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Text -- John 19:2 (NET)

Strongs On/Off
Context
19:2 The soldiers braided a crown of thorns and put it on his head, and they clothed him in a purple robe.
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Table of Contents

Word/Phrase Notes
Vincent , JFB , Clarke , Calvin , TSK

Word/Phrase Notes
Barnes , Poole , Lightfoot , Gill

Verse Notes / Footnotes
NET Notes

Verse Range Notes
TSK Synopsis , Combined Bible , Maclaren , MHCC , Matthew Henry , Barclay , Constable , College , McGarvey , Lapide

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Commentary -- Word/Phrase Notes (per phrase)

Vincent: Joh 19:2 - -- Crown ( στέφανον ) So Matthew and Mark. Luke does not mention the crown of thorns. See on 1Pe 5:4.

Crown ( στέφανον )

So Matthew and Mark. Luke does not mention the crown of thorns. See on 1Pe 5:4.

Vincent: Joh 19:2 - -- Of thorns ( ἐξ ἀκανθῶν ) So Matthew. Mark has ἀκάνθινον , the adjective, made of thorns , which John also uses i...

Of thorns ( ἐξ ἀκανθῶν )

So Matthew. Mark has ἀκάνθινον , the adjective, made of thorns , which John also uses in Joh 19:5. All attempts to define the botanical character of the thorns used for Christ's crown are guesses. The word for thorns used here is the only one that occurs in the New Testament; the σκόλοψ ( thorn in the flesh) of 2Co 12:7, being properly an impaling-stake .

Both the crowning with thorns and the flagellation are favorite subjects in Christian art. Some of the earliest representations of the latter depict the figure of the Lord as fully draped, and standing unbound at the column, thus illustrating the voluntariness of His sacrifice. In a MS. of the fourteenth century, in the British Museum, He stands, wholly clothed, holding a book in one hand, and blessing with the other. The more devout feeling which predominated in such representations was gradually overpowered by the sense of physical suffering. The earlier paintings represented the back turned toward the spectator, and the face, turned in a forced attitude, exhibited in profile. Later, the face and figure are turned full to the front, and the strokes fall upon the chest. Hence Jerome, in his commentary on Matthew, says that the capacious chest of God ( ! ) was torn with strokes. The standing position is the accepted one, but instances occur in which the Savior is on the ground attached to the column by one hand. Such is the revolting picture by L. Caracci in the Bologna gallery, in which the soldier clutches Jesus by the hair as he plies the bundle of twigs. In a Psalter of the fifteenth century the Savior stands in front of the column, covering His face with His hands.

According to the later type, the moment chosen is when the execution of the sentence is just beginning. One man is binding the hands to the pillar, another is binding together a bundle of loose switches. The German representations are coarser than the Italian, but with more incident. They lack the spiritual feeling which appears in the best Italian specimens.

A field for a higher feeling and for more subtle treatment is opened in the moments succeeding the scourging. One of the very finest examples of this is the picture of Velasquez, " Christ at the Column," in the National Gallery of London. The real grandeur and pathos of the conception assert themselves above certain prosaic and realistic details. The Savior sits upon the ground, His arms extended, and leaning backward to the full stretch of the cord which binds His crossed hands. The face is turned over the left shoulder full upon the spectator. Rods, ropes, and broken twigs lie upon the ground, and slender streams of blood appear upon the body. A guardian angel behind the figure of the Lord, stands bending slightly over a child kneeling with clasped hands, and points to the sufferer, from whose head a ray of light passes to the child's heart. The angel is a Spanish nursery-maid with wings, and the face of the child is of the lower Spanish type, and is in striking contrast with the exquisite countenance of Murillo's Christ-child, which hangs next to this picture, and which is of the sweetest type of Andalusian beauty. The Savior's face is of a thoroughly manly, indeed, of a robust type, expressing intense suffering, but without contortion. The large, dark eyes are ineffably sad. The strong light on the right arm merges into the deep shadow of the bound hands, and the same shadow falls with startling effect across the full light on the left arm, marked at the wrist by a slight bloody line.

In the portrayal of the crowning with thorns, in a few instances, the moment is chosen after the crown has been placed, the action being in the mock-worship; but the prevailing conception is that of the act of crowning, which consists in pressing the crown upon the brow by means of two long staves. A magnificent specimen is Luini's fresco in the Ambrosian Library at Milan. Christ sits upon a tribune, clad in a scarlet robe, His face wearing an expression of infinite sweetness and dignity, while a soldier on either side crowds down the crown with a staff. The Italian artists represent the crown as consisting of pliable twigs with small thorns; but the northern artists " have conceived," to quote Mrs. Jameson, " an awful structure of the most unbending, knotted boughs, with tremendous spikes half a foot long, which no human hands could have forced into such a form." In a few later instances the staves are omitted, and the crown is placed on the head by the mailed hand of a soldier.

