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Text -- Daniel 3:5 (NET)

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Context
3:5 When you hear the sound of the horn, flute, zither, trigon, harp, pipes, and all kinds of music, you must bow down and pay homage to the golden statue that King Nebuchadnezzar has erected.
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Names, People and Places, Dictionary Themes and Topics

Names, People and Places:
 · Nebuchadnezzar the king of Babylon who took Judah into exile


Dictionary Themes and Topics: WORSHIP | Sackbut | Psaltery | Proclamation | Pipe | Obedience | Nebuchadnezzar | Music, Instrumental | Music | MUSICAL INSTRUMENTS OF THE HEBREWS | Indictments | Idolatry | Flute | Fire | Dulcimer | Cornet | Coercion | Babylon | Adore | ADORATION | more
Table of Contents

Word/Phrase Notes
JFB , Clarke , Defender , TSK

Word/Phrase Notes
Barnes , Poole , Haydock , Gill

Verse Notes / Footnotes
NET Notes

Verse Range Notes
TSK Synopsis , MHCC , Matthew Henry , Keil-Delitzsch , Constable , Guzik

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Commentary -- Word/Phrase Notes (per phrase)

JFB: Dan 3:5 - -- A wind instrument, like the French horn, is meant.

A wind instrument, like the French horn, is meant.

JFB: Dan 3:5 - -- A pipe or pipes, not blown transversely as our "flute," but by mouthpieces at the end.

A pipe or pipes, not blown transversely as our "flute," but by mouthpieces at the end.

JFB: Dan 3:5 - -- A triangular stringed instrument, having short strings, the sound being on a high sharp key.

A triangular stringed instrument, having short strings, the sound being on a high sharp key.

JFB: Dan 3:5 - -- A kind of harp.

A kind of harp.

JFB: Dan 3:5 - -- A bagpipe consisting of two pipes, thrust through a leathern bag, emitting a sweet plaintive sound. Chaldee sumponya, the modern Italian zampogna, Asi...

A bagpipe consisting of two pipes, thrust through a leathern bag, emitting a sweet plaintive sound. Chaldee sumponya, the modern Italian zampogna, Asiatic zambonja.

JFB: Dan 3:5 - -- That the recusants might be the more readily detected.

That the recusants might be the more readily detected.

Clarke: Dan 3:5 - -- The sound of the Cornet - There is not less difficulty in ascertaining the precise meaning of these musical instruments than there is in the offices...

The sound of the Cornet - There is not less difficulty in ascertaining the precise meaning of these musical instruments than there is in the offices in Dan 3:2. קרנא karna , here translated cornet, is the common blowing horn, which makes a deep and hollow sound, as well as one shrill and piercing

Clarke: Dan 3:5 - -- Flute - משרוקיתא mashrokitha , from שרק sharak , to whistle, shriek. A wind instrument which made a strong and shrill noise, such as th...

Flute - משרוקיתא mashrokitha , from שרק sharak , to whistle, shriek. A wind instrument which made a strong and shrill noise, such as the hautbois or clarionet

Clarke: Dan 3:5 - -- Harp - קיתרס kithros , cytharus; κιθαρα . Some kind of stringed instrument. It seems to be formed from the Greek word

Harp - קיתרס kithros , cytharus; κιθαρα . Some kind of stringed instrument. It seems to be formed from the Greek word

Clarke: Dan 3:5 - -- Sackbut - סבכא sabbecha . The Greek has it σαμβυκη, from which our word sackbut, from סבך sabach , to interweave; probably on acco...

Sackbut - סבכא sabbecha . The Greek has it σαμβυκη, from which our word sackbut, from סבך sabach , to interweave; probably on account of the number of chords, for it seems to have been a species of harp

Clarke: Dan 3:5 - -- Psaltery - פסנתרין pesanterin ; Greek, ψαλτηριον . A stringed instrument, struck with a plectrum; that called santeer in Egypt i...

