: -

"Now pursuing, now retreating,
Now in circling troops they meet

To brisk notes in cadence beating,
Glance their many twinkling feet.

The original is intended to convey the true notion of the gambols of the rustic nymphs and swains on festival occasions, and let it be observed that this is spoken of the children of those who say unto God, "Depart from us; for we desire not the knowledge of thy ways. What is the Almighty, that we should serve him? and what profit should we have if we pray unto him?"Job 21:14, Job 21:15. Is it any wonder that the children of such parents should be living to the flesh, and serving the lusts of the flesh? for neither they nor their parents know God, nor pray unto him.

TSK: Job 21:12 - -- Gen 4:21, Gen 31:27; Isa 5:12, Isa 22:13; Amo 6:4-6

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Commentary -- Word/Phrase Notes (per Verse)

Barnes: Job 21:12 - -- They take the timbrel - They have instruments of cheerful music in their dwellings; and this is an evidence that they are not treated as the fr...

They take the timbrel - They have instruments of cheerful music in their dwellings; and this is an evidence that they are not treated as the friends of Job had maintained. Instead of being, as they asserted, overwhelmed with calamity, they are actually happy. They have all that can make them cheerful, and their houses exhibit all that is usually the emblem of contentment and peace. Rosenmuller and Noyes suppose this to mean, "They sing to the timbrel and harp;"that is, "they raise up"( ישׂאו yı̂s'û ) "the voice"to accompany the timbrel. Dr. Good renders it, "They rise up to the tabor and harp, and trip merrily to the sound of the pipe."So Wemyss. It is literally, "They rise up with the tabor;"and the word "voice"may be understood, and the meaning may be that they accompany the timbrel with the voice. The Vulgate and the Septuagint, however, render it, they "Take up the timbrel."Dr. Good supposes that the allusion is to the modes of dancing; to their raising themselves in an erect position, and then changing their position - advancing and retreating as in alternate dances, and quotes the following exquisite piece of poetry as illustrating it:

"Now pursuing, now retreating,

Now in circling troops they meet;

To brisk notes, in cadence meeting.

Glance their many-twinkling feet."

Still, it seems to me, that the exact idea has not been expressed. It is this, "They raise, or elevate ( ישׂאו yı̂s'û ) scil . themselves;"that is, they become exhilarated and excited at the sound of music. It is in their dwellings, and it is one of the indications of joy. Instead of lamentations and wo, as his friends said there would be in such dwellings, Job says that there was there the sound of music and mirth; that they exhilarated themselves, and were happy. On the word rendered "timbrel"( תף tôph ) and the word "harp"( כנור kı̂nnôr ), see the notes at Isa 5:12.

At the sound of the organ - The word "organ"we now apply to an instrument of music which was wholly unknown in the time of Job. With us it denotes an instrument consisting of pipes, which are filled with wind, and of stops touched by the fingers. It is the largest and most harmonious of the wind instruments, and is blown by bellows. That such an instrument was known in the time of Job, is wholly improbable, and it is not probable that it would be used for the purposes here referred to if it were known. Jerome renders it, "organ;"the Septuagint, ψαλμοῦ psalmou , "the sound of a song;"Noyes, "pipe;"Lee, "lyre;"Good and Wemyss, "pipe."The Hebrew word ( עוּגב ‛ûgâb ) is derived from עגב ‛âgab - to breathe, to blow; and it is manifest that the reference is to some wind instrument. Various forms of wind instruments were early invented, and this is expressly mentioned as having been early in use. Thus, it is said of Jubal Gen 4:21, "He was the father of all such as handle the harp and organ"- עוּגב ‛ûgâb . It was probably at first a rude reed or pipe, which came ultimately to be changed to the fife and flute. It is here mentioned merely as an instrument exciting hilarity, and in the mere use of such an instrument there can be nothing improper. Job does not mean, evidently, to complain of it as wrong. He is simply showing that the wicked live in ease and prosperity, and are not subjected to trials and calamities as his friends maintained.

Gill: Job 21:12 - -- They take the timbrel and harp,.... Not the children, but the parents of them; these took these instruments of music into their hands, and played upon...

