
Text -- Exodus 15:1 (NET)




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collapse allCommentary -- Word/Phrase Notes (per phrase)
Wesley: Exo 15:1 - -- Moses composed this song, and sang it with the children of Israel. Doubtless he wrote it by inspiration, and sang it on the spot. By this instance it ...
Moses composed this song, and sang it with the children of Israel. Doubtless he wrote it by inspiration, and sang it on the spot. By this instance it appears that the singing of psalms, as an act of religious worship, was used in the church of Christ before the giving of the ceremonial law, therefore it is no part of it, nor abolished with it: singing is as much the language of holy joy, as praying is of holy desire.

All our joy must terminate in God, and all our praises be offered up to him,

All that love God triumph in his triumphs.
JFB: Exo 15:1 - -- The scene of this thanksgiving song is supposed to have been at the landing place on the eastern shore of the Red Sea, at Ayoun Musa, "the fountains o...
The scene of this thanksgiving song is supposed to have been at the landing place on the eastern shore of the Red Sea, at Ayoun Musa, "the fountains of Moses." They are situated somewhat farther northward along the shore than the opposite point from which the Israelites set out. But the line of the people would be extended during the passage, and one extremity of it would reach as far north as these fountains, which would supply them with water on landing. The time when it was sung is supposed to have been the morning after the passage. This song is, by some hundred years, the oldest poem in the world. There is a sublimity and beauty in the language that is unexampled. But its unrivalled superiority arises not solely from the splendor of the diction. Its poetical excellencies have often drawn forth the admiration of the best judges, while the character of the event commemorated, and its being prompted by divine inspiration, contribute to give it an interest and sublimity peculiar to itself.

