Text -- Psalms 137:2-9 (NET)

137:2 On the poplars in her midst we hang our harps, 137:3 for there our captors ask us to compose songs; those who mock us demand that we be happy, saying: “Sing for us a song about Zion!” 137:4 How can we sing a song to the Lord in a foreign land? 137:5 If I forget you, O Jerusalem, may my right hand be crippled! 137:6 May my tongue stick to the roof of my mouth, if I do not remember you, and do not give Jerusalem priority over whatever gives me the most joy. 137:7 Remember, O Lord, what the Edomites did on the day Jerusalem fell. They said, “Tear it down, tear it down, right to its very foundation!” 137:8 O daughter Babylon, soon to be devastated! How blessed will be the one who repays you for what you dished out to us! 137:9 How blessed will be the one who grabs your babies and smashes them on a rock!

Commentary -- Word/Phrase Notes (per phrase)

Wesley: Psa 137:2

Harps are here put for all instruments of musick.

Wesley: Psa 137:3

Such songs as you used to sing in the temple of Zion.

Wesley: Psa 137:4

Those songs which were appointed by God to be sung only in his service.

Wesley: Psa 137:6

If I do not value Jerusalem's prosperity more than all other delights.

Wesley: Psa 137:7

In the time of its destruction.

Wesley: Psa 137:8

As being God's instrument to vindicate his honour, and execute his just judgments.

JFB: Psa 137:2

Which may have grown there then, if not now; as the palm, which was once common, is now rare in Palestine.

JFB: Psa 137:3-4

Whether the request was in curiosity or derision, the answer intimates that a compliance was incongruous with their mournful feelings (Pro 25:20).

JFB: Psa 137:5-6

For joyful songs would imply forgetfulness of their desolated homes and fallen Church. The solemn imprecations on the hand and tongue, if thus forgetful, relate to the cunning or skill in playing, and the power of singing.

JFB: Psa 137:7-9

(Compare Psa 132:1), that is, to punish.

JFB: Psa 137:7-9

Its downfall (Lam 4:21-22; Oba 1:11-13).

JFB: Psa 137:8

The people (Psa 9:13). Their destruction had been abundantly foretold (Isa 13:14; Jer 51:23). For the terribleness of that destruction, God's righteous judgment, and not the passions of the chafed Israelites, was responsible.

Clarke: Psa 137:2

We hanged our harps upon the willows - The ערבים arabim or willows were very plentiful in Babylon. The great quantity of them that were on the banks of the Euphrates caused Isaiah, Isa 15:7, to call it the brook or river of willows. This is a most affecting picture. Perhaps resting themselves after toil, and wishing to spend their time religiously, they took their harps, and were about to sing one of the songs of Zion; but, reflecting on their own country, they became so filled with distress, that they unstrung their harps with one consent, and hung them on the willow bushes, and gave a general loose to their grief. Some of the Babylonians, who probably attended such meetings for the sake of the music, being present at the time here specified, desired them to sing one of Zion’ s songs: this is affectingly told.

Clarke: Psa 137:3

They that carried us away captive required of us a song - This was as unreasonable as it was insulting. How could they who had reduced us to slavery, and dragged us in chains from our own beautiful land and privileges, expect us to sing a sacred ode to please them, who were enemies both to us and to our God? And how could those who wasted us expect mirth from people in captivity, deprived of all their possessions, and in the most abject state of poverty and oppression?

Clarke: Psa 137:4

How shall we sing the Lord’ s song - איך נשיר eich ! nashir ; O, we sing! Who does not hear the deep sigh in the strongly guttural sound of the original איך eich ! wrung, as it were, from the bottom of the heart? Can We, in this state of slavery, - We, exiles, from our country, We, stripped of all our property, - We, reduced to contempt by our strong enemy, - We, deprived of our religious privileges, - We, insulted by our oppressors, - We, in the land of heathens, - We sing, or be mirthful in these circumstances? No: God does not expect it; man should not wish it; and it is base in our enemies to require it.

Clarke: Psa 137:5

If I forget thee, O Jerusalem - Such conduct would be, in effect, a renunciation of our land a tacit acknowledgment that we were reconciled to our bondage; a concession that we were pleased with our captivity, and could profane holy ordinances by using them as means of sport or pastime to the heathen. No: Jerusalem! we remember thee and thy Divine ordinances: and especially thy King and our God, whose indignation we must bear, because we have sinned against him

Clarke: Psa 137:5

Let my right hand forget - Let me forget the use of my right hand. Let me forget that which is dearest and most profitable to me; and let me lose my skill in the management of my harp, if I ever prostitute it to please the ungodly multitude or the enemies of my Creator!

Clarke: Psa 137:6

Let my tongue cleave - Let me lose my voice, and all its powers of melody; my tongue, and all its faculty of speech; my ear, and its discernment of sounds; if I do not prefer my country, my people, and the ordinances of my God, beyond all these, and whatever may constitute the chiefest joy I can possess in aught else beside. This is truly patriotic, truly noble and dignified. Such sentiments can only be found in the hearts and mouths of those slaves whom the grace of God has made free.

Clarke: Psa 137:7

Remember - the children of Edom - It appears from Jer 12:6; Jer 25:14; Lam 4:21, Lam 4:22; Eze 25:12; Oba 1:11-14; that the Idumeans joined the army of Nebuchadnezzar against their brethren the Jews; and that they were main instruments in rasing the walls of Jerusalem even to the ground.

Clarke: Psa 137:8

O daughter of Babylon, who art to be destroyed - Or, O thou daughter of Babylon the destroyer, or, who art to be ruined. In being reduced under the empire of the Persians, Babylon was already greatly humbled and brought low from what it was in the days of Nebuchadnezzar; but it was afterwards so totally ruined that not a vestige of it remains. After its capture by Cyrus, A.M. 3468, it could never be considered a capital city; but it appeared to follow the fortunes of its various conquerors till it was, as a city, finally destroyed

Clarke: Psa 137:8

Rewardeth thee as thou hast served us - This was Cyrus, who was chosen of God to do this work, and is therefore called happy, as being God’ s agent in its destruction. Greater desolations were afterwards brought upon it by Darius Hystaspes, who took this city after it had revolted, and slaughtered the inhabitants, men and women, in a barbarous manner. Herod. lib. iii.

Clarke: Psa 137:9

Happy - that taketh and dasheth thy little ones - That is, So oppressive hast thou been to all under thy domination, as to become universally hated and detested; so that those who may have the last hand in thy destruction, and the total extermination of thy inhabitants, shall be reputed happy - shall be celebrated and extolled as those who have rid the world of a curse so grievous. These prophetic declarations contain no excitement to any person or persons to commit acts of cruelty and barbarity; but are simply declarative of what would take place in the order of the retributive providence and justice of God, and the general opinion that should in consequence be expressed on the subject; therefore praying for the destruction of our enemies is totally out of the question. It should not be omitted that the Chaldee considers this Psalm a dialogue, which it thus divides: - The three first verses are supposed to have been spoken by the psalmist, By the rivers, etc. The Levites answer from the porch of the temple, in Psa 137:4, How shall we sing, etc. The voice of the Holy Spirit responds in Psa 137:5, Psa 137:6, If I forget thee, etc. Michael, the prince of Jerusalem, answers in Psa 137:7, Remember, O Lord, etc. Gabriel, the prince of Zion, then addresses the destroyer of the Babylonish nation, in Psa 137:8, Psa 137:9, Happy shall be he that rewardeth thee, etc. To slay all when a city was sacked, both male and female, old and young, was a common practice in ancient times. Homer describes this in words almost similar to those of the psalmist: -

Υἱας τ ’ ολλυμενους, ἑλκυσθεισας τε θυγατρας

Και θαλαμους κεραΐζομενους, και νηπια τεκνα

Βαλλομενα προτι γαιῃ εν αινῃ δηΐοτητι

Ἑλκομενας τε νυους ολοης ὑπο χερσιν Αχαιων

Il. lib. xxii., ver. 62

My heroes slain, my bridal bed o’ erturned

My daughters ravished, and my city burned

My bleeding infants dashed against the floor

These I have yet to see; perhaps yet more

Pope

These excesses were common in all barbarous nations, and are only prophetically declared here. He shall be reputed happy, prosperous, and highly commendable, who shall destroy Babylon

Calvin: Psa 137:2

2.We hanged our harps upon the willows ¹⁸⁰ He deplores the suspension of the songs of praise, which God had enjoined in his Temple. The Levites were set over the department of singing, and led the way among the people in this devotional exercise. Is it asked how they had carried their harps with them so far from their native land, we have in this another proof mentioned by the Psalmist of their faith and fervent piety, for the Levites when stripped of all their fortunes had preserved their harps at least as a piece of precious furniture, to be devoted to a former use when opportunity presented itself. We may suppose that those who truly feared God put a high value upon the relics of his worship, and showed the greatest care in preserving them, till the period of their restoration. ¹⁸¹ When willows are mentioned, this denotes the pleasantness of the banks, which were planted with willows for coolness. But the Psalmist says that these shades, however delightful, could not dispel a grief which was too deeply seated to admit of common consolations or refreshment. As they sat upon the banks of the rivers covered with the shadows of the trees, this was just the place where they might have been tempted to take up their harps, and soothe their griefs with song; but the Psalmist suggests that their minds were too heavily wounded with a sense of the displeasure of the Lord to deceive themselves with such idle sources of comfort. He would even go farther, and intimate that joy of a good and holy kind was at this time suspended. For though it was neither right nor well judged to encourage their grief, we cannot wonder if the singing of praises in public was given up till their return from the captivity, called as they were by the chastisements of God to mourning and lamentation.

