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Text -- Isaiah 5:12 (NET)
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Names, People and Places, Dictionary Themes and Topics
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collapse allCommentary -- Word/Phrase Notes (per phrase)
They give up themselves wholly to luxury.
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Wesley: Isa 5:12 - -- What God hath lately done, and is yet doing, and about to do among them; his grievous judgments, partly inflicted, and partly threatened, which requir...
What God hath lately done, and is yet doing, and about to do among them; his grievous judgments, partly inflicted, and partly threatened, which required another course of life.
Music was common at ancient feasts (Isa 24:8-9; Amo 6:5-6).
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An instrument with twelve strings [JOSEPHUS, Antiquities, 8.10].
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JFB: Isa 5:12 - -- Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or t...
Hebrew, toph, from the use of which in drowning the cries of children sacrificed to Moloch, Tophet received its name. Arabic, duf. A kettle drum, or tambourine.
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JFB: Isa 5:12 - -- Flute or flageolet: from a Hebrew root "to bore through"; or else, "to dance" (compare Job 21:11-15).
Flute or flageolet: from a Hebrew root "to bore through"; or else, "to dance" (compare Job 21:11-15).
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Calvin -> Isa 5:12
Calvin: Isa 5:12 - -- 12.And the harp. He adds the instruments of pleasures by which men addicted to intemperance provoke their appetite. These might be different from our...
12.And the harp. He adds the instruments of pleasures by which men addicted to intemperance provoke their appetite. These might be different from ours, but they belonged to music. Now, Isaiah does not blame music, for it is a science which ought not to be despised; but he describes a nation swimming in every kind of luxury, and too much disposed to indulge in pleasures. This is sufficiently evident from what follows.
And they regard not the work of the Lord As if he had said, “They are as constant in luxurious indulgence, and as much devoted to it, as if this had been the purpose for which they were born and reared; and they do not consider why the Lord supplies them with what is necessary.” Men were not born to eat and drink, and wallow in luxury, but to obey God, to worship him devoutly, to acknowledge his goodness, and to endeavor to do what is pleasing in his sight. But when they give themselves up to luxury, when they dance, and sing, and have no other object in view than to spend their life in the highest mirth, they are worse than beasts: for they do not consider for what end God created them, in what manner he governs this world by his providence, and to what end all the actions of our life ought to be directed.
Having stated this meaning, which appears to me to be natural, I consider nothing more to be necessary; for I cannot adopt the ingenious expositions of some authors, such as, when they explain the work of God to mean the law; nor did I intend to state every opinion which others have maintained. It is enough to know that all who are addicted to gormandizing are here subjected by the Prophet to the reproach of voluntarily becoming like brute beasts, when they do not direct their minds to God, who is the author of life.
TSK -> Isa 5:12
TSK: Isa 5:12 - -- the harp : Isa 22:13; Gen 31:27; Job 21:11-14; Dan 5:1-4, Dan 5:23; Amo 6:4-6; Luk 16:19; Jud 1:12
they regard : Isa 5:19; Job 34:27; Psa 28:5, Psa 92...
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collapse allCommentary -- Word/Phrase Notes (per Verse)
Barnes -> Isa 5:12
Barnes: Isa 5:12 - -- The prophet proceeds to state still further the extent of their crimes. This verse contains an account of their dissipated habits, and their consequ...
The prophet proceeds to state still further the extent of their crimes. This verse contains an account of their dissipated habits, and their consequent forgetfulness of God. That they commonly had musical instruments in their feasts, is evident from many passages of the Old Testament; see Amo 6:5-6. Their feasts, also, were attended with songs; Isa 24:8-9.
The harp - -
Once they substitute for it
So also it was used in military triumphs. Under the reign of Jehoshaphat, after a victory which had been gained over the Moabites, they returned in triumph to Jerusalem, accompanied with playing on the
Bruce found a sculpture of a harp resembling that usually put into the hands of David, or nearly in the form of a triangle, and under circumstances which led him to suppose that it was as old as the times of Sesostris.