Psaltery - פסנתרין pesanterin ; Greek, ψαλτηριον . A stringed instrument, struck with a plectrum; that called santeer in Egypt is probably the same. Dr. Russel says: "It is a large triangle, and has two bottoms two inches from each other, with about twenty catguts of different sizes."It was the ancient psalterium, and most probably the same as David’ s harp

Clarke: Dan 3:5 - -- Dulcimer - סומפניה sumponeyah ; Greek, συμφωνεια . Probably a kind of tamboor, tambourine, or tomtom drum. It does not mean the s...

Dulcimer - סומפניה sumponeyah ; Greek, συμφωνεια . Probably a kind of tamboor, tambourine, or tomtom drum. It does not mean the same as the Greek symphonia, which signifies a concert or harmony of many instruments, for here one kind of instrument only is intended

Clarke: Dan 3:5 - -- All kinds of music - כל זני זמרא col zeney zemara , the whole stock, or band, of music; the preceding being the chief, the most common, an...

All kinds of music - כל זני זמרא col zeney zemara , the whole stock, or band, of music; the preceding being the chief, the most common, and the most sonorous. My old MS. Bible has, Trumpe, and Pipe, and Harpe: Sambuke, Santrie, and Synfonye, and al kynde of musykes.

Defender: Dan 3:5 - -- This list includes several Greek instruments, identified in the original by their Greek names, and this has served as an excuse for liberals to attrib...

This list includes several Greek instruments, identified in the original by their Greek names, and this has served as an excuse for liberals to attribute the book of Daniel to a late date. However, Greek culture was already well developed in Nebuchadnezzar's time and commerce between Greece and Babylon well established so that such instruments were common in Babylon at this time. The king's proclamation (Dan 3:4) acknowledged other languages in Babylon."

TSK: Dan 3:5 - -- the cornet : Karna the horn. Dan 3:10,Dan 3:15 flute : Mashrokeetha , in Syriac mashrookeetha the συριγξ , pipe or flute, as Theodotio...

the cornet : Karna the horn. Dan 3:10,Dan 3:15

flute : Mashrokeetha , in Syriac mashrookeetha the συριγξ , pipe or flute, as Theodotion renders.

dulcimer : or, singing, Chal, symphony

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Commentary -- Word/Phrase Notes (per Verse)

Barnes: Dan 3:5 - -- That at what time ye hear the sound of the cornet - It would not be practicable to determine with precision what kind of instruments of music a...

That at what time ye hear the sound of the cornet - It would not be practicable to determine with precision what kind of instruments of music are denoted by the words used in this verse. They were, doubtless, in many respects different from those which are in use now, though they may have belonged to the same general class, and may have been constructed on substantially the same principles. A full inquiry into the kinds of musical instruments in use among the Hebrews may be found in the various treatises on the subject in Ugolin’ s "Thesau Ant. Sacra."tom. xxxii. Compare also the notes at Isa 5:12. The Chaldee word rendered "cornet"- קרנא qare nâ' - the same as the Hebrew word קרן qeren - means a "horn,"as e. g., of an ox, stag, ram. Then it means a wind instrument of music resembling a horn, or perhaps horns were at first literally used. Similar instruments are now used, as the "French horn,"etc.

Flute - משׁרוקיתא mashe rôqı̂ythâ' . Greek, σύριγγός suringos . Vulgate, fistula , pipe. The Chaldee words occurs nowhere else but in this chapter, Dan 3:5, Dan 3:7, Dan 3:10, Dan 3:15, and is in each instance rendered "flute."It probably denoted all the instruments of the pipe or flute class in use among the Babylonians. The corresponding Hebrew word is חליל châlı̂yl . See this explained in the notes at Isa 5:12. The following remarks of the Editor of the "Pictorial Bible"will explain the usual construction of the ancient pipes or flutes: "The ancient flutes were cylindrical tubes, sometimes of equal diameter throughout, but often wider at the off than the near end, and sometimes widened at that end into a funnel shape, resembling a clarionet. They were always blown, like pipes, at one end, never transversely; they had mouthpieces, and sometimes plugs or stopples, but no keys to open or close the holes beyond the reach of the hands. The holes varied in number in the different varieties of the flute. In their origin they were doubtless made of simple reeds or canes, but in the progress of improvement they came to be made of wood, ivory, bone, and even metal. They were sometimes made in joints, but connected by an interior nozzle which was generally of wood. The flutes were sometimes double, that is, a person played on two instruments at once, either connected or detached; and among the Classical ancients the player on the double-flute often had a leather bandage over his mouth to prevent the escape of his breath at the corners. The ancient Egyptians used the double-flute."Illustrations of the flute or pipe may be seen in the notes at Isa 5:12. Very full and interesting descriptions of the musical instruments which were used among the Egyptians may be found in Wilkinson’ s "Manners and Customs of the Ancient Egyptians,"vol. ii. pp. 222-327.