Calvin: Psa 137:3

3.=== Then they that carried us away captive, === etc. We may be certain that the Israelites were treated with cruel severity under this barbarous tyranny to which they were subjected. And the worst affliction of all was, that their conquerors reproachfully insulted them, and even mocked them, their design being less to wound the hearts of these miserable exiles, than to cast blasphemies upon their God. The Babylonians had no desire to hear their sacred songs, and very likely would not have suffered them to engage in the public praises of God, but they speak ironically, and insinuate it as a reproach upon the Levites that they should be silent, when it was their custom formerly to sing sacred songs. Is your God dead, as if they had said, to whom your praises were formerly addressed? Or if he delights in your songs, why do you not sing them? The last clause of the verse has been variously rendered by interpreters. Some derive תוללינו , tholalenu, from the verb ללי, yalal, to howl, reading — they required mirth in our howlings. Others translate it suspensions of mirth. ¹⁸² Some take it for a participle of the verb הלל , halal, to rage, and read, raging against us. But as תלינו , talinu, the root of the noun here employed, is taken in the preceding verse as meaning to suspend, I considered the reading which I have adopted the simplest one.

Calvin: Psa 137:4

4.How shall we sing, etc. The Psalmist puts a lofty and magnanimous answer into the mouth of the Lord’s people to their insolent reproach, which is this, that they abstained from their songs, as from their legal sacrifices, because the land where they now were was polluted. The Chaldeans thought the Jews were bound down permanently to this place of their exile; the Psalmist, when he calls it a foreign land, suggests that it was but the place of their temporary stay. But the main idea is, that Chaldea was not worthy of the honor of having God’s praises sung in it. No doubt the children of God wherever they have lived have always been strangers and foreigners in the world, but the land of Canaan was the sacred rest provided for them, and the Psalmist well describes them as being foreigners and sojourners when they were in other climes. He would in this way have them to be always ready and prepared for their return, tacitly enforcing what Jeremiah had prophesied, when, in order to prevent them from forgetting their native country, he had definitely foretold the time during which their exile should last, (Jer 25:11; Jer 29:10.) He would in the meantime animate them to constancy, and have them not to coalesce with the Babylonians through motives of fear. In our own day under the Papacy, great as the danger may be to which the faithful expose themselves by not conforming to the example around them, the Holy Spirit makes use of such a barrier as this to separate them from sinful compliances. ¹⁸³ To those, whether Frenchmen, Englishmen, or Italians, who love and practice the true religion, even their native country is a foreign clime when they live under that tyranny. And yet there is a distinction between us and God’s ancient people, for at that time the worship of God was confined to one place, but now he has his Temple wherever two or three are met together in Christ’s name, if they separate themselves from all idolatrous profession, and maintain purity of divine worship. The Psalmist by the language which he employs would by no means put down every attempt on their part to celebrate God’s praises. He rather exhorts them under their affliction to wait with patience till the liberty of publicly worshipping God was restored, saying’ upon the matter — We have been bereft of our Temple and sacrifices, we wander as exiles in a polluted land, and what remains but that in remembrance of our outcast state we should sigh and groan for the promised deliverance.

Calvin: Psa 137:5

5.If I shall forget thee, O Jerusalem! This confirms what was said in the former verse, and leaves us in no difficulty to understand what the Psalmist meant by it. For here God’s people declare, and with the solemnity of an oath, that the remembrance of the holy city would be ever engra-yen upon their hearts, and never, under any circumstances, effaced. Having spoken of song, and of the instruments of music, the Psalmist’s appeal is made in terms which corre-spond — that his hand would forager its cunning, and his tongue cleave to his palate, or the roof of his mouth The meaning’ is, that the Lord’s people, while they mourn under personal trials, should be still more deeply affected by public calamities which befall the Church, it being’ reasonable that the zeal of God’s house should have the highest place in our hearts, and rise above all mere private considerations. The second part of the sixth verse some interpret — If this be not my chief joy to see Jerusalem once more in a flourishing condition. Others — Joy will never enter my heart more, till I be gladdened by the Church’s restoration. Both meanings are in my opinion comprehended in the words of the Psalmist. The one cannot be separated from the other; for if we set Jerusalem above our chiefest joy, the height of this joy must arise from the consideration of its prosperity, and, if this be the case, the grief we feel under its calamities will be such as effectually to shut out all worldly joys.

Calvin: Psa 137:7

7.Remember, O Jehovah! the children of Edom Vengeance was to be executed upon the other neighboring nations which had conspired to destroy Jerusalem, so that they are all doubtless included here under the children of Edom, who are specified, a parr, for the whole, either because they showed more hatred and cruelty than the rest, or that theirs were not so easily borne, considering that they were brethren, and of one blood, being the posterity of Esau, and that the Israelites had, by God’s commandment, spared the Edomites, when they devoted all beside them to destruction. (Deu 2:4.) It was, therefore, the height of cruelty in them to invite the Babylonians to destroy their own brethren, or fan the flames of their hostility. We are to notice, however, that the Psalmist does not break forth into these awful denunciations unadvisedly, but as God’s herald, to confirm former prophecies. God both by Ezekiel and Jeremiah had predicted that he would punish the Edomites, (Eze 25:13; Jer 49:7; and Lam 4:21) and Obadiah distinctly gives the reason, answerable to what is here stated — that they had conspired with the Babylonians. (Oba 1:11.) We know that God intended in this way to comfort and support the minds of the people under a calamity so very distressing, as that Jacob’s election might have seemed to be rendered frustrate, should his descendants be treated with impunity in such a barbarous manner, by the posterity of Esau. The Psalmist prays, under the inspiration of the Spirit, that God would practically demonstrate the truth of this prediction. Anti when he says, Remember, O Jehovah! he would remind God’s people of the promise to strengthen their belief in his avenging justice, and make them wait for the event with patience and submission. To pray for vengeance would have been unwarrantable, had not God pro-raised it, and had the party against whom it was sought not been reprobate and incurable; for as to others, even our greatest enemies, we should wish their amendment and reformation. The day of Jerusalem,, is a title given by him, and of frequent occurrence in Scripture, to the time of visitation, which had a divinely appointed and definite term.

Calvin: Psa 137:8

8.O daughter of Babylon ¹⁸⁷ laid waste! The Psalmist discerns the coming judgment of God, though not yet apparent, by the eye of faith, as the Apostle well calls faith “the beholding of things not seen.” (Heb 11:1.) Incredible as it might appear that any calamity should overtake so mighty an empire as Babylon then was, and impregnable as it was generally considered to be, he sees in the glass of the Word its destruction and overthrow. He calls upon all God’s people to do the same, and by faith from the elevation of heaven’s oracles, to despise the pride of that abandoned city. If the divine promises inspire us with hope and confidence, and God’s Spirit attemper our afflictions to the rule of his own uprightness, we shall lift up our heads in the lowest depths of affliction to which we may be east down, and glory in the fact that it is well with us in our worst distresses, and that our enemies are devoted to destruction. In declaring those to be happy who should pay back vengeance upon the Babylonians, he does not mean that the service done by the Medes and Persians, in itself met with the approbation of God; ¹⁸⁸ for they were actuated in the war by ambition, insatiable covetousness, and unprincipled rivalry; but he declares that a war which was carried on in a manner under God’s auspices, should be crowned with success. As God had determined to punish Babylon, he pronounced a blessing upon Cyrus and Darius, while on the other hand Jeremiah (Jer 48:10) declares those cursed who should do the work of the Lord negligently, that is, fail in strenuously carrying out the work of desolation and destruction, to which God had called them as his hired executioners. It may seem to savor of cruelty, that he should wish the tender and innocent infants to be dashed and mangled upon the stones, but he does not speak under the impulse of personal feeling, and only employs words which God had himself authorized, so that this is but the declaration of a just judgment, as when our Lord says,

“With what measure ye mete, it shall be measured to you again.” (Mat 7:2.)

Isaiah (Isa 13:16) had issued a special prediction in reference to Babylon, which the Psalmist has doubtless here in his eye — “Behold God has sharpened the iron, and bent the bows; he sends forth the Medes and Persians, which shall not regard silver and gold; they shall thirst for blood only,” etc.

Defender: Psa 137:9

The Babylonians were unspeakably cruel to God's chosen people. They desecrated the temple of God as they carried the people away as captives. In a real sense, the death of their small children who would be safe in Christ, would be more merciful than for them to grow into adult pagans and be lost forever in hell. See other imprecatory psalms (Psa 5:1-12, note; and Psa 109:1, note)."