Vincent: Joh 19:2 - -- Put on ( περιέβαλον ) Literally, threw about . Rev., arrayed .

Put on ( περιέβαλον )

Literally, threw about . Rev., arrayed .

Vincent: Joh 19:2 - -- Purple ( πορφυροῦν ) An adjective. Found only here, Joh 19:5, and Rev 18:16. Mark uses the noun πορφύρα , purple , which als...

Purple ( πορφυροῦν )

An adjective. Found only here, Joh 19:5, and Rev 18:16. Mark uses the noun πορφύρα , purple , which also occurs in Rev 17:4; Rev 18:12. See on Luk 16:19. Matthew has κοκκίνην , scarlet .

Vincent: Joh 19:2 - -- Robe ( ἱμάτιον ) Better, as Rev., garment , since robe gives the impression of a trailing garment. See on Mat 5:40. Matthew has χ...

Robe ( ἱμάτιον )

Better, as Rev., garment , since robe gives the impression of a trailing garment. See on Mat 5:40. Matthew has χλαμύδα , a short military cloak (Mat 27:28). Luke describes the garment as λαμπρὰν , gorgeous , bright or brilliant (Luk 23:11).

JFB: Joh 19:1-3 - -- In hope of appeasing them. (See Mar 15:15). "And the soldiers led Him away into the palace, and they call the whole band" (Mar 15:16) --the body of th...

In hope of appeasing them. (See Mar 15:15). "And the soldiers led Him away into the palace, and they call the whole band" (Mar 15:16) --the body of the military cohort stationed there--to take part in the mock coronation now to be enacted.

JFB: Joh 19:2 - -- In mockery of a regal crown.

In mockery of a regal crown.

JFB: Joh 19:2 - -- In mockery of the imperial purple; first "stripping him" (Mat 27:28) of His own outer garment. The robe may have been the "gorgeous" one in which Hero...

In mockery of the imperial purple; first "stripping him" (Mat 27:28) of His own outer garment. The robe may have been the "gorgeous" one in which Herod arrayed and sent Him back to Pilate (Luk 23:11). "And they put a reed into His right hand" (Mat 27:29) --in mockery of the regal scepter. "And they bowed the knee before Him" (Mat 27:29).

Clarke: Joh 19:2 - -- Platted a crown of thorns - See on Mat 27:29 (note).

Platted a crown of thorns - See on Mat 27:29 (note).

Calvin: Joh 19:2 - -- 2.And the soldiers, platting a crown of thorns This was unquestionably done by the authority of Pilate, in order to affix a mark of infamy on the Son...

2.And the soldiers, platting a crown of thorns This was unquestionably done by the authority of Pilate, in order to affix a mark of infamy on the Son of God, for having made himself a king; and that in order to satisfy the rage of the Jews, as if he had been convinced that the accusations which they brought against Christ were well founded. Yet the wickedness and insolence of the soldiers is indulged more freely than had been ordered by the judge; as ungodly men eagerly seize on the opportunity of doing evil whenever it is offered to them. But we see here the amazing cruelty of the Jewish nation, 158 whose minds are not moved to compassion by so piteous a spectacle; but all this is directed by God, in order to reconcile the world to himself by the death of his Son.

TSK: Joh 19:2 - -- the soldiers : Joh 19:5; Psa 22:6; Isa 49:7, Isa 53:3; Mat 27:27-31; Mar 15:17-20; Luk 23:11

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Commentary -- Word/Phrase Notes (per Verse)

Barnes: Joh 19:1-3 - -- See the notes at Mat 27:26-30.

See the notes at Mat 27:26-30.

Poole: Joh 19:2 - -- The other evangelists also mention a reed put into his right hand. The crown, and the purple robe, and a sceptre, are all regal ensigns; they give t...

The other evangelists also mention a reed put into his right hand. The crown, and the purple robe, and a sceptre, are all regal ensigns; they give them to Christ in derision of his pretence to a kingdom, and in the mean time themselves proclaim what he had said, that his kingdom was not of this world; for though earthly kings wear crowns, yet they use to be of gold, not of thorns; and their sceptres use to be gold, not reeds.

Lightfoot: Joh 19:2 - -- And the soldiers platted a crown of thorns, and put it on his head, and they put on him a purple robe,   [Platted a crown of thorns, etc...

