
Text -- Daniel 3:5 (NET)




Names, People and Places, Dictionary Themes and Topics



collapse allCommentary -- Word/Phrase Notes (per phrase)
A wind instrument, like the French horn, is meant.

JFB: Dan 3:5 - -- A pipe or pipes, not blown transversely as our "flute," but by mouthpieces at the end.
A pipe or pipes, not blown transversely as our "flute," but by mouthpieces at the end.

JFB: Dan 3:5 - -- A triangular stringed instrument, having short strings, the sound being on a high sharp key.
A triangular stringed instrument, having short strings, the sound being on a high sharp key.

JFB: Dan 3:5 - -- A bagpipe consisting of two pipes, thrust through a leathern bag, emitting a sweet plaintive sound. Chaldee sumponya, the modern Italian zampogna, Asi...
A bagpipe consisting of two pipes, thrust through a leathern bag, emitting a sweet plaintive sound. Chaldee sumponya, the modern Italian zampogna, Asiatic zambonja.

That the recusants might be the more readily detected.
Clarke: Dan 3:5 - -- The sound of the Cornet - There is not less difficulty in ascertaining the precise meaning of these musical instruments than there is in the offices...
The sound of the Cornet - There is not less difficulty in ascertaining the precise meaning of these musical instruments than there is in the offices in Dan 3:2.

Clarke: Dan 3:5 - -- Flute - משרוקיתא mashrokitha , from שרק sharak , to whistle, shriek. A wind instrument which made a strong and shrill noise, such as th...
Flute -

Clarke: Dan 3:5 - -- Harp - קיתרס kithros , cytharus; κιθαρα . Some kind of stringed instrument. It seems to be formed from the Greek word
Harp -

Clarke: Dan 3:5 - -- Sackbut - סבכא sabbecha . The Greek has it σαμβυκη, from which our word sackbut, from סבך sabach , to interweave; probably on acco...
Sackbut -

Clarke: Dan 3:5 - -- Psaltery - פסנתרין pesanterin ; Greek, ψαλτηριον . A stringed instrument, struck with a plectrum; that called santeer in Egypt i...
Psaltery -

Clarke: Dan 3:5 - -- Dulcimer - סומפניה sumponeyah ; Greek, συμφωνεια . Probably a kind of tamboor, tambourine, or tomtom drum. It does not mean the s...
Dulcimer -

Clarke: Dan 3:5 - -- All kinds of music - כל זני זמרא col zeney zemara , the whole stock, or band, of music; the preceding being the chief, the most common, an...
All kinds of music -
Defender -> Dan 3:5
Defender: Dan 3:5 - -- This list includes several Greek instruments, identified in the original by their Greek names, and this has served as an excuse for liberals to attrib...
This list includes several Greek instruments, identified in the original by their Greek names, and this has served as an excuse for liberals to attribute the book of Daniel to a late date. However, Greek culture was already well developed in Nebuchadnezzar's time and commerce between Greece and Babylon well established so that such instruments were common in Babylon at this time. The king's proclamation (Dan 3:4) acknowledged other languages in Babylon."
TSK -> Dan 3:5
TSK: Dan 3:5 - -- the cornet : Karna the horn. Dan 3:10,Dan 3:15
flute : Mashrokeetha , in Syriac mashrookeetha the συριγξ , pipe or flute, as Theodotio...