And the viol -
Quaravis mutus erat, voci favisse putatur
Piscis, Aroniae fabula nora lyrae.
Disce etiam duplice genialia palma
Verrere .
De Arte Amandi, lib. iii. 327.
According to Jerome, Isodorus, and Cassiodorus, it had the form of an inverted Greek Delta
The drawing in the book is a representation of a lyre from a Jewish shekel of the time of Simon Maccabeus, and may have been, not improbably, a form in frequent use among the Jews.
Niebuhr has furnished us with an instrument from the East, which is supposed to bare a very near resemblance to that which is referred to by Isaiah. This instrument is represented by the picture in the book.
The tabret -
Job was acquainted with it Job 17:6; Job 21:12, and David employed it in the festivities of religion; 2Sa 6:5. The occasions on which it is mentioned as being used are joyful occasions, and for the most part those who play on it are females, and on this account they are called ‘ drum-beating women’ Psa 68:26 - in our translation, ‘ damsels playing with timbrels,’ In our translation it is rendered "tabret,"Isa 5:12; 1Sa 10:5; Gen 31:26; Isa 24:8; Isa 30:32; 1Sa 18:6; Eze 38:13; Jer 31:4; Job 17:6; "tabering,"Nah 2:7; and "timbrel,"Psa 81:2; Exo 15:20; Job 21:12; Psa 149:3; Psa 150:4; Jdg 11:34; Psa 68:25. It is no where mentioned as employed in war or warlike transactions. It was sometimes made by merely stretching leather over a wooden hoop, and thus answered to the instrument known among us as the tambourine. It was in the form of a sieve, and is often found on ancient monuments, and particularly in the hands of Cybele. In the East, there is now no instrument more common than this.
Niebuhr (Thes i. p. 181) has given the following description of it: ‘ It is a broad hoop covered on one side with a stretched skin. In the rim there are usually thin round pullies or wheels of metal which make some noise, when this drum, held on high with one hand, is struck with the fingers of the other hand. No musical instrument perhaps is so much employed in Turkey as this. When the females in their harems dance or sing, the time is always beat on this instrument. It is called doff.’ See "Bib. Repos."vol. vi. pp. 398-402. it is commonly supposed that from the word "toph, Tophet"is derived - a name given to the valley of Jehoshaphat near Jerusalem, because this instrument was used there to drown the cries of children when sacrificed to Moloch.
And pipe. -
The Greek translators have always rendered it by
They send forth their little ones like a flock,
And their children dance;
They take the timbrel and harp,
And rejoice at the sound of the organ;
They spend their days in mirth,
And in a moment go down to the grave.
And they say unto God -
‘ Depart from us;
For we know not the knowledge of thy ways.
What is the Almighty, that we should serve him?
And what profit should we have if we pray unto him?’
In their feasts - ‘ The Nabathaeans of Arabia Petrea always introduced music at their entertainments (Strabo, xvi.), and the custom seems to have been very general among the ancients. They are mentioned as having been essential among the Greeks, from the earliest times; and are pronounced by Homer to be requisite at a feast:
Odyssey i. 152.
Aristoxenus, quoted by Plutarch, "De Musica,"says, that ‘ the music was designed to counteract the effects of inebriety, for as wine discomposes the body and the mind, so music has the power of soothing them, and of restoring their previous calmness and tranquility.’ "See Wilkinsoh’ s Manners and Customs of the Ancient Egyptians,"vol. ii. pp. 248, 249.
But they regard not ... - The reproof is especially, that they forget him in their entertainments. They employ music to inflame their passions; and amid their songs and wine, their hearts are drawn away from God. That this is the tendency of such feasts, all must know. God is commonly forgotten in such places; and even the sweetest music is made the occasion for stealing the affections from him, and of inflaming the passions, instead of being employed to soften the feelings of the soul, and raise the heart to God.
The operation of his hands - The work of his hands - particularly his dealings among the people. God is round about them with mercy and judgment, but they do not perceive him.
Poole -> Isa 5:12
Poole: Isa 5:12 - -- They give up themselves wholly to luxury, and that in a very unseasonable time, as it follows.