TSK: Psa 137:2

we hanged : Willows were so plentiful at Babylon, on the banks of the Euphrates, that Isaiah calls it ""the brook or river of willows.""Psa 33:2, Psa 81:2; Isa 24:8; Eze 26:13; Amo 8:10; Rev 18:22

TSK: Psa 137:3

For there : Psa 123:3, Psa 123:4; Lam 2:15, Lam 2:16

a song : Heb. the words of a song

wasted us : Heb. laid us on heaps, Psa 79:1; Neh 4:2; Jer 9:11, Jer 26:18; Mic 3:12; Luk 21:6

the songs of Zion : Psa 9:14, Psa 65:1; 1Ch 15:27, 1Ch 16:7; Isa 35:10, Isa 51:11; Jer 31:12, Jer 31:13; Rev 14:1-3

TSK: Psa 137:4

How shall : Ecc 3:4; Isa 22:12; Lam 5:14, Lam 5:15; Hos 9:4; Amo 8:3

strange land : Heb. land of a stranger, Isa 49:21

TSK: Psa 137:5

I forget : Psa 84:1, Psa 84:2, Psa 84:10, Psa 102:13, Psa 102:14, Psa 122:5-9; Neh 1:2-4, Neh 2:2, Neh 2:3; Isa 62:1, Isa 62:6, Isa 62:7; Jer 51:50; Dan 6:10, Dan 6:11

let my right : Zec 11:17

TSK: Psa 137:6

let my tongue : Psa 22:15; Isa 41:17; Lam 4:4; Eze 3:26

if I prefer : Psa 84:10; Mat 6:33; Act 20:24; Phi 1:20; 1Th 3:7-9

my chief joy : Heb. the head of my joy

TSK: Psa 137:7

Remember : Psa 74:18, Psa 79:8-12; Exo 17:14; 1Sa 15:2; Hos 7:2

the children : Isa 63:1-6; Jer. 49:7-22; Lam 4:21, Lam 4:22; Eze 25:12-14; Oba 1:10-14, Oba 1:18-21

Raze it : Heb. make bare

TSK: Psa 137:8

daughter : Isa 47:1-5; Jer 50:42, Jer 51:33; Zec 2:7

who art : Isa. 13:1-22, 14:4-24, Isa 21:1, Isa 47:1; Jer 25:12-14, 50:1-51:64; Rev 14:8-11, 17:1-18, Rev 18:6

destroyed : Heb. wasted

happy : Psa 149:6-9; Isa 13:3-5, Isa 44:28; Rev 17:5, Rev 17:6, Rev 17:14, Rev 18:6, Rev 18:20

rewardeth : etc. Heb. recompenseth unto thee thy deed which thou didst unto us, Jer 50:15-29; Rev 18:6

TSK: Psa 137:9

and dasheth : Isa 13:16; Hos 10:14, Hos 13:16

the stones : Heb. the rock

Commentary -- Word/Phrase Notes (per Verse)

Barnes: Psa 137:2

We hanged our harps upon the willows - The harps once used to accompany the songs of praise and the service of God in the temple; the harps with which they had sought to beguile their weary hours, and to console their sad spirits in their captivity. The word rendered "willows"- ערבים ‛ărâbiym - used only in the plural, denotes the willow or osier, so called from its white, silvery leaves. Gesenius, Lexicon. Compare Isa 15:7. It is probable that the weeping willow - the willow with long pendulous branches - is here referred to. Trees in desert lands spring up along the courses of the streams, and appear, in the wide desolation, as long and waving lines of green wherever the rivers wind along. The course of a stream can thus be marked by the prolonged line of meandering green in the desert as far as the eye can reach. It has been objected to the statement here that the willow is not now found in the neighborhood of ancient Babylon, but that the palm is the only tree which grows there. I saw, however, in 1852, in James’ Park in London, a willow-tree with a label on it, stating that it was taken from the site of ancient Babylon; and there seems no reason to doubt the correctness of the account. The willow may be less abundant there now than it was in former times, as is true of the palm. tree in Palestine, but there is no reason to doubt that it grew there. All that the psalm, however, would necessarily demand in a fair interpretation would be that there should have been even a single clump of these trees planted there, under which a little band of exiles may have seated themselves when they gave utterance to the plaintive language of this psalm.

In the midst thereof - In the midst of Babylon; showing that this referred to the city proper. They could not sing, such was their grief, though they had their harps with them; and they hung them up, therefore, on the branches of the trees around them; or, poetically, they were as dumb as if they had hung up their harps there.

Barnes: Psa 137:3

For there they that carried us away captive - The Babylonians.

Required of us a song - Asked of us a song. The word does not express the idea of compulsion or force. Margin, as in Hebrew, words of a song. Perhaps the idea is that they did not merely ask music, but they wished to hear the words - the songs themselves - in which they were accustomed to praise God. This may have been a taunt, and the request may have been in derision; or it may have been seriously, and with no desire to reproach them, or to add to their sorrows. We are not to impute bad motives to others where there is no evidence that there are any, and where the supposition of good motives will answer just as well; and the expression here may have been a kind and natural wish to hear the songs of these foreigners - songs of which they might have heard much by report; perhaps songs which they had overheard them singing when they were in a less desponding state of mind, and when they sought to comfort themselves by these ancient national melodies. As the only reason assigned for not complying with this request was that they could not "sing the Lord’ s song in a strange land"Psa 137:3, we are rather led to infer that there was no bad motive - no disposition to taunt and ridicule them by the request that was made.

And they that wasted us - Margin, laid us on heaps. The Hebrew word means a tormentor; properly, one who extorts lamentation from others, or who causes them to howl - to wit, under oppression or wrong. The Septuagint and Latin Vulgate render it, "They who led us away."The general idea is, those under whom they were then suffering; or, who had caused these trials to come upon them.

Required of us mirth - literally, "Our tormentors, joy."The Hebrew word means joy; and the sense is, that they asked them to give the usual indications of joy and happiness - to wit, a song. The language means, "Cheer up; be happy; give us one of the beautiful songs which you were accustomed to sing in your own land."It may, indeed, have been in derision; but there is no proof that it was.

Saying, Sing us one of the songs of Zion - The songs - the sacred hymns - which you were accustomed to sing in worship in your own land.

Barnes: Psa 137:4

How shall we sing the Lord’ s song - The song designed to celebrate his praise; that is, appropriate to the worship of Yahweh.

In a strange land - Far from our home; far from the temple; exiles; captives: how can we find spirit in such circumstances to sing? How can we do that which would be indicative of what we do not feel, and cannot feel - joy and happiness! The idea is not that those psalms or songs would be profaned by being sung there, or that there would be anything improper in itself in singing them, but that it would be misplaced and incongruous to sing them in their circumstances. It would be doing violence to their own feelings; their feelings would not allow them to do it. There are states of mind when the language of joy is appropriate and natural; there are states where the heart is so sad that it cannot sing.

Barnes: Psa 137:5

If I forget thee, O Jerusalem - The meaning here is, that to sing in such circumstances would seem to imply that they had forgotten Jerusalem; that they were unmindful of its sorrows, and cared not that it was desolate. The remembrance of its calamities pressed hard upon them, and they could not do anything which would seem to imply that they had become unmindful of the sufferings that had come upon their nation. One will not make merry when a wife or child lies dying - or on the day of the funeral - or over the grave of a mother. A joyous and brilliant party, accompanied with music, feasting, dancing, when a friend has been just laid in the grave, when the calamities of war are abroad, when the pestilence is raging in a city, we feel to be untimely, unseemly, and incongruous. So these captives said it would be if they should make merry while their temple was in ruins; while their city was desolate; while their people were captives in a foreign land.

Let my right hand forget her cunning - Let my right hand forget its skill in music - all its skill. If I should now play on the harp - as indicative of joy - let the hand which would be employed in sweeping over its strings become paralyzed and powerless. Let the punishment come where it would seem to be deserved - on the hand which could play at such a time. So Cranmer held the hand which had been employed in signing a recantation of his faith in the fire, until it was burned off, and dropped in the flames.

Barnes: Psa 137:6

If I do not remember thee - Equivalent to, "If I forget thee."If I ever fail to remember thee; if I shall ever act as if I had forgotten thee. Singing in a strange land, among those who had perpetrated such wrongs in thee - appearing to be happy, cheerful, joyous, happy, merry there - would be understood to imply that I had ceased to remember thee, and cared nothing for thee.

Let my tongue cleave to the roof of my mouth - Compare Eze 3:26. Let me be unable to speak; let my tongue be as it were attached to the upper part of the mouth, so that it could not be used. If I employ it in an unworthy purpose - in any way whereby it can be inferred that I have ceased to remember my native land, and the city of our solemnities, let my tongue be ever after useless. This language is often employed by Virgil: Vox faucibus haesit.

If I prefer not Jerusalem - literally, "If I do not cause to ascend."That is, If I do not exalt Jerusalem in my estimation above everything that gives me pleasure; if I do not find my supreme happiness in that.

Above my chief joy - Margin, as in Hebrew, the head of my joy. The chief thing which gives me joy; as the head is the chief, or is supreme over the body. This is expressive of a great truth in regard to religion. Anything else - everything else - is to be sooner sacrificed than that. The happiness which is found in religion is superior to that found in every other source of enjoyment, and is preferred to every other. If either is to be sacrificed - the joy of religion, or the pleasure derived from society, from the frivolous world, from literature, from music, from dancing, from works of art - it will be the latter and not the former. There are other sources of joy which are not in any way inconsistent with religion: the joy of friendship; of domestic life; of honorable pursuits of the esteem of people. So of music, the arts, gardens, literature, science. But when one interferes with the other, or is inconsistent with the other, the joy of the world is to be sacrificed to the joy of religion. When the joy of religion is sacrificed for the joy of the world, it proves that there is no true piety in the soul. Religion, if it exists at all, will always be supreme.