collapse allCommentary -- Word/Phrase Notes (per Verse)
Barnes -> Dan 3:5
Barnes: Dan 3:5 - -- That at what time ye hear the sound of the cornet - It would not be practicable to determine with precision what kind of instruments of music a...
That at what time ye hear the sound of the cornet - It would not be practicable to determine with precision what kind of instruments of music are denoted by the words used in this verse. They were, doubtless, in many respects different from those which are in use now, though they may have belonged to the same general class, and may have been constructed on substantially the same principles. A full inquiry into the kinds of musical instruments in use among the Hebrews may be found in the various treatises on the subject in Ugolin’ s "Thesau Ant. Sacra."tom. xxxii. Compare also the notes at Isa 5:12. The Chaldee word rendered "cornet"-
Flute -
Harp - On the form of the "harp,"see the notes at Isa 5:12. Compare Wilkinson, as above quoted. The harp was one of the earliest instruments of music that was invented, Gen 4:21. The Chaldee word here used is not the common Hebrew word to denote the harp (
Sackbut - Vulgate, Sambuca . Greek, like the Vulgate,
Psaltery - The Chaldee is
(1) that it is not absolutely certain that the word is derived from the Greek. See Pareau, 1. c. p. 424, as quoted in Hengstenberg, "Authentic des Daniel,"p. 16.
(2) It cannot be demonstrated that there were no Greeks in the regions of Chaldea as early as this. Indeed, it is more than probable that there were. See Hengstenberg, p. 16, following.
Nebuchadnezzar summoned to this celebration the principal personages throughout the realm, and it is probable that there would be collected on such an occasion all the forms of music that were known, whether of domestic or foreign origin.
Dulcimer -
Johnson (Dict.) describes the instrument as one that is "played by striking brass wires with little sticks."The Greek word would denote properly a concert or harmony of many instruments; but the word here is evidently used to denote a single instrument. Gesenius describes it as a double pipe with a sack; a bagpipe. Servius (on Virg. AEn. xi. 27) describes the "symphonia"as a bagpipe: and the Hebrew writers speak of it as a bagpipe consisting of two pipes thrust through a leather bag, and affording a mournful sound. It may be added, that this is the same name which the bagpipe bore among the Moors in Spain; and all these circumstances concur to show that this was probably the instrument intended here. "The modern Oriental bagpipe is composed of a goatskin, usually with the hair on, and in the natural form, but deprived of the head, the tail, and the feet; being thus of the same shape as that used by the water-carriers. The pipes are usually of reeds, terminating in the tips of cows’ horns slightly curved; the whole instrument being most primitively simple in its materials and construction."- "Pict. Bible."
And all kinds of music - All other kinds. It is not probable that all the instruments employed on that occasionwere actually enumerated. Only the principal instruments are mention ed, and among them those which showed that such as were of foreign origin were employed on the occasion. From the following extract from Chardin, it will be seen that the account here is not an improbable one, and that such things were not uncommon in the East: "At the coronation of Soliman, king of Persia, the general of the musqueteers having whispered some moments in the king’ s ear, among several other things of lesser importance gave out, that both the loud and soft music should play in the two balconies upon the top of the great building which stands at one end of the palace royal, called "kaisarie,"or palace imperial. No nation was dispensed with, whether Persians, Indians, Turks, Muscovites, Europeans, or others; which was immediately done. And this same "tintamarre,"or confusion of instruments, which sounded more like the noise of war than music, lasted twenty days together, without intermission, or the interruption of night; which number of twenty days was observed to answer to the number of the young monarch’ s years, who was then twenty years of age,"p. 51; quoted in Taylor’ s "fragments to Calmet’ s Dict."No. 485. It may be observed, also, that in such an assemblage of instruments, nothing would be more probable than that there would be some having names of foreign origin, perhaps names whose origin was to be found in nations not represented there. But if this should occur, it would not be proper to set the fact down as an argument against the authenticity of the history of Sir John Chardin, and as little should the similar fact revealed here be regarded as an argument against the genuineness of the book of Daniel.
Ye shall fall down and worship - That is, you shall render "religious homage."See these words explained in the notes at Dan 2:46. This shows, that whether this image was erected in honor of Belus, or of Nabopolassar, it was designed that he in whose honor it was erected should be worshipped as a god.
Poole -> Dan 3:5
Poole: Dan 3:5 - -- All kinds of music i.e. wind and stringed instruments of various sorts and fashions, for we have here Syrian and Greek ones, as appears by the words,...
All kinds of music i.e. wind and stringed instruments of various sorts and fashions, for we have here Syrian and Greek ones, as appears by the words, though in Chaldee letters, for this mighty monarch was lord over them all.
Ye fall down and worship: mark, all that is required of them is only a gesture of worship, without oral profession. The pomp and equipage, the solemn sound of the music, and the strict command, was enough to induce them to stoop and fall down to it. This is one of Satan’ s great engines to draw the world from God’ s pure worship, and the simplicity that is in Christ, dazzling men’ s eyes, and bewitching them with a gaudy, whorish dress of idolatrous service, as ye see in this example, and Rev 17:4,5 ; all which ariseth merely from hence, because men do not or will not see that God’ s worship is wholly spiritual, and most beautiful and glorious as such, 2Co 3:7 to the end; by this it excels all pagan, Jewish, and antichristian worship, all which is human, bodily, uncommanded of God, therefore displeasing and provoking, unprofitable, insnaring, and destructive. Now idolatrous gestures are sinful, because forbidden of God, Exo 20:5 , because this satisfies and hardens idolater’ s in their way, also because by this snare and critical mark their proselytes are known and distinguished, as here, they that stood up, when others fell down; thus antichrist and new Babylon hath her mark in the forehead and hands of her followers, Rev 13:15-17 . Primitive Christians would not offer a grain of frankincense to a pagan idol for fear or favour, nor true protestants kneel to the host, which the popish priest holds up to insnare them.
Haydock -> Dan 3:5
Haydock: Dan 3:5 - -- Symphony. This and several other terms seem taken from the Greek, though the scythara and sambuca came originally from Chaldea. (Calmet) ---
Do...
Symphony. This and several other terms seem taken from the Greek, though the scythara and sambuca came originally from Chaldea. (Calmet) ---
Down. This and offering incense were sometimes considered as marks of idolatry; so being present at the sermons and churches of Protestants was a sign of joining in their communion, being required for that purpose. (Worthington)
Gill -> Dan 3:5
Gill: Dan 3:5 - -- That at what time ye hear the sound of the cornet,.... So called of the horn of which it was made; a sort of trumpet; so the Jews had trumpets of rams...
That at what time ye hear the sound of the cornet,.... So called of the horn of which it was made; a sort of trumpet; so the Jews had trumpets of rams' horns:
flute; or pipe, or whistle, so called for its hissing noise; it is used of the shepherd's pipe or whistle; see Zec 10:8,
harp; an instrument of music used by David, and much in use among the Jews, and other nations;
sackbut; or "sambuca"; which, according to Athenaeus g, was a four stringed instrument, an invention of the Syrians; and Strabo h, a Greek writer, speaks of it as a barbarous name, as the eastern ones were reckoned by the Grecians:
psaltery; this seems to be a Greek word, as does the next that follows, rendered "dulcimer"; but in the original text is "symphonia"; which does not signify symphony, or a concert or consort of music, but a particular instrument of music. Maimonides i makes mention of it as a musical instrument, among others; Servius k calls it an oblique pipe; and Isidore l describes it a hollow piece of wood, with leather stretched upon it, and beat upon with rods or sticks, something like our drum: the king of Babylon might have Grecian musicians, or, however, Grecian instruments of music, in his court, as the Grecians had from the eastern nations:
and all kinds of music; that could be had or thought of; and this was done in honour to this idol, and to allure carnal sensual persons to the worship of it, according to the order given:
ye fall down and worship the golden image that Nebuchadnezzar the king hath set up; when they heard the music sound, immediately they were to repair to the plain where the image stood, and pay their adoration to it; or to fall down prostrate in their own houses in honour of it; and perhaps persons were appointed in all cities and towns throughout the empire to play this music; at hearing which, all people, nations, and tongues, were to bow down, in token of their religious regard unto it.