JFB: Exo 15:1 - -- Considering the state of servitude in which they had been born and bred, and the rude features of character which their subsequent history often displ...
Considering the state of servitude in which they had been born and bred, and the rude features of character which their subsequent history often displays, it cannot be supposed that the children of Israel generally were qualified to commit to memory or to appreciate the beauties of this inimitable song. But they might perfectly understand its pervading strain of sentiment; and, with the view of suitably improving the occasion, it was thought necessary that all, old and young, should join their united voices in the rehearsal of its words. As every individual had cause, so every individual gave utterance to his feelings of gratitude.
Clarke: Exo 15:1 - -- Then sang Moses and the children of Israel this song - Poetry has been cultivated in all ages and among all people, from the most refined to the mos...
Then sang Moses and the children of Israel this song - Poetry has been cultivated in all ages and among all people, from the most refined to the most barbarous; and to it principally, under the kind providence of God, we are indebted for most of the original accounts we have of the ancient nations of the universe. Equally measured lines, with a harmonious collocation of expressive, sonorous, and sometimes highly metaphorical terms, the alternate lines either answering to each other in sense, or ending with similar sounds, were easily committed to memory, and easily retained. As these were often accompanied with a pleasing air or tune, the subject being a concatenation of striking and interesting events, histories formed thus became the amusement of youth, the softeners of the tedium of labor, and even the solace of age. In such a way the histories of most nations have been preserved. The interesting events celebrated, the rhythm or metre, and the accompanying tune or recitativo air, rendered them easily transmissible to posterity; and by means of tradition they passed safely from father to son through the times of comparative darkness, till they arrived at those ages in which the pen and the press have given them a sort of deathless duration and permanent stability, by multiplying the copies. Many of the ancient historic and heroic British tales are continued by tradition among the aboriginal inhabitants of Ireland to the present day; and the repetition of them constitutes the chief amusement of the winter evenings. Even the prose histories, which were written on the ground of the poetic, copied closely their exemplars, and the historians themselves were obliged to study all the beauties and ornaments of style, that their works might become popular; and to this circumstance we owe not a small measure of what is termed refinement of language. How observable is this in the history of Herodotus, who appears to have closely copied the ancient poetic records in his inimitable and harmonious prose; and, that his books might bear as near a resemblance as possible to the ancient and popular originals, he divided them into nine, and dedicated each to one of the muses! His work therefore seems to occupy the same place between the ancient poetic compositions and mere prosaic histories, as the polype does between plants and animals. Much even of our sacred records is written in poetry, which God has thus consecrated to be the faithful transmitter of remote and important events; and of this the song before the reader is a proof in point. Though this is not the first specimen of poetry we have met with in the Pentateuch, (see Lamech’ s speech to his wives, Gen 4:23, Gen 4:24; Noah’ s prophecy concerning his sons, Gen 9:25-27; and Jacob’ s blessing to the twelve patriarchs, Genesis 49:2-27 (note)), yet it is the first regular ode of any considerable length, having but one subject; and it is all written in hemistichs, or half lines, the usual form in Hebrew poetry; and though this form frequently occurs, it is not attended to in our common printed Hebrew Bibles, except in this and three other places, (Deuteronomy 32, Judges 5, and 2 Samuel 22)., all of which shall be noticed as they occur. But in Dr. Kennicott’ s edition of the Hebrew Bible, all the poetry, wheresoever it occurs, is printed in its own hemistich form
After what has been said it is perhaps scarcely necessary to observe, that as such ancient poetic histories commemorated great and extraordinary displays of providence, courage, strength, fidelity, heroism, and piety; hence the origin of Epic poems, of which the song in this chapter is the earliest specimen. And on the principle of preserving the memory of such events, most nations have had their epic poets, who have generally taken for their subject the most splendid or most remote events of their country’ s history, which either referred to the formation or extension of their empire, the exploits of their ancestors, or the establishment of their religion. Hence the ancient Hebrews had their Shir Mosheh, the piece in question: the Greeks, their Ilias; the Hindoos, their Mahabarat; the Romans, their Aeneid; the Norwegians, their Edda; the Irish and Scotch, their Fingal and Chronological poems; the Welsh, their Taliessin and his Triads; the Arabs, their Nebiun-Nameh (exploits of Mohammed) and Hamleh Heedry, (exploits of Aly); the Persians, their Shah Nameh, (book of kings); the Italians, their Gerusalemme Liberata; the Portuguese, their Lusiad; the English, their Paradise Lost; and, in humble imitation of all the rest, ( etsi non passibus aequis ), the French, their Henriade
The song of Moses has been in the highest repute in the Church of God from the beginning; the author of the Book of The Wisdom of Solomon attributes it in a particular manner to the wisdom of God, and says that on this occasion God opened the mouth of the dumb, and made the tongues of infants eloquent; The Wisdom of Solomon 10:21. As if he had said, Every person felt an interest in the great events which had taken place, and all labored to give Jehovah that praise which was due to his name. "With this song of victory over Pharaoh,"says Mr. Ainsworth, "the Holy Ghost compares the song of those who have gotten the victory over the spiritual Pharaoh, the beast, (Antichrist), when they stand by the sea of glass mingled with fire, (as Israel stood here by the Red Sea), having the harps of God, (as the women here had timbrels, Exo 15:20), and they sing the song of Moses the servant of God, and the song of the Lamb, the Son of God,"Rev 15:2-4

Clarke: Exo 15:1 - -- I will sing unto the Lord - Moses begins the song, and in the two first hemistichs states the subject of it; and these two first lines became the gr...
I will sing unto the Lord - Moses begins the song, and in the two first hemistichs states the subject of it; and these two first lines became the grand chorus of the piece, as we may learn from Exo 15:21. See Dr. Kennicott’ s arrangement and translation of this piece at the end of this chapter. See Clarke’ s note on Exo 15:26