Harp - On the form of the "harp,"see the notes at Isa 5:12. Compare Wilkinson, as above quoted. The harp was one of the earliest instruments of music that was invented, Gen 4:21. The Chaldee word here used is not the common Hebrew word to denote the harp ( כנור kinnôr ), but is a word which does not occur in Hebrew - קיתרוס qaythe rôs . This occurs nowhere else in the Chaldee, and it is manifestly the same as the Greek κιθάρα kithara , and the Latin cithara , denoting a harp. Whether the Chaldees derived it from the Greeks, or the Greeks from the Chaldees, however, cannot be determined with certainty. It has been made an objection to the genuineness of the book of Daniel, that the instruments here referred to were instruments bearing Greek names. See Intro. to ch. Section II. IV. © (5).

Sackbut - Vulgate, Sambuca . Greek, like the Vulgate, σαμβύκη sambukē . These words are merely different forms of writing the Chaldee word סבכא sabbe kâ' . The word occurs nowhere else except in this chapter. It seems to have denoted a stringed instrument similar to the lyre or harp. Strabo affirms that the Greek word σαμβύκη sambukē , "sambyke,"is of barbarian, that is, of Oriental origin. The Hebrew word from which this word is not improperly derived - סבך sâbak - means, "to interweave, to entwine, to plait,"as e. g., branches; and it is possible that this instrument may have derived its name from the "intertwining"of the strings. Compare Gesenius on the word. Passow defines the Greek word σαμβύκη sambukē , sambuca (Latin), to mean a triangular-stringed instrument that made the highest notes; or had the highest key; but as an instrument which, on account of the shortness of the strings, was not esteemed as very valuable, and had little power. Porphyry and Suidas describe it as a triangular instrument, furnished with cords of unequal length and thickness. The Classical writers mention it as very ancient, and ascribe its invention to the Syrians. Musonius describes it as having a sharp sound; and we are also told that it was often used to accompany the voice in singing Iambic verses - Pictorial Bible. It seems to have been a species of triangular lyre or harp.

Psaltery - The Chaldee is פסנתרין pe santērı̂yn . Greek, ψαλτήριον psaltērion ; Vulgate, psalterium. All these words manifestly have the same origin, and it hat been on the ground that this word, among others, is of Greek origin, that the genuineness of this book has been called in question. The word occurs nowhere else but in this chapter, Dan 3:5, Dan 3:7, Dan 3:10, Dan 3:15. The Greek translators often use the word ψαλτήριον psaltērion , psaltery, for נבל nebel , and כנור kinnôr ; and the instrument here referred to was doubtless of the harp kind. For the kind of instrument denoted by the נבל nebel , see the notes at Isa 5:12. Compare the illustrations in the Pict. Bible on Psa 92:3. It has been alleged that this word is of Greek origin, and hence, an objection has been urged against the genuineness of the book of Daniel on the presumption that, at the early period when this book is supposed to have been written, Greek musical instruments had not been introduced into Chaldea. For a general reply to this, see the introduction, section I, II, (d). It may be remarked further, in regard to this objection,

(1) that it is not absolutely certain that the word is derived from the Greek. See Pareau, 1. c. p. 424, as quoted in Hengstenberg, "Authentic des Daniel,"p. 16.

(2) It cannot be demonstrated that there were no Greeks in the regions of Chaldea as early as this. Indeed, it is more than probable that there were. See Hengstenberg, p. 16, following.