expand allCommentary -- Verse Notes / Footnotes

expand allCommentary -- Verse Range Notes
TSK Synopsis -> Dan 3:1-30
TSK Synopsis: Dan 3:1-30 - --1 Nebuchadnezzar dedicates a golden image in Dura.8 Shadrach, Meshach, and Abednego are accused for not worshipping the image.13 They being threatened...
MHCC -> Dan 3:1-7
MHCC: Dan 3:1-7 - --In the height of the image, about thirty yards, probably is included a pedestal, and most likely it was only covered with plates of gold, not a solid ...
Matthew Henry -> Dan 3:1-7
Matthew Henry: Dan 3:1-7 - -- We have no certainty concerning the date of this story, only that if this image, which Nebuchadnezzar dedicated, had any relation to that which he d...
Keil-Delitzsch -> Dan 3:1-18
Keil-Delitzsch: Dan 3:1-18 - --
The erection and consecration of the golden image, and the accusation brought against Daniel's friends, that they had refused to obey the king's co...
Constable: Dan 2:1--7:28 - --II. The Times of the Gentiles: God's program for the world chs. 2--7
Daniel wrote 2:4b-7:28 in the Aramaic langu...

Constable: Dan 3:1-30 - --B. Nebuchadnezzar's golden image ch. 3
There is a logical connection between the image that Nebuchadnezz...