Clarke: Exo 15:1 - -- Triumphed gloriously - כי גאה גאה ki gaoh gaah , he is exceedingly exalted, rendered by the Septuagint, Ενδοξως γαρ δεδοξα...
Triumphed gloriously -
Calvin -> Exo 15:1
Calvin: Exo 15:1 - -- 1.Then sang Moses Moses introduced this song not only in testimony of his gratitude, but also in confirmation of the history; for the song which he d...
1.Then sang Moses Moses introduced this song not only in testimony of his gratitude, but also in confirmation of the history; for the song which he dictated to the Israelites was not concerning an unknown event, but he brought them forward as eye-witnesses, that all ages might know that nothing thus far had been written which had not openly been declared by 600,000 men, besides their wives and children. Moses, therefore, set the example in accordance with his office, whilst the people, by singing with him, testified their approbation in a manner which admits of no contradiction. For’ to whom could they have lied, since they were each other’s witnesses, and the song was listened to by no strangers? Moses seems to mark their confidence by the repetition in the Hebrew, they “spoke, saying.” On this account, too, their confession, pronounced by all their mouths, deserves more credit, because the greater part of them soon after yielded to ingratitude: from whence we gather that it was only on compulsion that they gave God glory. But, although Moses was the author of the song, yet he does not say “I will sing” in his own person, but prescribes to all what each individual ought heartily to do.
TSK -> Exo 15:1
TSK: Exo 15:1 - -- Then : Judg. 5:1-31; 2Sam. 22:1-51; Psa 106:12, Psa 107:8, Psa 107:15, Psa 107:21, Psa 107:22; Isa 12:1-6; Isa 51:10, Isa 51:11; Rev 15:3
for : Exo 15...
Then : Judg. 5:1-31; 2Sam. 22:1-51; Psa 106:12, Psa 107:8, Psa 107:15, Psa 107:21, Psa 107:22; Isa 12:1-6; Isa 51:10, Isa 51:11; Rev 15:3
for : Exo 15:21, Exo 14:17, Exo 14:18, Exo 14:27, Exo 18:11; Col 2:15