And the soldiers platted a crown of thorns, and put it on his head, and they put on him a purple robe,   

[Platted a crown of thorns, etc.] a most unquestionable token this, that Christ's kingdom was not of this world, when he was crowned only with thorns and briers; which were the curse of this earth, Gen 3:18. Herod had put upon him a purple robe, Luk 23:11; and the soldiers added this crown. It is likewise said, that they also clothed him with this robe, that is, after he had been stripped, in order to be scourged.

Gill: Joh 19:2 - -- And the soldiers platted a crown of thorns,.... This was an emblem of his being surrounded by wicked men, sons of Belial, comparable to thorns, whilst...

And the soldiers platted a crown of thorns,.... This was an emblem of his being surrounded by wicked men, sons of Belial, comparable to thorns, whilst he hung suffering on the cross; and of the sins of his people compassing him about, which were as thorns, very grievous to him; and of his various troubles in life, and of his being made a curse for us at death; thorns being the produce of the curse upon the earth.

And put it on his head: not only by way of derision, as mocking at his character, the King of the Jews, but in order to afflict and distress him.

And they put on him a purple robe: Matthew calls it a scarlet robe; and the Arabic and Persic versions here, "a red" one: it very probably was one of the soldiers' coats, which are usually red: this was still in derision of him as a king, and was an emblem of his being clothed with our purple and scarlet sins, and of the bloody sufferings of his human nature for them, and through which we come to have a purple covering, or to be justified by his blood, and even to be made truly kings, as well as priests, unto God.

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Commentary -- Verse Notes / Footnotes

NET Notes: Joh 19:2 The purple color of the robe indicated royal status. This was further mockery of Jesus, along with the crown of thorns.

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Commentary -- Verse Range Notes

TSK Synopsis: Joh 19:1-42 - --1 Christ is scourged, crowned with thorns, and beaten.4 Pilate is desirous to release him, but being overcome with the outrage of the Jews, he deliver...

Combined Bible: Joh 19:1-11 - --of the Gospel of John    CHAPTER 64    Christ Before Pilate (Concluded)    John 19:1-11    Below is an ...

Maclaren: Joh 19:1-16 - --Jesus Sentenced Then Pilate therefore took Jesus, and scourged Him. And the soldiers platted a crown of thorns, and put it on His head, and they put ...

MHCC: Joh 19:1-18 - --Little did Pilate think with what holy regard these sufferings of Christ would, in after-ages, be thought upon and spoken of by the best and greatest ...

Matthew Henry: Joh 19:1-15 - -- Here is a further account of the unfair trial which they gave to our Lord Jesus. The prosecutors carrying it on with great confusion among the peopl...

Barclay: Joh 19:1-16 - --This is the most dramatic account of the trial of Jesus in the New Testament, and to have cut it into small sections would have been to lose the dram...

Barclay: Joh 19:1-16 - --But there were more things about the Jews than that. (i) They began by hating Jesus; but they finished in a very hysteria of hatred, howling like wo...

Barclay: Joh 19:1-16 - --Now we turn to the second personality in this story--Pilate. Throughout the trial his conduct is well-nigh incomprehensible. It is abundantly clear,...

Barclay: Joh 19:1-16 - --We have seen Pilate's history; let us now look at his conduct during his trial of Jesus. He did not wish to condemn Jesus, because he knew that he ...

Barclay: Joh 19:1-16 - --We have thought of the picture of the crowd in this trial of Jesus and we have thought of the picture of Pilate. Now we must come to the central char...

Barclay: Joh 19:1-16 - --(v) Once again we see here in the trial of Jesus the spontaneousness of his death and the supreme control of God. Pilate warned Jesus that he had pow...

Barclay: Joh 19:1-16 - --We have looked at the main personalities in the trial of Jesus--the Jews with their hatred, Pilate with his haunting past, and Jesus in the serenity...

Barclay: Joh 19:1-16 - --(ii) Last of all there was Barabbas whose episode John tells very briefly indeed. Of the custom of freeing a prisoner at Passover we know nothing more...

Barclay: Joh 19:1-16 - --There is one great problem in the fourth gospel which we did not take note of at all when we were studying it. Here we can note it only very briefly, ...

Constable: Joh 18:1--20:31 - --IV. Jesus' passion ministry chs. 18--20 There are several features that distinguish John's account of Jesus' pas...

Constable: Joh 18:28--19:17 - --C. Jesus' civil trial 18:28-19:16 John reported much more about Jesus' trial before Pilate than did any ...

