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Text -- Acts 19:29 (NET)

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Context
19:29 The city was filled with the uproar, and the crowd rushed to the theater together, dragging with them Gaius and Aristarchus, the Macedonians who were Paul’s traveling companions.
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Names, People and Places, Dictionary Themes and Topics

Names, People and Places:
 · Aristarchus a man who accompanied Paul on his third missionary journey
 · Gaius a man or men who were involved with the apostles Paul and John
 · Macedonia a Roman province north of Greece which included 10 Roman colonies (IBD),citizens of the province of Macedonia
 · Paul a man from Tarsus who persecuted the church but became a missionary and writer of 13 Epistles


Dictionary Themes and Topics: TROPHIMUS | THESSALONICA | THEATRE | SPECTACLE | PAUL, THE APOSTLE, 5 | PASTORAL EPISTLES | MACEDONIA | LYDIA (1) | LAODICEANS, EPISTLE TO THE | John, Third Epistle of | Gaius | GAMES | GALATIANS, EPISTLE TO THE | Ephesus | Diana | Demetrius | CONFUSION | Beast | Asia | Aristarchus | more
Table of Contents

Word/Phrase Notes
Robertson , Vincent , Wesley , JFB , Clarke , Calvin , TSK

Word/Phrase Notes
Barnes , Poole , Gill

Verse Notes / Footnotes
NET Notes

Verse Range Notes
TSK Synopsis , Combined Bible , Maclaren , MHCC , Matthew Henry , Barclay , Constable , College , McGarvey

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Commentary -- Word/Phrase Notes (per phrase)

Robertson: Act 19:29 - -- With the confusion ( tēs sugchuseōs ). Genitive case after eplāsthā . An old word, but in the N.T. only here, from verb sugcheō , to pour t...

With the confusion ( tēs sugchuseōs ).

Genitive case after eplāsthā . An old word, but in the N.T. only here, from verb sugcheō , to pour together like a flood (only in Acts in the N.T.). Vivid description of the inevitable riot that followed "the appearance of such a body in the crowded agora of an excitable city"(Rackham) "vociferating the city’ s watch-word."

Robertson: Act 19:29 - -- They rushed ( hōrmēsan ). Ingressive aorist active indicative of hormaō , old verb for impetuous dashing, a case of mob psychology (mob mind), ...

They rushed ( hōrmēsan ).

Ingressive aorist active indicative of hormaō , old verb for impetuous dashing, a case of mob psychology (mob mind), with one accord (homothumadon as in Act 1:14, etc.).

Robertson: Act 19:29 - -- Into the theatre ( eis to theatron ). A place for seeing (theaomai ) spectacles, originally for dramatic representation (Thucydides, Herodotus), the...

Into the theatre ( eis to theatron ).

A place for seeing (theaomai ) spectacles, originally for dramatic representation (Thucydides, Herodotus), then for the spectators, then for the spectacle or show (1Co 4:9). The theatre (amphitheatre) at Ephesus can still be traced in the ruins (Wood, Ephesus ) and shows that it was of enormous size capable of seating fifty-six thousand persons (some estimate it only 24, 500). It was the place for large public gatherings of any sort out of doors like our football and baseball parks. In particular, gladiatorial shows were held in these theatres.

Robertson: Act 19:29 - -- Having seized Gaius and Aristarchus men of Macedonia ( sunarpasantes Gaion kai Aristarchon Makedonas ). See note on Act 6:12 for this same verb. They...

Having seized Gaius and Aristarchus men of Macedonia ( sunarpasantes Gaion kai Aristarchon Makedonas ).

See note on Act 6:12 for this same verb. They wanted some victims for this "gladiatorial"show. These two men were "Paul’ s companions in travel"(sunekdāmous Paulou ), together (sun ) with Paul in being abroad, away from home or people (ek̇dāmous , late word, in the N.T. only here and 2Co 8:19). How the mob got hold of Gaius (Act 20:4) and Aristarchus (Act 20:4; Act 27:2; Col 4:10; Phm 1:24) we do not know whether by accidental recognition or by search after failure to get Paul. In Rom 16:4 Paul speaks of Priscilla and Aquila as those "who for my life laid down their own necks."Paul lived with them in Ephesus as in Corinth. It is possible that Demetrius led the mob to their house and that they refused to allow Paul to go or to be seized at the risk of their own lives. Paul himself may have been desperately ill at this time as we know was the case once during his stay in Ephesus when he felt the answer of death in himself (2Co 1:9) and when God rescued him. That may mean that, ill as he was, Paul wanted to go and face the mob in the theatre, knowing that it meant certain death.