Nebuchadnezzar summoned to this celebration the principal personages throughout the realm, and it is probable that there would be collected on such an occasion all the forms of music that were known, whether of domestic or foreign origin.

Dulcimer - סומפניה sûmpône yâh . This word occurs only here, and in Dan 3:10, Dan 3:15. In the margin it is rendered "symphony"or "singing."It is the same as the Greek word συμφωνία sumphōnia , "symphony,"and in Italy the same instrument of music is now called by a name of the same origin, zampogna , and in Asia Minor zambonja . It answered probably to the Hebrew עוגב ‛ûgâb , rendered "organ,"in Gen 4:21; Job 21:12; Job 30:31; Psa 150:4. See the notes at Job 21:12. Compare the tracts on Hebrew musical instruments inscribed schilte haggibborim in Ugolin , thesau. vol. xxxii. The word seems to have had a Greek origin, and is one of those on which an objection has been founded against the genuineness of the book. Compare the Intro. Section I. II. ©. The word "dulcimer"means "sweet,"and would denote some instrument of music that was characterized by the sweetness of its tones.

Johnson (Dict.) describes the instrument as one that is "played by striking brass wires with little sticks."The Greek word would denote properly a concert or harmony of many instruments; but the word here is evidently used to denote a single instrument. Gesenius describes it as a double pipe with a sack; a bagpipe. Servius (on Virg. AEn. xi. 27) describes the "symphonia"as a bagpipe: and the Hebrew writers speak of it as a bagpipe consisting of two pipes thrust through a leather bag, and affording a mournful sound. It may be added, that this is the same name which the bagpipe bore among the Moors in Spain; and all these circumstances concur to show that this was probably the instrument intended here. "The modern Oriental bagpipe is composed of a goatskin, usually with the hair on, and in the natural form, but deprived of the head, the tail, and the feet; being thus of the same shape as that used by the water-carriers. The pipes are usually of reeds, terminating in the tips of cows’ horns slightly curved; the whole instrument being most primitively simple in its materials and construction."- "Pict. Bible."

And all kinds of music - All other kinds. It is not probable that all the instruments employed on that occasionwere actually enumerated. Only the principal instruments are mention ed, and among them those which showed that such as were of foreign origin were employed on the occasion. From the following extract from Chardin, it will be seen that the account here is not an improbable one, and that such things were not uncommon in the East: "At the coronation of Soliman, king of Persia, the general of the musqueteers having whispered some moments in the king’ s ear, among several other things of lesser importance gave out, that both the loud and soft music should play in the two balconies upon the top of the great building which stands at one end of the palace royal, called "kaisarie,"or palace imperial. No nation was dispensed with, whether Persians, Indians, Turks, Muscovites, Europeans, or others; which was immediately done. And this same "tintamarre,"or confusion of instruments, which sounded more like the noise of war than music, lasted twenty days together, without intermission, or the interruption of night; which number of twenty days was observed to answer to the number of the young monarch’ s years, who was then twenty years of age,"p. 51; quoted in Taylor’ s "fragments to Calmet’ s Dict."No. 485. It may be observed, also, that in such an assemblage of instruments, nothing would be more probable than that there would be some having names of foreign origin, perhaps names whose origin was to be found in nations not represented there. But if this should occur, it would not be proper to set the fact down as an argument against the authenticity of the history of Sir John Chardin, and as little should the similar fact revealed here be regarded as an argument against the genuineness of the book of Daniel.

Ye shall fall down and worship - That is, you shall render "religious homage."See these words explained in the notes at Dan 2:46. This shows, that whether this image was erected in honor of Belus, or of Nabopolassar, it was designed that he in whose honor it was erected should be worshipped as a god.

Poole: Dan 3:5 - -- All kinds of music i.e. wind and stringed instruments of various sorts and fashions, for we have here Syrian and Greek ones, as appears by the words,...

All kinds of music i.e. wind and stringed instruments of various sorts and fashions, for we have here Syrian and Greek ones, as appears by the words, though in Chaldee letters, for this mighty monarch was lord over them all.