Constable: Joh 19:1-16 - --4. The sentencing of Jesus 19:1-16 (cf. Matt. 27:22-26; Mark 15:12-15; Luke 23:20-25) There is quite a bit of unique material in this pericope. This i...

College: Joh 19:1-42 - --JOHN 19 The Flogging of Jesus and Delivering Over of Him to the Jews by Pilate (19:1-16) 1 Then Pilate took Jesus and had him flogged. 2 The soldier...

McGarvey: Joh 19:1-16 - -- CXXXI. THIRD STAGE OF THE ROMAN TRIAL. PILATE RELUCTANTLY SENTENCES HIM TO CRUCIFIXION. (Friday. Toward sunrise.) aMATT. XXVII. 15-30; bMARK XV. 6-19...

Lapide: Joh 19:1-42 - --CHAPTER 19 Ver. 1.— Then Pilate therefore took Jesus and scourged Him. That is after he had said (Luk 23:22), "I will chastise Him and let Him go....

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Introduction / Outline

Robertson: John (Book Introduction) THE Fourth Gospel By Way of Introduction Greatest of Books The test of time has given the palm to the Fourth Gospel over all the books of the wor...

JFB: John (Book Introduction) THE author of the Fourth Gospel was the younger of the two sons of Zebedee, a fisherman on the Sea of Galilee, who resided at Bethsaida, where were bo...

JFB: John (Outline) THE WORD MADE FLESH. (Joh 1:1-14) A SAYING OF THE BAPTIST CONFIRMATORY OF THIS. (Joh 1:15) SAME SUBJECT CONTINUED. (Joh 1:16-18) THE BAPTIST'S TESTIM...

TSK: John (Book Introduction) John, who, according to the unanimous testimony of the ancient fathers and ecclesiastical writers, was the author of this Gospel, was the son of Zebed...

TSK: John 19 (Chapter Introduction) Overview Joh 19:1, Christ is scourged, crowned with thorns, and beaten; Joh 19:4, Pilate is desirous to release him, but being overcome with the o...

Poole: John 19 (Chapter Introduction) CHAPTER 19

MHCC: John (Book Introduction) The apostle and evangelist, John, seems to have been the youngest of the twelve. He was especially favoured with our Lord's regard and confidence, so ...

MHCC: John 19 (Chapter Introduction) (v. 1-18) Christ condemned and crucified. (Joh 19:19-30) Christ on the cross. (Joh 19:31-37) His side pierced. (Joh 19:38-42) The burial of Jesus.

Matthew Henry: John (Book Introduction) An Exposition, with Practical Observations, of The Gospel According to St. John It is not material to enquire when and where this gospel was written; ...

Matthew Henry: John 19 (Chapter Introduction) Though in the history hitherto this evangelist seems industriously to have declined the recording of such passages as had been related by the other...

Barclay: John (Book Introduction) INTRODUCTION TO THE GOSPEL ACCORDING TO SAINT JOHN The Gospel Of The EagleEye For many Christian people the Gospel according to St. John is the mos...

Barclay: John 19 (Chapter Introduction) Note On The Date Of The Crucifixion (Joh_19:14) The Way To The Cross (Joh_19:17-22) The Way To The Cross (Joh_19:17-22 Continued) The Gamblers At...

Constable: John (Book Introduction) Introduction Writer The writer of this Gospel did not identify himself as such in the ...

Constable: John (Outline) Outline I. Prologue 1:1-18 A. The preincarnate Word 1:1-5 B. The witness...

Constable: John John Bibliography Allen, Ronald B. "Affirming Right-of-Way on Ancient Paths." Bibliotheca Sacra 153:609 (Januar...

Haydock: John (Book Introduction) THE HOLY GOSPEL OF JESUS CHRIST, ACCORDING TO ST. JOHN. INTRODUCTION St. John, the evangelist, a native of Bathsaida, in Galilee, was the son ...

Gill: John (Book Introduction) INTRODUCTION TO JOHN The author of this Gospel is John, the son of Zebedee and Salome, the brother of James the greater; he outlived the rest of th...

College: John (Book Introduction) PREFACE INTRODUCTION Even the casual reader of the New Testament will notice that the first three accounts of Jesus' life are generally similar in t...

College: John (Outline) OUTLINE A good outline is more than half the battle in one's understanding and remembering the contents of any book. There is more than one way to bre...

Lapide: John (Book Introduction) NOTICE TO THE READER. Gospel of John Intro ——o—— AS it has been found impossible to compress the Translation of the Commentary upon S. John...

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