Barnes: Psa 137:7

Remember, O Lord, the children of Edom - The Edomites; the people of Idumea. On the situation of Edom or Idumea, see introductory notes to Isa. 34.

In the day of Jerusalem - In the day when Jerusalem shall be restored; in the day when punishment shall be inflicted on the nations that destroyed it; then, do not forget the Edomites, who took so large and so active a part in its overthrow. This is to be understood as a continued "remembrance"of Zion; as a purpose not to "forget"Jerusalem. The psalmist, representing the feelings of the captives in Babylon, says, that so far from doing anything which would imply a forgetfulness of their native land - as singing cheerful songs there might be understood to be, they would do everything to call Jerusalem to remembrance. They would remember her former splendor; they would remember her desolations; they would go further - they would not forget those who had brought these calamities upon her; those who had done most for her overthrow. As among the most prominent, they would remember particularly the ancient; enemies of their nation - the Edomites - who had been among the most active in its destruction, and who had united with the Babylonians in the work of ruin. They would remember all this; and they prayed God that he also would remember the desolation itself, and all the actors in that work of desolation.

Who said - Implying that they had been associated with the Babylonians in the destruction of the city. On the hostility of that people to the Hebrews, and the grounds of their hostility - and on their agency as united with the Babylonians in destroying Jerusalem, and the divine vengeance threatened them on that account - see, as above, the introduction to Isa. 34.

Rase it, rase it - Margin, as in Hebrew, make bare. That is, Strip it of everything - temple, houses, ornaments, fountains - and leave it a bare and naked rock. Let nothing remain but the rocks - the foundations - on which it is built. In the history of the Edomites, as stated in the introduction to Isa. 34, there were abundant facts to show that they were particularly zealous and active in seeking the destruction of the hated city. This verse and the one following constitute a portion of the "imprecatory"Psalms; of those which seem to cry for vengeance, and to manifest a revengeful and unforgiving spirit; the portion of the Psalms which has been regarded as so difficult to be reconciled with the forgiving spirit enjoined in the gospel. On this subject, see the General Introduction, Section 6.

Barnes: Psa 137:8

O daughter of Babylon - That is, Babylon itself; the city of Babylon. On the word "daughter"as thus used, see the notes at Isa 1:8.

Who art to be destroyed - Certainly to be destroyed; of whose destruction there are fixed and absolute prophecies. See the notes at Isa 13:19-22.

Happy shall he be that rewardeth thee as thou hast served us - Margin, that recompenseth unto thee thy deed which thou didst to us. Literally, "Happy shall he be who shall repay to thee the recompence which thou hast recompensed unto us."The idea is, who shall repay thee for thy treatment of us; or, as we should say in common language, "Who shall pay thee back?"That is, he will be esteemed a fortunate man who is made the instrument of inflicting deserved punishment on a city so guilty and so cruel. He will acquire fame and honor by doing it; his name will be made known abroad and perpetuated among people. In fact, the name of Cyrus, who conquered Babylon, is among the names of the most celebrated of conquerors; and the manner in which he took Babylon and overthrew the government and kingdom, has given him a most eminent place among successful princes and conquerors.

Barnes: Psa 137:9

Happy shall he be that taketh ... - Margin, as in Hebrew, rock. This refers to what was not uncommon in ancient warfare, as it is now among savage tribes - the indiscriminate slaughter of those of all ages, and of both sexes, in war. It was expressly foretold of Babylon that this would occur (see Isa 13:16, and the notes at that place), and there may be a reference here to that prediction, and the psalmist may mean to say that the man would be accounted happy, or would be happy, who wreaked vengeance on Babylon in carrying out that prophecy. The idea is, "This will certainly occur, for it is foretold, and happy or fortunate will he be who is the instrument in fulfilling it."Compare 2Ki 8:12; Nah 3:10; Hos 13:16. See also Homer, II xxii. 63,373, following It is impossible to reconcile such barbarous customs with the idex of "honorable war,"or with the principles of war as carried on among "civilized"nations now.

It should be added, however, that there is much - very much - that is practiced in war by "civilized"nations still, which it is equally impossible to reconcile with any just notions of morality or humanity, and which in coming ages, and when people shall come to view things aright, will seem to the people of those times to be not less monstrous, strange, and barbarous. In regard to this passage, we are not necessarily to suppose that the author of the psalm approved of this, or desired it, or prayed for it. He looked forward to the fulfillment of a prediction; he saw that a just and terrible judgment would certainly come upon Babylon; he expressed that in the common language of the times, and states the manner in which it would occur; he described the feelings - the gratification - of those who would execute the divine purpose in the overthrow of Babylon; he referred to the estimate in which the conqueror would be held by people, and the glory of the achievement as giving him fame among people.

It must be admitted that the feelings of the author of the psalm appear to accord with this; that he considers it proper that the city should be destroyed; and that he regards its overthrow as a righteous judgment, and as a thing to be desired in the divine administration. It is true that he might approve of such an overthrow, and see it to be right - he might describe the feelings of those by whom it would be done, their joy, their exultation, and even their barbarity, without himself approving of their barbarity, or sympathizing with their feelings, or partaking of their spirit; but still it cannot in fairness be denied that there is an apparent approval of the act here referred to, which savors more of imprecation than forgiveness, and which is apparently prompted more by the spirit of revenge than by a desire of just punishment. On this subject, however, see the General Introduction, Section 6 (4); and the notes at Psa 109:10. A correct record may be made, whether of facts or of feelings, without any design of expressing either approbation or disapprobation on the part of the historian, the prophet, or the poet.

Poole: Psa 137:2

These are, not without great probability, supposed to be the words of some holy Levites, who had been accustomed to music, both vocal and instrumental, in the service of the temple. Harps are here put by a synecdoche for all instruments of music. It is further to be observed, that although the harp was used by the Grecians in mourning, yet it was used by the Hebrews in rejoicing, as is manifest from Gen 31:27 2Ch 20:27,28 Ps 43:4 , &c. This passage is to be understood either,

1. Figuratively, signifying only that they abandoned all signs and means of comfort; or rather,

2. Properly, as the following songs are, which the Babylonians required them to sing to their harps. And these harps they might either,

1. Bring from Jerusalem, which they might desire to do to preserve those sacred utensils, and their enemies might either permit or command them to do for their own delight: or,

2. Procure in Babylon, that they might sometimes solace themselves with the practice of some of the temple music, which they desired and intended to do; but when they came to the trial, they were not able to do it, and therefore laid them by. Upon the willows ; which commonly grow upon the banks of rivers, as they did by Euphrates in such plenty, that from thence it is called the brook of willows, Isa 15:7 .

Poole: Psa 137:3

Such songs as you used to sing in the temple at Zion; which they required either out of curiosity, or to delight their ears, or rather by way of scoffing and insultation over them, and their temple and religion.

Poole: Psa 137:4

The Lord’ s song those songs which were appointed by God, and to be sung only to his honour and in his service. In a strange land ; when we are banished from our own temple and land, and amongst those who are strangers and enemies to God and to his worship. So we should prostitute and profane God’ s ordinances. And this answer they either expressed to their enemies, or kept in their own breasts when they refused to comply with their desire.

Poole: Psa 137:5

If I forget thee if I do not retain a deep and sorrowful sense of thy ruin and misery, or if I indulge myself in mirth and jollity, as if I had forgotten thee.

Right hand the chief instrument of playing upon musical instruments and of other actions.

Forget her cunning i.e. lose its skill of playing. In the Hebrew it is only forget , without expressing what, to intimate the extent and generality of this wish; Let it forget or be disenabled not only for playing, but for every action in which it was formerly used.

Poole: Psa 137:6

Remember thee with affection and sympathy so as to damp my joys.

Cleave to the roof of my mouth be made uncapable of singing, or speaking, or moving, as it is in some diseases. Compare Job 29:10 Psa 22:15 . If I prefer not Jerusalem above my chief joy; if I do not value and desire Jerusalem’ s prosperity more than all other delights, and consequently if Jerusalem’ s misery doth not so deeply affect me as to hinder my delight in all other things.

Poole: Psa 137:7

Remember, O Lord so as to punish them,

the children of Edom our constant and inveterate enemies, who had no regard either to consanguinity or humanity.

In the day in the time of its calamity or destruction, which is oft called a day, as Job 18:20 Psa 37:13 Eze 30:9 Hos 1:11 Ob 12 .

Who said to the Babylonians, whom they assisted and provoked against Jerusalem; of which see Lam 4:21 Eze 25:12 Ob 11-14 .

Poole: Psa 137:8

Daughter of Babylon by which he understands the city and empire of Babylon, and the people thereof.

Who art to be destroyed who art by God’ s righteous and irrevocable sentence devoted to certain destruction.

Happy shall he be as being God’ s instrument to vindicate his honour, and execute his just judgments, and fulfil his counsel and word; which Cyrus was to his own great glory and advantage, as appears both from sacred and profane history.

That rewardeth thee as thou hast served us that shall use thee with equal cruelty.

Poole: Psa 137:9

As thou didst use our little ones. So this was but a just retaliation foretold here, as also Isa 13:6 .