They take the timbrel and harp,.... Not the children, but the parents of them; these took these instruments of music into their hands, and played upon them while their children danced; thus merrily they spent their time: or, as Jarchi and Aben Ezra, they lift up the voice with the tabret and harp; that is, while they played on these with their hands, they sung songs with their mouths; they used both vocal and instrumental music together, to make the greater harmony, and give the greater pleasure, like those in Amo 6:5;

and rejoice at the sound of the organ; a musical instrument, very pleasant and entertaining, from whence it has its name in the Hebrew tongue; but of what form it was cannot be with certainty said; that which we now so call is of later invention, and unknown in those times: probably Job may have respect to Jubal, the inventor of this sort of music, and others of the posterity of Cain before the flood, who practised it, and were delighted in it; in which they were imitated and followed by wicked men after it, and in Job's time, Gen 4:21.

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Commentary -- Verse Notes / Footnotes

NET Notes: Job 21:12 The verb is simply “they take up [or lift up],” but the understood object is “their voices,” and so it means “they sing....

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Commentary -- Verse Range Notes

TSK Synopsis: Job 21:1-34 - --1 Job shews that even in the judgment of man he has reason to be grieved.7 Sometimes the wicked prosper, though they despise God.16 Sometimes their de...

MHCC: Job 21:7-16 - --Job says, Remarkable judgments are sometimes brought upon notorious sinners, but not always. Wherefore is it so? This is the day of God's patience; an...

Matthew Henry: Job 21:7-16 - -- All Job's three friends, in their last discourses, had been very copious in describing the miserable condition of a wicked man in this world. "It is...

Keil-Delitzsch: Job 21:12-16 - -- 12 They raise their voice with the playing of timbrel aud harp, And rejoice at the sound of the pipe 13 They enjoy their days in prosperity, And ...

Constable: Job 15:1--21:34 - --C. The Second Cycle of Speeches between Job and His Three Friends chs. 15-21 In the second cycle of spee...

Constable: Job 21:1-34 - --6. Job's second reply to Zophar ch. 21 After the first cycle of speeches, Job responded to a poi...

Constable: Job 21:7-16 - --The wicked's continued prosperity 21:7-16 Job's friends had been selective in their obse...

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Introduction / Outline

JFB: Job (Book Introduction) JOB A REAL PERSON.--It has been supposed by some that the book of Job is an allegory, not a real narrative, on account of the artificial character of ...

JFB: Job (Outline) THE HOLINESS OF JOB, HIS WEALTH, &c. (Job 1:1-5) SATAN, APPEARING BEFORE GOD, FALSELY ACCUSES JOB. (Job 1:6-12) SATAN FURTHER TEMPTS JOB. (Job 2:1-8)...

TSK: Job (Book Introduction) A large aquatic animal, perhaps the extinct dinosaur, plesiosaurus, the exact meaning is unknown. Some think this to be a crocodile but from the desc...

TSK: Job 21 (Chapter Introduction) Overview Job 21:1, Job shews that even in the judgment of man he has reason to be grieved; Job 21:7, Sometimes the wicked prosper, though they des...

Poole: Job 21 (Chapter Introduction) CHAPTER 21 Job’ s reply: he complaineth not to man, in whose judgment he hath most reason to grieve; but exciteth their attention to convincin...

MHCC: Job (Book Introduction) This book is so called from Job, whose prosperity, afflictions, and restoration, are here recorded. He lived soon after Abraham, or perhaps before tha...

MHCC: Job 21 (Chapter Introduction) (Job 21:1-6) Job entreats attention. (Job 21:7-16) The prosperity of the wicked. (Job 21:17-26) The dealings of God's providence. (Job 21:27-34) Th...

Matthew Henry: Job (Book Introduction) An Exposition, with Practical Observations, of The Book of Job This book of Job stands by itself, is not connected with any other, and is therefore to...

Matthew Henry: Job 21 (Chapter Introduction) This is Job's reply to Zophar's discourse, in which he complains less of his own miseries than he had done in his former discourses (finding that h...

Constable: Job (Book Introduction) Introduction Title This book, like many others in the Old Testament, got its name from...

Constable: Job (Outline) Outline I. Prologue chs. 1-2 A. Job's character 1:1-5 B. Job's calamitie...

Constable: Job Job Bibliography Andersen, Francis I. Job. Tyndale Old Testament Commentaries series. Leicester, Eng. and Downe...

Haydock: Job (Book Introduction) THE BOOK OF JOB. INTRODUCTION. This Book takes its name from the holy man, of whom it treats; who, according to the more probable opinion, was ...

Gill: Job (Book Introduction) INTRODUCTION TO JOB This book, in the Hebrew copies, generally goes by this name, from Job, who is however the subject, if not the writer of it. In...

Gill: Job 21 (Chapter Introduction) INTRODUCTION TO JOB 21 This chapter contains Job's reply to Zophar's preceding discourse, in which, after a preface exciting attention to what he w...

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