But they regard not the work of the Lord what God h...
They give up themselves wholly to luxury, and that in a very unseasonable time, as it follows.
But they regard not the work of the Lord what God hath lately done, and is yet doing, and about to do among them; his grievous judgments, partly inflicted, and partly threatened, which required another course of life, even to give themselves to fasting, and prayer, and reformation, that so they might remove the incumbent, and prevent the approaching calamities.
Haydock -> Isa 5:12
Haydock: Isa 5:12 - -- Work. Chastisement, ver. 19., and chap. xxviii. 21. (Calmet) ---
They are admonished to observe the festivals of the Lord, and not to indulge in r...
Work. Chastisement, ver. 19., and chap. xxviii. 21. (Calmet) ---
They are admonished to observe the festivals of the Lord, and not to indulge in riotousness. (Worthington)
Gill -> Isa 5:12
Gill: Isa 5:12 - -- And the harp, and the viol, the tabret, and pipe,.... Instruments of music; some struck with a bow or quill, or touched with the fingers; and others b...
And the harp, and the viol, the tabret, and pipe,.... Instruments of music; some struck with a bow or quill, or touched with the fingers; and others blown with the mouth:
and wine are in their feasts; so that they lived jovially and merrily, like sons of Bacchus, more than like the people of God:
but they regard not the work of the Lord, neither consider the operation of his hands; meaning not the law, as the Targum and Kimchi, which was the work of the Lord, and the writing of his hands; rather, as Aben Ezra, the punishment inflicted on the ten tribes being carried into captivity; or else the works of creation and providence, and the daily mercies of life; or, best of all, the great work of redemption by Christ, and the conversion of sinners, both among Jews and Gentiles, by the preaching of his Gospel; for this refers to the Jews in the times of Christ and his apostles, which immediately preceded their utter destruction; and those sins here mentioned were the cause of it. See Psa 28:5.
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expand allCommentary -- Verse Notes / Footnotes
NET Notes: Isa 5:12 Heb “the work of the Lord they do not look at, and the work of his hands they do not see.” God’s “work” can sometimes be...
Geneva Bible -> Isa 5:12
Geneva Bible: Isa 5:12 And the harp, and the viol, the tabret, and pipe, and wine, are in their feasts: but they regard not the ( r ) work of the LORD, neither consider the ...
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expand allCommentary -- Verse Range Notes
TSK Synopsis -> Isa 5:1-30
TSK Synopsis: Isa 5:1-30 - --1 Under the parable of a vineyard, God excuses his severe judgment.8 His judgments upon covetousness;11 upon lasciviousness;13 upon impiety;20 and upo...
Maclaren -> Isa 5:8-30
Maclaren: Isa 5:8-30 - --A Prophet's Woes
Woe unto them that join house to house, that lay field to field, till there be no place, that they may be placed alone in the midst ...
MHCC -> Isa 5:8-23
MHCC: Isa 5:8-23 - --Here is a woe to those who set their hearts on the wealth of the world. Not that it is sinful for those who have a house and a field to purchase anoth...
Matthew Henry -> Isa 5:8-17
Matthew Henry: Isa 5:8-17 - -- The world and the flesh are the two great enemies that we are in danger of being overpowered by; yet we are in no danger if we do not ourselves yiel...
Keil-Delitzsch -> Isa 5:12
Keil-Delitzsch: Isa 5:12 - --
Isa 5:12 describes how they go on in their blindness with music and carousing: "And guitar and harp, kettle-drum, and flute, and wine, is their fea...
Constable: Isa 1:1--5:30 - --I. introduction chs. 1--5
The relationship of chapters 1-5 to Isaiah's call in chapter 6 is problematic. Do the ...
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Constable: Isa 5:1-30 - --C. The analogy of wild grapes ch. 5
This is the third and last of Isaiah's introductory oracles. The fir...
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Constable: Isa 5:8-25 - --2. The wildness of the grapes 5:8-25
Yahweh's crop was worthless because it produced wild grapes...
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