Haydock: Psa 137:2

Towards. Thus the Jews acted, when they were at a distance from the temple, and in captivity. (Worthington) ---

Truth. Which thou hast displayed in my regard. ---

Holy. Septuagint may have perhaps written Greek: Logion, "Word," agreeably to the Hebrew, though our version seems more easy. (Berthier) ---

St. Jerome (ad Sun.) explains it of Jesus Christ, the Word, whose name is so exalted, (Philippians ii. 9.; Calmet) as well as the divine majesty. (Worthington) ---

The holy doctor translates, "thou hast magnified thy word above every name." But thy is joined with name in Hebrew. Others would supply, "thy name and thy word." (Berthier) ---

Strength. Septuagint, &c., add, "thy." (Calmet) ---

All virtue comes from God. (Haydock) ---

If my prayer be granted, as formerly, I shall advance in virtue. (St. Chrysostom) (Ephesians iii. 14.)

Haydock: Psa 137:4

Mouth. All kingdoms shall sooner or later, become acquainted with the gospel. (Worthington) ---

The predictions of Jeremias, &c., had been communicated to the neighbouring princes, (Calmet) and all might know that God had executed his threats and promises. (Haydock) ---

Yet none of them embraced the true religion, even after the captivity, so that this relates to Christ. (Berthier)

Haydock: Psa 137:5

Ways. Of Providence, (Calmet) and mercy, &c., Psalm xxiv. 10. (Berthier) ---

Some have read, "canticles," Greek: odais, being substituted for Greek: odois. (Haydock)

Haydock: Psa 137:6

The high, &c. The proud and haughty, who exalt themselves , God knoweth afar off; that is, he despiseth the, and setteth them at a distance from him; whilst he stoopeth down to favour and embrace the low and humble. (Challoner) ---

He treats the proud as strangers to him. (Worthington) ---

If kings would sing in the ways of the Lord, they also must love, and be humble. (St. Augustine) ---

God knows all things before they happen, (St. Chrysostom) and both high and low are equally open to his eye, Psalm cxii. 5., and cxxxviii. 2., and 8. (Calmet)

Haydock: Psa 137:7

Wilt quicken me. And not otherwise. (St. Augustine) ---

There is no going to heaven without crosses. (Haydock) ---

Wrath. Most furious and cruel enemies. (Calmet)

Haydock: Psa 137:8

Repay. Taking me under his protection, (St. Chrysostom) he will punish my oppressors; or he has done it already. (Calmet) ---

Hands. Rescue me from the oppression of my temporal and spiritual enemies. (Berthier)

Gill: Psa 137:2

We hanged our harps upon the willows in the midst thereof. These were musical instruments, used in the temple service by the Levites, who seem to be the persons here speaking; who took care of them, and preserved them from the plunder of the enemy; and carried them with them to Babylon, in hope of returning with them to use them as before, or to solace themselves and others in captivity; though now they had no heart to make use of them, their sorrow was so great, and therefore hung them upon the willows as useless things: these willows grew upon the banks of the rivers where they were, as such trees usually do; hence called willows of the brook ^x, and willows by water courses, Lev 23:40; and particularly upon the banks of the river Euphrates, which ran through the midst of Babylon, with which the phrase here agrees; and therefore Babylon itself is thought to be called "the brook", or "valley, of the willows", Isa 15:7. And, according to Ovid ^y, not only reeds and poplars, but willows, grew on the banks of the Euphrates. Now the state of these people was an emblem of the case of the backsliding children of God; who, through the prevalence of corruption, the force of temptation, and the snares of the world, are brought into a kind of captivity to the law of sin and death, though not willingly; nor is it pleasing to them when sensible of it, Rom 7:23; who, though they are called out of the world, and are not of it; yet sometimes are so overcome with it, and immersed in the things of it, that they are as it were in Babylon. An emblem of this world, of the confusion in it, as its name signifies; of the fading glories of it, and the wickedness and idolatry it abounds with: and here they sit by the rivers of carnal pleasures in it for a while, till brought to themselves; and then they weep over their sins, and lament them; especially when they remember what opportunities they have formerly had in Zion, and what a low condition she is now in through the conduct of themselves and others: these make use of their harps when Zion is in good and prosperous circumstances, Rev 14:1; but when there are corruptions in doctrine, neglect or abuse of ordinances, animosities and divisions prevail, declensions in the life and power of religion, and the lives of professors disagreeable; then they hang their harps on willows, and drop their notes.

Gill: Psa 137:3

For there they that carried us away captive required of us a song,.... Or, "words of a song" ^z. To repeat the words of one of the songs of Zion, as it is afterwards expressed: this the Babylonians did, as the Targum; who were they that carried the Jews into captivity; and this is given as a reason why they hung their harps on willows, and were so sorrowful, because such a request as this was made;

and they that wasted us required of us mirth: the Chaldeans, who plundered them of their substance, and reduced their city and temple to heaps of rubbish, as the word ^a used signifies; or who heaped reproaches upon them, as Jarchi: these insisted not only on having the words of a song repeated to them, but that they should be set to some tune and sung in a manner expressing mirth, or would provoke unto it: or "our lamentations", according to Kimchi; that is, the authors of them ^b, so barbarous were they;

saying, sing us one of the songs of Zion; which used to be sung in Zion in the temple, called the songs of the temple, Amo 8:3; this demand they made either out of curiosity, that they might know something of the temple songs and music they had heard of; or rather as jeering at and insulting the poor Jews in their miserable and melancholy circumstances; as if they had said, now sing your songs if you can: or in order to make themselves sport and diversion with them, as the Philistines with Samson. The spiritual songs of Zion are the songs of electing, redeeming, calling, pardoning, and justifying grace; which natural men neither understand, nor can learn, but scoff at and despise.

Gill: Psa 137:4

How shall we sing the Lord's song in a strange land? This is the answer returned by the Jews to the above request or demand; it may be, particularly, by the Levites, whose business it was to sing these songs: so the Targum,

"immediately the Levites said, how shall we sing the hymns of the Lord in a strange land?''

This they said, not merely on account of their unsuitable circumstances, being in distress and affliction, and so not disposed for such work; nor as if unlawful to them, being forbidden: for, though sacrifices were not to be offered but at Jerusalem, yet songs of praise might be sung elsewhere, on proper occasions, as David did, Psa 18:49; but as wondering at their insolence, and complaining of their cruelty and inhumanity, thus to insult them and jeer at them: or rather, because it was "the Lord's song" they required, and so sacred, and not to be sung in any place, or at any time, and in any company; which would be but casting pearls before swine, and giving that which was holy to dogs, Mat 7:6; or it may be they required this to be done in one of their temples, and to their idols, just as these songs were sung in the temple at Jerusalem, and to the honour of Jehovah; and therefore they refused to do it: for it may be rendered, or however interpreted, "in the land of a strange god" ^c; as it is by Aben Ezra, Kimchi, and Ben Melech: they required them to sing with mirth and joy, which they could not do in their present case; see Psa 137:2.

Gill: Psa 137:5

If I forget thee, O Jerusalem,.... This was said by one or everyone of the Levites; or singers, as Aben Ezra and Kimchi; or by the congregation of Israel, as Jarchi; by one of them, in the name of the rest; or by the composer of the psalm. The Targum is,

"the voice of the Spirit of God answered and said, "if I forget", &c.''

that is, to weep over the calamities of Jerusalem; which might be thought, if the songs of Zion were sung; or to pray for the restoration of her prosperity and peace; as the church of Christ may be said to be forgotten, when men forget to mourn over its breaches, and show no concern for the reparation of them; or at the death of principal persons, which they lay not to heart; or at the great decay of religion in those that survive; or at the sins of professors, and their disregard to the word and ordinances: also when they forget to pray for her happiness in general; for the good of her members in particular; and especially for her ministers, that they may have assistance and success; and for a blessing on the word and ordinances, and for the conversion of sinners; and when they forget the worship of the Lord in it, and forsake the assembling of themselves together;

let my right hand forget her cunning; her skill in music, particularly in playing on the harp; see 1Sa 16:16; the harp was held in the left hand, and struck with the right; and that more softly or hardly, as the note required, in which was the skill or cunning of using it. Or let this befall me, should I so far forget Jerusalem as to strike the harp to one of the songs of Zion in a strange land: or let it forget any of its works; let it be disabled from working at all; let it be dry and withered, which, Aben Ezra says, is the sense of the word according to some; and Schultens ^d, from the use of it in Arabic, renders it, let it be "disjointed", or the nerve loosened; see Job 31:22. Or the sense is, let everything that is as dear as my right hand he taken from me: or, as it may be rendered, "my right hand is forgotten" ^e; that is, should I forget Jerusalem, it would; for that is as my right hand; so Arama. Some choose to translate the words thus, "may thou (O God) forget my right hand" ^f; that is, to be at my right hand; to be a present help to me in time of need; to hold me by it, and to be the shade of it.