collapse allCommentary -- Word/Phrase Notes (per Verse)
Barnes -> Exo 15:1-18
Barnes: Exo 15:1-18 - -- With the deliverance of Israel is associated the development of the national poetry, which finds its first and perfect expression in this magnificen...
With the deliverance of Israel is associated the development of the national poetry, which finds its first and perfect expression in this magnificent hymn. It was sung by Moses and the people, an expression which evidently points to him as the author. That it was written at the time is an assertion expressly made in the text, and it is supported by the strongest internal evidence. In every age this song gave the tone to the poetry of Israel; especially at great critical epochs of deliverance: and in the book of Revelation Exo 15:3 it is associated with the final triumph of the Church.
The division of the song into three parts is distinctly marked: Exo 15:1-5; Exo 15:6-10; Exo 15:11-18 : each begins with an ascription of praise to God; each increases in length and varied imagery unto the triumphant close.
He hath triumphed gloriously - Literally, He is gloriously glorious.
The horse and his rider - The word "rider"may include horseman, but applies properly to the charioteer.
The Lord is my strength and song - My strength and song is Jah. See Psa 68:4. The name was chosen here by Moses to draw attention to the promise ratified by the name "I am."
I will prepare Him an habitation - I will glorify Him. Our Authorized Version is open to serious objection, as suggesting a thought (namely, of erecting a temple) which could hardly have been in the mind of Moses at that time, and unsuited to the occasion.
A man of war - Compare Psa 24:8. The name has on this occasion a special fitness: man had no part in the victory; the battle was the Lord’ s.
The Lord is his name - " Jah is His name."See Exo 15:2.
Hath He cast - " Hurled,"as from a sling. See Exo 14:27.
His chosen captains - See Exo 14:7 note.
As a stone - The warriors in chariots are always represented on the monuments with heavy coats of mail; the corslets of "chosen captains"consisted of plates of highly tempered bronze, with sleeves reaching nearly to the elbow, covering the whole body and the thighs nearly to the knee. The wearers must have sunk at once like a stone, or as we read in Exo 5:10, like lumps of lead.
Thy wrath - Literally, Thy burning, i. e. the fire of Thy wrath, a word chosen expressly with reference to the effect.
The blast of God’ s nostrils corresponds to the natural agency, the east wind Exo 14:21, which drove the waters back: on the north the waters rose high, overhanging the sands, but kept back by the strongwind: on the south they laid in massive rollers, kept down by the same agency in the deep bed of the Red Sea.
The enemy said - The abrupt, gasping utterances; the haste, cupidity and ferocity of the Egyptians; the confusion and disorder of their thoughts, belong to the highest order of poetry. They enable us to realize the feelings which induced Pharaoh and his host to pursue the Israelites over the treacherous sandbanks.
Thou didst blow with thy wind - Notice the solemn majesty of these few words, in immediate contrast with the tumult and confusion of the preceding verse. In Exo 14:28, we read only, "the waters returned,"here we are told that it was because the wind blew. A sudden change in the direction of the wind would bring back at once the masses of water heaped up on the north.
They sank as lead - See the note at Exo 15:5.
Among the gods - Compare Psa 86:8; Deu 32:16-17. A Hebrew just leaving the land in which polytheism attained its highest development, with gigantic statues and temples of incomparable grandeur, might well on such an occasion dwell upon this consummation of the long series of triumphs by which the "greatness beyond compare"of Yahweh was once for all established.
Thy holy habitation - Either Palestine, regarded as the land of promise, sanctified by manifestations of God to the Patriarchs, and destined to be both the home of God’ s people, and the place where His glory and purposes were to be perfectly revealed: or Mount Moriah.
The inhabitants of Palestina - i. e. the country of the Philistines. They were the first who would expect an invasion, and the first whose district would have been invaded but for the faintheartedness of the Israelites.
The dukes of Edom - See Gen 36:15. It denotes the chieftains, not the kings of Edom.
The mighty men of Moab - The physical strength and great stature of the Moabites are noted in other passages: see Jer 48:29, Jer 48:41.
Canaan - The name in this, as in many passages of Genesis, designates the whole of Palestine: and is used of course with reference to the promise to Abraham. It was known to the Egyptians, and occurs frequently on the monuments as Pa-kanana, which applies, if not to the whole of Palestine, yet to the northern district under Lebanon, which the Phoenicians occupied and called "Canaan."
In the mountain of thine inheritance - See Exo 15:13.
Haydock -> Exo 15:1
Haydock: Exo 15:1 - -- Canticle. Origen reckons this to be the most ancient piece of poetry. It is truly sublime, and calculated to fill the souls of those, who say their...
Canticle. Origen reckons this to be the most ancient piece of poetry. It is truly sublime, and calculated to fill the souls of those, who say their late cruel masters, now prostrate at their feet in death, with sentiments of the greatest gratitude and piety towards their almighty benefactor. (Haydock) ---
God miraculously gave utterance to the dumb on this occasion, (Widsom x. 21.) and taught the whole congregation of Israel to join in harmonious concert. (De Mirab. S. S. inter. op. St. Augustine) This mode of perpetuating the memory of past benefits by canticles, is very common in Scripture. (Calmet) ---
Let us sing. So the Septuagint The Hebrew has "I will sing....for he hath triumphed gloriously." This canticle was composed by Moses, about 1491 years B.C. (Haydock)
Gill -> Exo 15:1
Gill: Exo 15:1 - -- Then sang Moses and the children of Israel this song unto the Lord,.... Which is the first song recorded in Scripture, though no doubt before this tim...
Then sang Moses and the children of Israel this song unto the Lord,.... Which is the first song recorded in Scripture, though no doubt before this time songs of praise were sung to the Lord; the people of God having occasion in all ages more or less to sing his praises. The Jews n speak of ten songs, the first of which was sung by Adam, when his sins were forgiven him, and this song of Moses is the second; though sometimes they say o, from the creation of the world to the standing of Israel by the Red sea, we do not find that ever any man sung a song but Israel; God created the first man, but he sang no song: however, this is the first on record, and is a typical one; Moses the composer of it, and who bore a principal part in it, and was the deliverer of the people of Israel, was a type of Christ, the Redeemer of his church: and Israel that joined with him in it, and were the persons delivered, were typical of the spiritual Israel of God redeemed by Christ; and the deliverance here celebrated bore a great resemblance to the redemption wrought out by him; and Christ, the Angel of the Lord, that went before the Israelites through the Red sea, and fought for them, is the principal person concerned in it, and who is meant by the Lord throughout the whole of it, and to whom it is sung; and a song upon a similar occasion to this will be sung in the latter day, upon the destruction of spiritual Egypt, or antichrist, and is called the song of Moses and the Lamb in allusion to it, Rev 15:3 The Jews p say, this shall be sung at the time, when the wicked shall perish out of the world, and observe that it is not written
and spake, saying, I will sing unto the Lord: that went before them in a pillar of cloud and fire; who had led them safely through the Red sea, and troubled and destroyed the host of the Egyptians; even the same Jehovah, who has undertook the salvation of his people, is become the author of it, and to whom the song of redeeming grace is due:
for he hath triumphed gloriously; over Pharaoh and all the Egyptians, the enemies of Israel, as Christ has over sin, in the destruction of it by his sacrifice, and over Satan, and his principalities and powers, when he spoiled them on the cross, and over death the last enemy, and all others; over whom he has made his people more than conquerors, through himself: or, "in excelling he excels" q; all the angels of heaven, in his name, and nature, relation, and office; and all the sons of men, even the greatest among them, being King of kings, and Lord of lords; in the wonderful things done by him, no such achievements having ever been wrought by any of them: or, "in magnifying, he is magnified" r; appears to be what he is, great in his nature, perfections, and works; and to be magnified, or declared to be great, and extolled as such by all that know and fear him:
the horse and his rider hath he thrown into the sea; the horses and horsemen of Pharaoh; and which is not amiss allegorically applied, by Tertullian s, to the world and the devil; the world is the horse, and the rider the devil; that being under his power and direction, he being the god of it, and working effectually in it; spurring and exciting the men of it to every sinful lust and pleasure; and may be put for all the spiritual enemies of God's people, especially their sins; which are cast by the Lord into the midst of the sea, never to be seen and remembered any more, and which is to them matter of a song of praise and thanksgiving.