Vincent: Act 19:29 - -- The theatre The site of which can still be traced. It is said to have been capable of seating fifty-six thousand persons.

The theatre

The site of which can still be traced. It is said to have been capable of seating fifty-six thousand persons.

Vincent: Act 19:29 - -- Having seized ( συναρπάσαντες ) Lit., " having seized along with (σύν ):" carried them along with the rush.

Having seized ( συναρπάσαντες )

Lit., " having seized along with (σύν ):" carried them along with the rush.

Vincent: Act 19:29 - -- Companions in travel ( συνεκδήμους ) Only here and 2Co 8:19. The word is compounded of σύν , along with, ἐκ , forth, and...

Companions in travel ( συνεκδήμους )

Only here and 2Co 8:19. The word is compounded of σύν , along with, ἐκ , forth, and δῆμος , country or land, and means, therefore, one who has gone forth with another from his country.

Wesley: Act 19:29 - -- Demetrius and his company, into the theatre - Where criminals were wont to be thrown to the wild beasts, dragging with them Gaius and Aristarchus - Wh...

Demetrius and his company, into the theatre - Where criminals were wont to be thrown to the wild beasts, dragging with them Gaius and Aristarchus - When they could not find Paul. Probably they hoped to oblige them to fight with the wild beasts, as some think St. Paul had done before.

JFB: Act 19:28-29 - -- The civic cry of a populace so proud of their temple that they refused to inscribe on it the name of Alexander the Great, though he offered them the w...

The civic cry of a populace so proud of their temple that they refused to inscribe on it the name of Alexander the Great, though he offered them the whole spoil of his Eastern campaign if they would do it [STRABO in HOWSON].

JFB: Act 19:29 - -- Disappointed of Paul, as at Thessalonica (Act 17:5-6). They are mentioned in Act 20:4; Act 27:2; Rom 16:23; 1Co 1:14; and probably 3Jo 1:1. If it was ...

Disappointed of Paul, as at Thessalonica (Act 17:5-6). They are mentioned in Act 20:4; Act 27:2; Rom 16:23; 1Co 1:14; and probably 3Jo 1:1. If it was in the house of Aquila and Priscilla that he found an asylum (see 1Co 16:9), that would explain Rom 16:3-4, where he says of them that "for his life they laid down their own necks" [HOWSON].

JFB: Act 19:29 - -- A vast pile, whose ruins are even now a wreck of immense grandeur [SIR C. FELLOWES, Asia Minor, 1839].

A vast pile, whose ruins are even now a wreck of immense grandeur [SIR C. FELLOWES, Asia Minor, 1839].

Clarke: Act 19:29 - -- The whole city was filled with confusion - Thus we find the peace of the whole city was disturbed, not by an apostle preaching the Gospel of Christ,...

The whole city was filled with confusion - Thus we find the peace of the whole city was disturbed, not by an apostle preaching the Gospel of Christ, but by one interested, unprincipled knave, who did not even plead conscience for what he was doing; but that it was by this craft he and his fellows got their wealth, and he was afraid to lose it

Clarke: Act 19:29 - -- Rushed - into the theater - The theatres, being very spacious and convenient places, were often used for popular assemblies and public deliberation,...

Rushed - into the theater - The theatres, being very spacious and convenient places, were often used for popular assemblies and public deliberation, especially in matters which regarded the safety of the state. There are several proofs of this in ancient authors. So Tacitus, Hist. ii. 80, speaking concerning Vespasian, says: Antiochensium theatrum ingressus, ubi illis consultare mos est, concurrentes et in adulationem effusos alloquitur . "Having entered into the theater of the Antiochians, where it was the custom to hold consultations, the people running together, and being profuse in flattery, he addressed them."Frontinus, in Stratagem lib. iii. cap. 2, speaking of a public meeting at the theater at Agrigentum, observes, ubi ex more Graecorum locus consultationi praebebatur ; which, according to the custom of the Greeks, is the place for public deliberation. See several examples in Kypke.

Calvin: Act 19:29 - -- 29. Luke setteth down in this place the nature of the people, as if it were depainted in a table. − 395 Like as if a thousand houses should be set...