Gill: Psa 137:6

If I do not remember thee,.... In prayer, in discourse, in conversation; this is the same as before, to forget, repeated for the confirmation of it;

let my tongue cleave to the roof of my mouth; as is the case of a person in a fever, or in a violent thirst, which is to be in great distress, Psa 18:6; the sense is, let me have no use of my tongue; let me be dumb and speechless, and never sing a song or speak a word more, should I be so forgetful of the deplorable state of Jerusalem as to sing songs at such a season, and in an enemy's country;

if I prefer not Jerusalem above my chief joy; meaning not God his exceeding joy, Psa 43:4; as his Creator, preserver, and benefactor, and much less as his covenant God and Father; as having loved him with an everlasting love; as the God of all grace unto him, and as his portion and exceeding great reward: nor Christ, the object of joy unspeakable and full of glory; joy in the greatness, glory, and fulness of his person; in the blessings and promises of his grace; in what he has done and suffered; as risen, ascended, exalted, and who will come a second time: nor the joy of the Holy Ghost in a way of believing, and in hope of the glory of God; but all worldly joy, or matter of it; and this not in things sinful, nor merely such as worldlings have in the increase of their substance; but a lawful joy, such as in the health, happiness, and prosperity of a man's family, wife, and children, and his own; which is the greatest outward joy a man can have; and yet the church of God and interest of Christ are preferred by a good man to these; see 1Sa 4:19; which appears when all a man has that is matter of joy is sacrificed for the public good and interest of religion; when he can take no comfort in any outward enjoyment because of the sad case of Zion, Mal 2:3; when joy for its good is uppermost, and is first in his thoughts and words; when this is the "head" or "beginning" ^g of his joy, as it may be rendered. So Pindar ^h calls the chief, principal, and greatest part of joy, αγλαιας αρχα, the beginning of joy, the top and perfection of it.

Gill: Psa 137:7

Remember, O Lord, the children of Edom in the day of Jerusalem,.... Of her visitation, calamity, and destruction, how they behaved then, and them for it; who, though the children of Esau and brethren of the Jews, as well as their neighbours, yet hated them; the old grudge of their father, because of the birthright and blessing, as well as the old enmity of the serpent, continuing in them; and who rejoiced at their ruin, helped forward their affliction, and were assistants to the Babylonians in the plunder and destruction of them, Oba 1:11. The Targum is,

"Michael, the prince of Jerusalem, said, remember, O Lord, the people of Edom who destroyed Jerusalem.''

Many Jewish writers, as Aben Ezra observes, interpret this of the destruction of Jerusalem by the Romans:

who said, rase it, rase it even to the foundation thereof: or "make it naked" or "bare ⁱ to the foundation"; pull down its walls, lay them level with the ground; root up the very foundation of them, and let nothing be left or seen but the bare naked ground; so spiteful and malicious were they.

Gill: Psa 137:8

O daughter of Babylon, who art to be destroyed,.... By the determinate counsel and decree of God, and according to divine predictions; see Jer 50:1; so mystical Babylon, antichrist, and the man of sin, who therefore is called the son of perdition, 2Th 2:3; because appointed to destruction, and shall certainly go into it, Rev 17:8; or "O thou destroyer", as the Targum, which paraphrases it thus,

"Gabriel, the prince of Zion, said to the Babylonish nation that spoileth or destroyeth;''

which is true of literal Babylon, called the destroying mountain, Jer 51:25; and of mystical Babylon, the destroyer both of the bodies and souls of men, Rev 11:18;

happy shall he be that rewardeth thee as thou hast served us; meaning Darius the Mede, as Kimchi; or rather, or however who must be added, Cyrus the Persian, as R. Obadiah; who were ordered by the Lord to retaliate her, and do as she had done to others, Jer 50:15; and in so doing pronounced happy, being the Lord's shepherd, raised up in righteousness to perform his pleasure, Isa 44:28; and here wished success by the godly Jews. In like manner the Christian princes will reward mystical Babylon, and be the happy instruments of her ruin, Rev 18:6.

Gill: Psa 137:9

Happy shall he be that taketh and dasheth thy little ones against the stones. That takes the infants from their mothers' breasts, or out of their arms, and dashes out their brains against a "rock", as the word ^k signifies; which, though it may seem a piece of cruelty, was but a just retaliation; the Babylonians having done the same to the Jewish children, and is foretold elsewhere should be done to theirs, Isa 13:16. Nor is this desired from a spirit of revenge, but for the glory of divine justice, and that such a generation of cruel creatures might be rooted out of the earth; see Rev 2:2. Some allegorically understand this of crushing and mortifying the first motions of sin in the heart; but such a sense seems to have no place here.

Commentary -- Verse Notes / Footnotes

NET Notes: Psa 137:3

¹ tn Heb “ask us [for] the words of a song.”

² tn Heb “our [?] joy.” The derivation and meaning of the Hebrew phrase תוֹלָלֵינוּ (tolalenu, “our [?]”) are uncertain. A derivation from תָּלַל (talal, “to mock”) fits contextually, but this root occurs only in the Hiphil stem. For a discussion of various proposals, see L. C. Allen, Psalms 101-150 (WBC), 236.

³ tn Heb “from a song of Zion.” Most modern translations read, “one of the songs of Zion,” taking the preposition מִן (min, “from”) as partitive and “song” as collective. The present translation assumes the mem (ם) is enclitic, being misunderstood later as the prefixed preposition.

NET Notes: Psa 137:5

¹ tn Heb “may my right hand forget.” In this case one must supply an object, such as “how to move.” The elliptical nature of the text has prompted emendations (see L. C. Allen, Psalms 101-150 [WBC], 236). The translation assumes an emendation to תִּכְשַׁח (tikhshakh), from an otherwise unattested root כשׁח, meaning “to be crippled; to be lame.” See HALOT 502 s.v. כשׁח, which cites Arabic cognate evidence in support of the proposal. The corruption of the MT can be explained as an error of transposition facilitated by the use of שָׁכַח (shakhakh, “forget”) just before this.

NET Notes: Psa 137:6

¹ tn Heb “if I do not lift up Jerusalem over the top of my joy.”

NET Notes: Psa 137:7

¹ tn Heb “remember, O Lord, against the sons of Edom, the day of Jerusalem.”

² tn Heb “lay [it] bare, lay [it] bare.”

NET Notes: Psa 137:8

¹ tn Heb “O devastated daughter of Babylon.” The psalmist dramatically anticipates Babylon’s demise.

² tn Heb “O the happiness of the one who repays you your wage which you paid to us.”

NET Notes: Psa 137:9

¹ sn For other references to the wholesale slaughter of babies in the context of ancient Near Eastern warfare, see 2 Kgs 8:12; Isa 13:16; Hos 13:16; Nah 3:10.

Geneva Bible: Psa 137:2

We hanged our harps upon the willows in the midst ^{( b )} thereof.

^{( b )} That is, of that country.

Geneva Bible: Psa 137:3

For there they that carried us away captive ^{( c )} required of us a song; and they that wasted us [required of us] mirth, [saying], Sing us [one] of the songs of Zion.

^{( c )} The Babylonians speak thus in mocking us, as though by our silence we should signify that we hoped no more in God.

Geneva Bible: Psa 137:5

^{( d )} If I forget thee, O Jerusalem, let my right hand forget [her cunning].

^{( d )} Even the faithful are touched by their particular griefs, yet the common sorrow of the Church is most grievous to them, and is such as they cannot but remember and lament.

Geneva Bible: Psa 137:6

If I do not remember thee, let my tongue cleave to the roof of my mouth; if I prefer not Jerusalem above my ^{( e )} chief joy.

^{( e )} The decay of God's religion in their country was so grievous that no joy could make them glad, unless it was restored.

Geneva Bible: Psa 137:7

Remember, O LORD, the children of ^{( f )} Edom in the ^{( g )} day of Jerusalem; who said, Rase [it], rase [it, even] to the foundation thereof.

^{( f )} As was prophesied in (Eze 25:13, Jer 49:7, Oba 1:10), showing that the Edomites who came from Esau, conspired with the Babylonians against their brethren and kinsfolk.

^{( g )} When you visited Jerusalem.

Geneva Bible: Psa 137:9

^{( h )} Happy [shall he be], that taketh and dasheth thy little ones against the stones.

^{( h )} He alludes to Isaiah's prophecy in (Isa 13:16) promising good success to Cyrus and Darius, whom ambition moved to fight against Babylon, but God used them as his rods to punish his enemies.

Commentary -- Verse Range Notes

TSK Synopsis: Psa 137:1-9

1 The constancy of the Jews in captivity.

7 The prophet curses Edom and Babel.

MHCC: Psa 137:1-4

Their enemies had carried the Jews captive from their own land. To complete their woes, they insulted over them; they required of them mirth and a song. This was very barbarous; also profane, for no songs would serve but the songs of Zion. Scoffers are not to be compiled with. They do not say, How shall we sing, when we are so much in sorrow? but, It is the Lord's song, therefore we dare not sing it among idolaters.

MHCC: Psa 137:5-9

What we love, we love to think of. Those that rejoice in God, for his sake make Jerusalem their joy. They stedfastly resolved to keep up this affection. When suffering, we should recollect with godly sorrow our forfeited mercies, and our sins by which we lost them. If temporal advantages ever render a profession, the worst calamity has befallen him. Far be it from us to avenge ourselves; we will leave it to Him who has said, Vengeance is mine. Those that are glad at calamities, especially at the calamities of Jerusalem, shall not go unpunished. We cannot pray for promised success to the church of God without looking to, though we do not utter a prayer for, the ruin of her enemies. But let us call to mind to whose grace and finished salvation alone it is, that we have any hopes of being brought home to the heavenly Jerusalem.