expand allCommentary -- Verse Notes / Footnotes
NET Notes: Exo 15:1 The common understanding is that Egypt did not have people riding horses at this time, and so the phrase the horse and its rider is either viewed as a...
Geneva Bible -> Exo 15:1
Geneva Bible: Exo 15:1 Then ( a ) sang Moses and the children of Israel this song unto the LORD, and spake, saying, I will sing unto the LORD, for he hath triumphed glorious...

expand allCommentary -- Verse Range Notes
TSK Synopsis -> Exo 15:1-27
TSK Synopsis: Exo 15:1-27 - --1 The song of Moses, Miriam, and Israel on their deliverance.22 The people want water in the wilderness.23 The waters at Marah are bitter, they murmur...
MHCC -> Exo 15:1-21
MHCC: Exo 15:1-21 - --This song is the most ancient we know of. It is a holy song, to the honour of God, to exalt his name, and celebrate his praise, and his only, not in t...
Matthew Henry -> Exo 15:1-21
Matthew Henry: Exo 15:1-21 - -- Having read how that complete victory of Israel over the Egyptians was obtained, here we are told how it was celebrated; those that were to hold the...
Keil-Delitzsch -> Exo 15:1-21
Keil-Delitzsch: Exo 15:1-21 - --
In the song of praise which Moses and the children of Israel sang at the Red Sea, in celebration of the wonderful works of Jehovah, the congregation...
Constable: Exo 1:1--15:22 - --I. THE LIBERATION OF ISRAEL 1:1--15:21
"The story of the first half of Exodus, in broad summary, is Rescue. The ...

Constable: Exo 13:17--15:22 - --D. God's completion of Israel's liberation 13:17-15:21
The Israelites now began their migration from Gos...