Ye fall down and worship: mark, all that is required of them is only a gesture of worship, without oral profession. The pomp and equipage, the solemn sound of the music, and the strict command, was enough to induce them to stoop and fall down to it. This is one of Satan’ s great engines to draw the world from God’ s pure worship, and the simplicity that is in Christ, dazzling men’ s eyes, and bewitching them with a gaudy, whorish dress of idolatrous service, as ye see in this example, and Rev 17:4,5 ; all which ariseth merely from hence, because men do not or will not see that God’ s worship is wholly spiritual, and most beautiful and glorious as such, 2Co 3:7 to the end; by this it excels all pagan, Jewish, and antichristian worship, all which is human, bodily, uncommanded of God, therefore displeasing and provoking, unprofitable, insnaring, and destructive. Now idolatrous gestures are sinful, because forbidden of God, Exo 20:5 , because this satisfies and hardens idolater’ s in their way, also because by this snare and critical mark their proselytes are known and distinguished, as here, they that stood up, when others fell down; thus antichrist and new Babylon hath her mark in the forehead and hands of her followers, Rev 13:15-17 . Primitive Christians would not offer a grain of frankincense to a pagan idol for fear or favour, nor true protestants kneel to the host, which the popish priest holds up to insnare them.

Haydock: Dan 3:5 - -- Symphony. This and several other terms seem taken from the Greek, though the scythara and sambuca came originally from Chaldea. (Calmet) --- Do...

Symphony. This and several other terms seem taken from the Greek, though the scythara and sambuca came originally from Chaldea. (Calmet) ---

Down. This and offering incense were sometimes considered as marks of idolatry; so being present at the sermons and churches of Protestants was a sign of joining in their communion, being required for that purpose. (Worthington)

Gill: Dan 3:5 - -- That at what time ye hear the sound of the cornet,.... So called of the horn of which it was made; a sort of trumpet; so the Jews had trumpets of rams...

That at what time ye hear the sound of the cornet,.... So called of the horn of which it was made; a sort of trumpet; so the Jews had trumpets of rams' horns:

flute; or pipe, or whistle, so called for its hissing noise; it is used of the shepherd's pipe or whistle; see Zec 10:8,

harp; an instrument of music used by David, and much in use among the Jews, and other nations;

sackbut; or "sambuca"; which, according to Athenaeus g, was a four stringed instrument, an invention of the Syrians; and Strabo h, a Greek writer, speaks of it as a barbarous name, as the eastern ones were reckoned by the Grecians:

psaltery; this seems to be a Greek word, as does the next that follows, rendered "dulcimer"; but in the original text is "symphonia"; which does not signify symphony, or a concert or consort of music, but a particular instrument of music. Maimonides i makes mention of it as a musical instrument, among others; Servius k calls it an oblique pipe; and Isidore l describes it a hollow piece of wood, with leather stretched upon it, and beat upon with rods or sticks, something like our drum: the king of Babylon might have Grecian musicians, or, however, Grecian instruments of music, in his court, as the Grecians had from the eastern nations:

and all kinds of music; that could be had or thought of; and this was done in honour to this idol, and to allure carnal sensual persons to the worship of it, according to the order given:

ye fall down and worship the golden image that Nebuchadnezzar the king hath set up; when they heard the music sound, immediately they were to repair to the plain where the image stood, and pay their adoration to it; or to fall down prostrate in their own houses in honour of it; and perhaps persons were appointed in all cities and towns throughout the empire to play this music; at hearing which, all people, nations, and tongues, were to bow down, in token of their religious regard unto it.

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Commentary -- Verse Notes / Footnotes

NET Notes: Dan 3:5 The imperfect Aramaic verbs have here an injunctive nuance.

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Commentary -- Verse Range Notes

TSK Synopsis: Dan 3:1-30 - --1 Nebuchadnezzar dedicates a golden image in Dura.8 Shadrach, Meshach, and Abednego are accused for not worshipping the image.13 They being threatened...

MHCC: Dan 3:1-7 - --In the height of the image, about thirty yards, probably is included a pedestal, and most likely it was only covered with plates of gold, not a solid ...