Matthew Henry: Psa 137:1-6

We have here the daughter of Zion covered with a cloud, and dwelling with the daughter of Babylon; the people of God in tears, but sowing in tears. Observe,

I. The mournful posture they were in as to their affairs and as to their spirits. 1. They were posted by the rivers of Babylon, in a strange land, a great way from their own country, whence they were brought as prisoners of war. The land of Babylon was now a house of bondage to that people, as Egypt had been in their beginning. Their conquerors quartered them by the rivers, with design to employ them there, and keep them to work in their galleys; or perhaps they chose it as the most melancholy place, and therefore most suitable to their sorrowful spirits. If they must build houses there (Jer 29:5), it shall not be in the cities, the places of concourse, but by the rivers, the places of solitude, where they might mingle their tears with the streams. We find some of them by the river Chebar (Eze 1:3), others by the river Ulai, Dan 8:2. 2. There they sat down to indulge their grief by poring on their miseries. Jeremiah had taught them under this yoke to sit alone, and keep silence, and put their mouths in the dust, Lam 3:28, Lam 3:29. "We sat down, as those that expected to stay, and were content, since it was the will of God that it must be so."3. Thoughts of Zion drew tears from their eyes; and it was not a sudden passion of weeping, such as we are sometimes put into by a trouble that surprises us, but they were deliberate tears (we sat down and wept ), tears with consideration - we wept when we remembered Zion, the holy hill on which the temple was built. Their affection to God's house swallowed up their concern for their own houses. They remembered Zion's former glory and the satisfaction they had had in Zion's courts, Lam 1:7. Jerusalem remembered, in the days of her misery, all her pleasant things which she had in the days of old, Psa 42:4. They remembered Zion's present desolations, and favoured the dust thereof, which was a good sign that the time for God to favour it was not far off, Psa 102:13, Psa 102:14. 4. They laid by their instruments of music (Psa 137:2): We hung our harps upon the willows. (1.) The harps they used for their own diversion and entertainment. These they laid aside, both because it was their judgment that they ought not to use them now that God called to weeping and mourning (Isa 22:12), and their spirits were so sad that they had no hearts to use them; they brought their harps with them, designing perhaps to use them for the alleviating of their grief, but it proved so great that it would not admit the experiment. Music makes some people melancholy. As vinegar upon nitre, so is he that sings songs to a heavy heart. (2.) The harps they used in God's worship, the Levites' harps. These they did not throw away, hoping they might yet again have occasion to use them, but they laid them aside because they had no present use for them; God had cut them out other work by turning their feasting into mourning and their songs into lamentations, Amo 8:10. Every thing is beautiful in its season. They did not hide their harps in the bushes, or the hollows of the rocks; but hung them up in view, that the sight of them might affect them with this deplorable change. Yet perhaps they were faulty in doing this; for praising God is never out of season; it is his will that we should in every thing give thanks, Isa 24:15, Isa 24:16.

II. The abuses which their enemies put upon them when they were in this melancholy condition, Psa 137:3. They had carried them away captive from their own land and then wasted them in the land of their captivity, took what little they had from them. But this was not enough; to complete their woes they insulted over them: They required of us mirth and a song. Now, 1. This was very barbarous and inhuman; even an enemy, in misery, is to be pitied and not trampled upon. It argues a base and sordid spirit to upbraid those that are in distress either with their former joys or with their present griefs, or to challenge those to be merry who, we know, are out of tune for it. This is adding affliction to the afflicted. 2. It was very profane and impious. No songs would serve them but the songs of Zion, with which God had been honoured; so that in this demand they reflected upon God himself as Belshazzar, when he drank wine in temple-bowls. Their enemies mocked at their sabbaths, Lam 1:7.

III. The patience wherewith they bore these abuses, Psa 137:4. They had laid by their harps, and would not resume them, no, not to ingratiate themselves with those at whose mercy they lay; they would not answer those fools according to their folly. Profane scoffers are not to be humoured, nor pearls cast before swine. David prudently kept silence even from good when the wicked were before him, who, he knew, would ridicule what he said and make a jest of it, Psa 39:1, Psa 39:2. The reason they gave is very mild and pious: How shall we sing the Lord's song in a strange land? They do not say, "How shall we sing when we are so much in sorrow?"If that had been all, they might perhaps have put a force upon themselves so far as to oblige their masters with a song; but "It is the Lord's song; it is a sacred thing; it is peculiar to the temple-service, and therefore we dare not sing it in the land of a stranger, among idolaters."We must not serve common mirth, much less profane mirth, with any thing that is appropriated to God, who is sometimes to be honoured by a religious silence as well as by religious speaking.

IV. The constant affection they retained for Jerusalem, the city of their solemnities, even now that they were in Babylon. Though their enemies banter them for talking so much of Jerusalem, and even doting upon it, their love to it is not in the least abated; it is what they may be jeered for, but will never be jeered out of, Psa 137:5, Psa 137:6. Observe,

1. How these pious captives stood affected to Jerusalem. (1.) Their heads were full of it. It was always in their minds; they remembered it; they did not forget it, though they had been long absent from it; many of them had never seen it, nor knew any thing of it but by report, and by what they had read in the scripture, yet it was graven upon the palms of their hands, and even its ruins were continually before them, which was ann evidence of their faith in the promise of its restoration in due time. In their daily prayers they opened their windows towards Jerusalem; and how then could they forget it? (2.) Their hearts were full of it. They preferred it above their chief joy, and therefore they remembered it and could not forget it. What we love we love to think of. Those that rejoice in God do, for his sake, make Jerusalem their joy, and prefer it before that, whatever it is, which is the head of their joy, which is dearest to them in this world. A godly man will prefer a public good before any private satisfaction or gratification whatsoever.

2. How stedfastly they resolved to keep up this affection, which they express by a solemn imprecation of mischief to themselves if they should let it fall: "Let me be for ever disabled either to sing or play on the harp if I so far forget the religion of my country as to make use of my songs and harps for the pleasing of Babylon's sons or the praising of Babylon's gods. Let my right hand forget her art "(which the hand of an expert musician never can, unless it be withered), "nay, let my tongue cleave to the roof of my mouth, if I have not a good word to say for Jerusalem wherever I am."Though they dare not sing Zion's songs among the Babylonians, yet they cannot forget them, but, as soon as ever the present restraint is taken off, they will sing them as readily as ever, notwithstanding the long disuse.

Matthew Henry: Psa 137:7-9

The pious Jews in Babylon, having afflicted themselves with the thoughts of the ruins of Jerusalem, here please themselves with the prospect of the ruin of her impenitent implacable enemies; but this not from a spirit of revenge, but from a holy zeal for the glory of God and the honour of his kingdom.

I. The Edomites will certainly be reckoned with, and all others that were accessaries to the destruction of Jerusalem, that were aiding and abetting, that helped forward the affliction (Zec 1:15) and triumphed in it, that said, in the day of Jerusalem, the day of her judgment, " Rase it, rase it to the foundations; down with it, down with it; do not leave one stone upon another."Thus they made the Chaldean army more furious, who were already so enraged that they needed no spur. Thus they put shame upon Israel, who would be looked upon as a people worthy to be cut off when their next neighbours had such an ill-will to them. And all this was a fruit of the old enmity of Esau against Jacob, because he got the birthright and the blessing, and a branch of that more ancient enmity between the seed of the woman and the seed of the serpent: Lord, remember them, says the psalmist, which is an appeal to his justice against them. Far be it from us to avenge ourselves, if ever it should be in our power, but we will leave it to him who has said, Vengeance is mine. Note, Those that are glad at calamities, especially the calamities of Jerusalem, shall not go unpunished. Those that are confederate with the persecutors of good people, and stir them up, and set them on, and are pleased with what they do, shall certainly be called to an account for it against another day, and God will remember it against them.

II. Babylon is the principal, and it will come to her turn too to drink of the cup of tremblings, the very dregs of it (Psa 137:8, Psa 137:9): O daughter of Babylon! proud and secure as thou art, we know well, by the scriptures of truth, thou art to be destroyed, or (as Dr. Hammond reads it) who art the destroyer. The destroyers shall be destroyed, Rev 13:10. And perhaps it is with reference to this that the man of sin, the head of the New Testament Babylon, is called a son of perdition, 2Th 2:3. The destruction of Babylon being foreseen as a sure destruction (thou art to be destroyed ), it is spoken of, 1. As a just destruction. She shall be paid in her own coin: "Thou shalt be served as thou hast served us, as barbarously used by the destroyers as we have been by thee,"See Rev 18:6. Let not those expect to find mercy who, when they had power, did not show mercy. 2. As an utter destruction. The very little ones of Babylon, when it is taken by storm, and all in it are put to the sword, shall be dashed to pieces by the enraged and merciless conqueror. None escape if these little ones perish. Those are the seed of another generation; so that, if they be cut off, the ruin will be not only total, as Jerusalem's was, but final. It is sunk like a millstone into the sea, never to rise. 3. As a destruction which should reflect honour upon the instruments of it. Happy shall those be that do it; for they are fulfilling God's counsels; and therefore he calls Cyrus, who did it, his servant, his shepherd, his anointed (Isa 44:28; Isa 45:1), and the soldiers that were employed in it his sanctified ones, Isa 13:3. They are making way for the enlargement of God's Israel, and happy are those who are in any way serviceable to that. The fall of the New Testament Babylon will be the triumph of all the saints, Rev 19:1.