29. Luke setteth down in this place the nature of the people, as if it were depainted in a table. − 395 Like as if a thousand houses should be set on fire at a sudden, so all the city was on an uproar in one moment; and when such a tempest is once raised, it is not easily stayed. And forasmuch as the servants of Christ cannot avoid this mischief, they must be armed with invincible constancy, that they may boldly suffer the tumults raised among the people, and that they may not be troubled as with some new and strange matter, when they see that the people is unquiet. So Paul himself doth elsewhere triumph that he went valiantly through the midst of sedition ( 2Co 6:5). Nevertheless, the Lord doth uphold the ministers of his word with an excellent comfort, when as they be tossed amidst diverse storms and garboils, and with excellent boldness doth he establish them, when he doth testify that he holdeth the helm of his Church; and not that only, but that he is the governor and moderator of all tumults and storms, so that he can stay the same so soon as it seemeth good to him. Therefore, let us know that we must sail as it were in a tempestuous sea; yet that we must suffer this infamy, as if we ourselves were the procurers of trouble? − 396 neither may anything lead us away from the right course of our duty. So that in sailing we shall be sore troubled; yet will not the Lord suffer us to suffer shipwreck. Furthermore, we see that though sedition be confused, yet doth the people always take the worse part; as the men of Ephesus do now catch Gains and Aristarchus, and they drive back Alexander with their furious outcries. Whence cometh this, save only because Satan doth reign in their hearts, so that they rather favor an evil cause? There is also another reason, because a prejudice conceived upon a false report doth possess their minds, so that they cannot abide to sift the cause any farther. −

TSK: Act 19:29 - -- the whole : Act 19:32, Act 17:8, Act 21:30,Act 21:38 Gaius : Rom 16:23; 1Co 1:14 Aristarchus : Act 20:4, Act 27:2; Col 4:10; Phm 1:24 Macedonia : Mace...

the whole : Act 19:32, Act 17:8, Act 21:30,Act 21:38

Gaius : Rom 16:23; 1Co 1:14

Aristarchus : Act 20:4, Act 27:2; Col 4:10; Phm 1:24

Macedonia : Macedonia, an extensive province of Greece, was bounded on the north by the mountains of Haemus, on the south by Epirus and Achaia, on the east by the Aegean sea and Thrace, and on the west by the Adriatic sea; celebrated in all histories as being the third kingdom which, under Alexander the Great, obtained the empire of the world, and had under it 150 nations.

the theatre : 1Co 4:9 *Gr.

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Commentary -- Word/Phrase Notes (per Verse)

Barnes: Act 19:29 - -- Confusion - Tumult; disorder. Gaius - He had lived at Corinth, and had kinky entertained Paul at his house, 1Co 1:14; Rom 16:23. Ari...

Confusion - Tumult; disorder.

Gaius - He had lived at Corinth, and had kinky entertained Paul at his house, 1Co 1:14; Rom 16:23.

Aristarchus - He attended Paul to Rome, and was there a prisoner with him, Col 4:10.

With one accord - Tumultuously; or with one mind or purpose.

Into the theatre - The theaters of the Greeks were not only places for public exhibitions, but also for holding assemblies, and often for courts, elections, etc. The people, therefore, naturally rushed there, as being a suitable place to decide this matter.

Poole: Act 19:29 - -- Filled with confusion tumults and noise; all conditions of men, high and low, promiscuously being met in such uproars. Gaius one born at Derbe, but...

Filled with confusion tumults and noise; all conditions of men, high and low, promiscuously being met in such uproars.

Gaius one born at Derbe, but living at Thessalonica, as Act 20:4 .

Aristarchus of whom we read, Act 27:2 Col 4:10 .

The theatre a place or structure built for public uses; whence;

1. Their sports or plays in any public solemnity were beheld.

2. Their speeches or orations in their common assemblies were heard.

3. Where they punished also their malefactors; it being accommodated with several steps or seats higher than one another, and of vast extent for these purposes.

Hither, according to their custom, they resort, to hear if any one would speak upon this occasion to them; or rather, to get these Christians condemned and executed for their supposed sacrilege and blasphemy.

Gill: Act 19:29 - -- And the whole city was filled with confusion,.... For the workmen that made the silver shrines very likely ran up and down in the city, crying out, gr...

And the whole city was filled with confusion,.... For the workmen that made the silver shrines very likely ran up and down in the city, crying out, great is Diana of the Ephesians, which brought the people out of their houses to inquire what was the matter; and the mob gathering and increasing, as they went along, threw the whole city into confusion and disorder:

and having caught Gaius and Aristarchus, men of Macedonia; the latter of these was of Thessalonica in Macedonia, as appears from Act 20:4 but of what place the former was, is not certain; however, being a Macedonian, he could not be the Gaius of Derbe, mentioned in the same place, nor the Gaius of Corinth, 1Co 1:14 but some third person. They are both Greek names; Aristarchus signifies the chief of princes, or the prince of chiefs; and Gaius is a name taken from the joy of parents, and is the same with the Roman name, Caius; they are both reckoned among the seventy disciples; the former is said to be bishop of Apamea in Phrygia, and the latter Bishop of Ephesus; See Gill on Luk 10:1.