Matthew Henry: Dan 3:1-7 - -- We have no certainty concerning the date of this story, only that if this image, which Nebuchadnezzar dedicated, had any relation to that which he d...

Keil-Delitzsch: Dan 3:1-18 - -- The erection and consecration of the golden image, and the accusation brought against Daniel's friends, that they had refused to obey the king's co...

Constable: Dan 2:1--7:28 - --II. The Times of the Gentiles: God's program for the world chs. 2--7 Daniel wrote 2:4b-7:28 in the Aramaic langu...

Constable: Dan 3:1-30 - --B. Nebuchadnezzar's golden image ch. 3 There is a logical connection between the image that Nebuchadnezz...

Constable: Dan 3:1-7 - --1. The worship of Nebuchadnezzar's statue 3:1-7 3:1 The whole image that the king built was gold. The head of the image that Nebuchadnezzar had seen i...

Guzik: Dan 3:1-30 - --Daniel 3 - Saved In the Fiery Furnace A. Nebuchadnezzar erects an image and demands everyone worship it. 1. (1) The image is made and set up. Nebu...

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Introduction / Outline

JFB: Daniel (Book Introduction) DANIEL, that is, "God is my judge"; probably of the blood royal (compare Dan 1:3, with 1Ch 3:1, where a son of David is named so). Jerusalem may have ...

JFB: Daniel (Outline) THE BABYLONIAN CAPTIVITY BEGINS; DANIEL'S EDUCATION AT BABYLON, &C. (Dan. 1:1-21) NEBUCHADNEZZAR'S DREAM: DANIEL'S INTERPRETATION OF IT, AND ADVANCEM...

TSK: Daniel 3 (Chapter Introduction) Overview Dan 3:1, Nebuchadnezzar dedicates a golden image in Dura; Dan 3:8, Shadrach, Meshach, and Abednego are accused for not worshipping the im...

Poole: Daniel (Book Introduction) BOOK OF DANIEL THE ARGUMENT IN Daniel and his prophecy, observe these things for the better understanding of this book, and the mind of God in it...

Poole: Daniel 3 (Chapter Introduction) CHAPTER 3 Nebuchadnezzar setting up an image commandeth all persons to worship it, Dan 3:1-7 . Shadrach, Meshach, and Abednego are accused of disob...

MHCC: Daniel (Book Introduction) Daniel was of noble birth, if not one of the royal family of Judah. He was carried captive to Babylon in the fourth year of Jehoiachin, B. C. 606, whe...

MHCC: Daniel 3 (Chapter Introduction) (Dan 3:1-7) Nebuchadnezzar's golden image. (Dan 3:8-18) Shadrach and his companions refuse to worship it. (Dan 3:19-27) They are cast into a furnace...

Matthew Henry: Daniel (Book Introduction) An Exposition, with Practical Observations, of The Book of the Prophet Daniel The book of Ezekiel left the affairs of Jerusalem under a doleful aspect...

Matthew Henry: Daniel 3 (Chapter Introduction) In the close of the foregoing chapter we left Daniel's companions, Shadrach, Meshach, and Abednego, in honour and power, princes of the provinces, ...

Constable: Daniel (Book Introduction) Introduction Background In 605 B.C. Prince Nebuchadnezzar led the Babylonian army of h...

Constable: Daniel (Outline) Outline I. The character of Daniel ch. 1 A. Historical background 1:1-2 ...

Constable: Daniel Daniel Bibliography Albright, William F. From Stone Age to Christianity. 2nd ed. New York: Doubleday Press, Anc...

Haydock: Daniel (Book Introduction) THE PROPHECY OF DANIEL. INTRODUCTION. DANIEL, whose name signifies "the judgment of God," was of the royal blood of the kings of Juda, and one o...

Gill: Daniel (Book Introduction) INTRODUCTION TO DANIEL This book is called, in the Vulgate Latin version, "the Prophecy of Daniel"; and in the Syriac and Arabic versions "the Prop...

Gill: Daniel 3 (Chapter Introduction) INTRODUCTION TO DANIEL 3 In this chapter an account is given of a golden image made by Nebuchadnezzar; its size; and where placed, Dan 3:1, a summo...

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