Paul's companions in travel; whom he brought with him out of Macedonia, and who had been with him to Jerusalem and Antioch, and were now returned with him to Ephesus, where they had been with him for the space of two years, or more: it is very much that this mob had not seized on Paul himself: it may be Paul was within doors, and these were without in the streets, and so were laid hold upon and carried away in a most forcible and violent manner by them: who having got them,

they rushed with one accord into the theatre; where the public plays were acted in honour of the goddess Diana, and where, among other things, men were set to fight with wild beasts; and very likely the intention of the mob, in hurrying Paul's companions thither, was to throw them to the wild beasts. A theatre is a spectacle or show, so called, because in them fights were shown, plays were acted, games exercised, and battles fought between men and men, and between men and beasts, and between beasts and beasts; concerning which, take the following account x:

"Theatre, among the ancients, is a public edifice for the exhibiting of scenic spectacles, or shows to the people--under the word theatre was comprehended not only the eminence, whereon the actors appeared, and the action passed, but also the whole area, or extent of the place common to the actors and spectators: in this sense the theatre was a building encompassed with porticos, and furnished with seats of stone, disposed in semicircles, and ascending gradually over one another, which encompassed a space called the "orchestra"; in the front whereof was the "proscenium" or "pulpitum", whereon the actors performed the "scena", a large front adorned with orders of architecture; behind which was "postscenium", or the place where the actors made themselves ready, retired, &c. so that the "scena", in its full extent, comprehended all the part belonging to the actors. In the Greek theatres, the "orchestra" made a part of the "scena"; but in the Roman theatres, none of the actors ever descended into the "orchestra", which was taken up by the seats of the senators.''

For the better understanding the terms used, and the several parts of the theatre, let it be observed, that the "scena", according to others y was the place from whence the actors first went out; and it reached from one corner of the theatre to the other, and was threefold; "tragical", which was adorned in a royal manner with pillars and signs; "comical", which represented private buildings; and "satirical", which exhibited trees, caves, mountains, &c. Likewise, the "scena" was either "versile", when on a sudden the whole scene was turned by some machines; or "ductile", when by drawing away the boards the inward face of the scene appeared, or by drawing curtains. The "proscenium" was a place lower than the scene, in which the actors chiefly spoke and acted: the "postscenium" was a place in which these things were done, which could not be done fitly, and with decorum in the scenes: the "pulpitum" was a higher place in the "proscenium", in which those that recited stood: the "orchestra" was the last place, in which they danced, and near which the senators sat. Tarquinius Priscus was the first who introduced plays among the Romans; and the temple of Bacchus at Athens was the first theatre in the world, the remains of which are still to be seen. Of this theatre at Ephesus I have not met with any account; whether it was in the temple, or without, is not certain; very likely it might be a part of it, or adjoin unto it.

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Commentary -- Verse Notes / Footnotes

NET Notes: Act 19:29 Grk “to the theater with one accord.”

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Commentary -- Verse Range Notes

TSK Synopsis: Act 19:1-41 - --1 The Holy Ghost is given by Paul's hands.8 The Jews blaspheme his doctrine, which is confirmed by miracles.13 The Jewish exorcists,16 are beaten by t...

Combined Bible: Act 19:29 - --notes on verse 28     

Maclaren: Act 19:21-34 - --The Fight With Wild Beasts At Ephesus After these things were ended, Paul purposed in the spirit, when he had passed through Macedonia and Achaia, to...

MHCC: Act 19:21-31 - --Persons who came from afar to pay their devotions at the temple of Ephesus, bought little silver shrines, or models of the temple, to carry home with ...

Matthew Henry: Act 19:21-41 - -- I. Paul is here brought into some trouble at Ephesus, just when he is forecasting to go thence, and to cut out work for himself elsewhere. See here,...

Barclay: Act 19:23-41 - --This thrilling story sheds a great deal of light on the characters in it. First, there are Demetrius and the silversmiths. Their trouble was that t...

Constable: Act 9:32--Rom 1:1 - --III. THE WITNESS TO THE UTTERMOST PART OF THE EARTH 9:32--28:31 Luke next recorded the church's expansion beyond...

Constable: Act 19:21--Rom 1:1 - --D. The extension of the church to Rome 19:21-28:31 "The panel is introduced by the programmatic statemen...

Constable: Act 19:21--21:17 - --1. Ministry on the way to Jerusalem 19:21-21:16 At this point in his ministry Paul began to focu...

Constable: Act 19:23-41 - --The riot in Ephesus 19:23-41 This incident reveals more about the effects of the gospel on Ephesian society and religion (cf. vv. 13-20). "Luke's purp...

College: Act 19:1-41 - --ACTS 19 3. The Twelve Disciples at Ephesus (19:1-7) 1 While Apollos was at Corinth, Paul took the road through the interior and arrived at Ephesus. ...

McGarvey: Act 19:28-29 - --28, 29. The prospect of pecuniary ruin enraged the artisans, while their veneration for the goddess suggested the best theme on which to give vent to ...

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Introduction / Outline

Robertson: Acts (Book Introduction) THE ACTS OF THE APOSTLES By Way of Introduction But for the Acts we should know nothing of the early apostolic period save what is told in the Epi...

JFB: Acts (Book Introduction) THIS book is to the Gospels what the fruit is to the tree that bears it. In the Gospels we see the corn of wheat falling into the ground and dying: in...

JFB: Acts (Outline) INTRODUCTION--LAST DAYS OF OUR LORD UPON EARTH--HIS ASCENSION. (Act 1:1-11) RETURN OF THE ELEVEN TO JERUSALEM--PROCEEDINGS IN THE UPPER ROOM TILL PEN...

TSK: Acts (Book Introduction) The Acts of the Apostles is a most valuable portion of Divine revelation; and, independently of its universal reception in the Christian church, as an...

TSK: Acts 19 (Chapter Introduction) Overview Act 19:1, The Holy Ghost is given by Paul’s hands; Act 19:8, The Jews blaspheme his doctrine, which is confirmed by miracles; Act 19:13...

Poole: Acts 19 (Chapter Introduction) CHAPTER 1

MHCC: Acts (Book Introduction) This book unites the Gospels to the Epistles. It contains many particulars concerning the apostles Peter and Paul, and of the Christian church from th...

MHCC: Acts 19 (Chapter Introduction) (Act 19:1-7) Paul instructs the disciples of John at Ephesus. (Act 19:8-12) He teaches there. (Act 19:13-20) The Jewish exorcists disgraced. Some Ep...

Matthew Henry: Acts (Book Introduction) An Exposition, with Practical Observations, of The Acts of the Apostles We have with an abundant satisfaction seen the foundation of our holy religion...

Matthew Henry: Acts 19 (Chapter Introduction) We left Paul in his circuit visiting the churches (Act 18:23), but we have not forgotten, nor has he, the promise he made to his friends at Ephesus...

Barclay: Acts (Book Introduction) INTRODUCTION TO THE ACTS OF THE APOSTLES A Precious Book In one sense Acts is the most important book in the New Testament. It is the simple truth t...

Barclay: Acts 19 (Chapter Introduction) In Ephesus (Act_19:1-7) Incomplete Christianity (Act_19:1-7 Continued) The Works Of God (Act_19:8-12) The Death-Blow To Superstition (Act_19:13-...

Constable: Acts (Book Introduction) Introduction Title The title "Acts of the Apostles" is very ancient. The Anti-Marcioni...

Constable: Acts (Outline) Outline I. The witness in Jerusalem 1:1-6:7 A. The founding of the church 1:1-2:46 ...

Constable: Acts Acts Bibliography Albright, William Foxwell. The Archaeology of Palestine. 1949. Revised ed. Pelican Archaeolog...

Haydock: Acts (Book Introduction) THE ACTS OF THE APOSTLES. INTRODUCTION. St. Luke, who had published his gospel, wrote also a second volume, which, from the first ages, hath bee...

Gill: Acts (Book Introduction) INTRODUCTION TO ACTS This book, in some copies, is called, "The Acts of the holy Apostles". It contains an history of the ministry and miracles of ...

College: Acts (Book Introduction) INTRODUCTION As early as the second century the title "The Acts of the Apostles" was given to this document. Before that time the work probably circu...

College: Acts (Outline) OUTLINE I. THE CHURCH IN JERUSALEM - 1:1-8:1a A. INTRODUCTION OF THE BOOK - 1:1-3 B. THE COMMISSIONING OF THE APOSTLES - 1:4-8 C. THE ASCENSI...

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