Keil-Delitzsch: Psa 137:1-6

Beginning with perfects, the Psalm has the appearance of being a Psalm not belonging to the Exile, but written in memory of the Exile. The bank of a river, like the seashore, is a favourite place of sojourn of those whom deep grief drives forth from the bustle of men into solitude. The boundary line of the river gives to solitude a safe back; the monotonous splashing of the waves keeps up the dull, melancholy alternation of thoughts and feelings; and at the same time the sight of the cool, fresh water exercises a soothing influence upon the consuming fever within the heart. The rivers of Babylon are here those of the Babylonian empire: not merely the Euphrates with its canals, and the Tigris, but also the Chaboras ( Chebar ) and Eulaeos ( 'Ulai ), on whose lonesome banks Ezekiel (Eze 1:3) and Daniel (ch. Dan 8:2) beheld divine visions. The שׁם is important: there, in a strange land, as captives under the dominion of the power of the world. And גּם is purposely chosen instead of ו : with the sitting down in the solitude of the river's banks weeping immediately came on; when the natural scenery around contrasted so strongly with that of their native land, the remembrance of Zion only forced itself upon them all the more powerfully, and the pain at the isolation from their home would have all the freer course where no hostilely observant eyes were present to suppress it. The willow ( צפצפה ) and viburnum, those trees which are associated with flowing water in hot low-lying districts, are indigenous in the richly watered lowlands of Babylonia. ערב ( ערבה ), if one and the same with Arab. grb , is not the willow, least of all the weeping-willow, which is called ṣafsâf mustahı̂ in Arabic, "the bending-down willow,"but the viburnum with dentate leaves, described by Wetzstein on Isa 44:4. The Talmud even distinguishes between tsaph -tsapha and ‛araba , but without our being able to obtain any sure botanic picture from it. The ערבה , whose branches belong to the constituents of the lulab of the Feast of Tabernacles (Lev 23:40), is understood of the crack-willow [ Salix fragilis ], and even in the passage before us is surely not distinguished with such botanical precision but that the gharab and willow together with the weeping-willow ( Salix Babylonica ) might be comprehended under the word ערבה . On these trees of the country abounding in streams the exiles hung their citherns. The time to take delight in music was past, for μουσικὰ ἐν πένθει ἄκαιρος διήγησις , Sir. 22:6. Joyous songs, as the word שׁיר designates them, were ill suited to their situation.

In order to understand the כּי in Psa 137:3, Psa 137:3 and Psa 137:4 must be taken together. They hung up their citherns; for though their lords called upon them to sing in order that they might divert themselves with their national songs, they did not feel themselves in the mind for singing songs as they once resounded at the divine services of their native land. The lxx, Targum, and Syriac take תּוללינוּ as a synonym of שׁובינוּ , synonymous with שׁוללינוּ , and so, in fact, that it signifies not, like שׁולל , the spoiled and captive one, but the spoiler and he who takes other prisoners. But there is no Aramaic תּלל = שׁלל . It might more readily be referred back to a Poel תּולל (= התל ), to disappoint, deride (Hitzig); but the usage of the language does not favour this, and a stronger meaning for the word would be welcome. Either תּולל = תּהולל , like מהולל , Psa 102:9, signifies the raving one, i.e., a bloodthirsty man or a tyrant, or from ילל , ejulare , one who causes the cry of woe or a tormentor, - a signification which commends itself in view of the words תּושׁב and תּלמיד , which are likewise formed with the preformative ת . According to the sense the word ranks itself with an Hiph . הוליל , like תּועלת , תּוכחה , with הועיל and הוכיח , in a mainly abstract signification (Dietrich, Abhandlungen , S. 160f.). The דּברי beside שׁיר is used as in Psa 35:20; Psa 65:4; Psa 105:27; Psa 145:5, viz., partitively, dividing up the genitival notion of the species: words of songs as being parts or fragments of the national treasury of song, similar to משּׁיר a little further on, on which Rosenmüller correctly says: sacrum aliquod carmen ex veteribus illis suis Sionicis . With the expression "song of Zion"alternates in Psa 137:4 "song of Jahve,"which, as in 2Ch 29:27, cf. 1Ch 25:7, denotes sacred or liturgical songs, that is to say, songs belonging to Psalm poesy (including the Cantica ).

Before Psa 137:4 we have to imagine that they answered the request of the Babylonians at that time in the language that follows, or thought thus within themselves when they withdrew themselves from them. The meaning of the interrogatory exclamation is not that the singing of sacred songs in a foreign land ( חוצה לארץ ) is contrary to the law, for the Psalms continued to be sung even during the Exile, and were also enriched by new ones. But the shir had an end during the Exile, in so far as that it was obliged to retire from publicity into the quiet of the family worship and of the houses of prayer, in order that that which is holy might not be profaned; and since it was not, as at home, accompanied by the trumpets of the priests and the music of the Levites, it became more recitative than singing properly so called, and therefore could not afford any idea of the singing of their native land in connection with the worship of God on Zion. From the striking contrast between the present and the former times the people of the Exile had in fact to come to the knowledge of their sins, in order that they might get back by the way of penitence and earnest longing to that which they had lost Penitence and home-sickness were at that time inseparable; for all those in whom the remembrance of Zion was lost gave themselves over to heathenism and were excluded from the redemption. The poet, translated into the situation of the exiles, and arming himself against the temptation to apostasy and the danger of denying God, therefore says: If I forget thee, O Jerusalem, ימיני תּשׁכּח . תּשׁכּח has been taken as an address to Jahve: obliviscaris dexterae meae (e.g., Wolfgang Dachstein in his song " An Wasserflüssen Babylon "), but it is far from natural that Jerusalem and Jahve should be addressed in one clause. Others take ימיני as the subject and תּשׁכּח transitively: obliviscatur dextera mea, scil. artem psallendi (Aben-Ezra, Kimchi, Pagninus, Grotius, Hengstenberg, and others); but this ellipsis is arbitrary, and the interpolation of מנּי after ימיני (von Ortenberg, following Olshausen) produces an inelegant cadence. Others again assign a passive sense to תשׁכח : oblivioni detur (lxx, Italic, Vulgate, and Luther), or a half-passive sense, in oblivione sit (Jerome); but the thought: let my right hand be forgotten, is awkward and tame. Obliviscatur me (Syriac, Saadia, and the Psalterium Romanum) comes nearer to the true meaning. תּשׁכּח is to be taken reflexively: obliviscatur sui ipsius , let it forget itself, or its service (Amyraldus, Schultens, Ewald, and Hitzig), which is equivalent to let it refuse or fail, become lame, become benumbed, much the same as we say of the arms of legs that they "go to sleep,"and just as the Arabic nasiya signifies both to forget and to become lame (cf. Gesenius, Thesaurus , p. 921 b ). La Harpe correctly renders: O Jerusalem! si je t'oublie jamais, que ma main oublie aussi le mouvement! Thus there is a correspondence between Psa 137:5 and Psa 137:6 : My tongue shall cleave to my palate if I do not remember thee, if I do not raise Jerusalem above the sum of my joy. אזכּרכי has the affixed Chirek , with which these later Psalms are so fond of adorning themselves. ראשׁ is apparently used as in Psa 119:160 : supra summam (the totality) laetitiae meae , as Coccejus explains, h.e. supra omnem laetitiam meam . But why not then more simply על כּל , above the totality? ראשׁ here signifies not κεφάλαιον , but κεφαλή : if I do not place Jerusalem upon the summit of my joy, i.e., my highest joy; therefore, if I do not cause Jerusalem to be my very highest joy. His spiritual joy over the city of God is to soar above all earthly joys.

Keil-Delitzsch: Psa 137:7-9

The second part of the Psalm supplicates vengeance upon Edom and Babylon. We see from Obadiah's prophecy, which is taken up again by Jeremiah, how shamefully the Edomites, that brother-people related by descent to Israel and yet pre-eminently hostile to it, behaved in connection with the destruction of Jerusalem by the Chaldaeans as their malignant, rapacious, and inhuman helpers. The repeated imper. Piel ערוּ , from ערה (not imper. Kal from ערר , which would be ערוּ ), ought to have been accented on the ult .; it is, however, in both cases accented on the first syllable, the pausal ערוּ (cf. כּלוּ in Psa 37:20, and also הסּוּ , Neh 8:11) giving rise to the same accentuation of the other (in order that two tone-syllables might not come together). The Pasek also stands between the two repeated words in order that they may be duly separated, and secures, moreover, to the guttural initial of the second ערוּ its distinct pronunciation (cf. Gen 26:28; Num 35:16). It is to be construed: lay bare, lay bare (as in Hab 3:13, cf. גּלּה in Mic 1:6) in it ( Beth of the place), of in respect of it ( Beth of the object), even to the foundation, i.e., raze it even to the ground, leave not one stone upon another. From the false brethren the imprecation turns to Babylon, the city of the imperial power of the world. The daughter, i.e., the population, of Babylon is addressed as השּׁדוּדה . It certainly seems the most natural to take this epithet as a designation of its doings which cry for vengeance. But it cannot in any case be translated: thou plunderer (Syriac like the Targum: bozuzto ; Symmachus ἡ λῃστρίς ), for שׁדד does not mean to rob and plunder, but to offer violence and to devastate. Therefore: thou devastator; but the word so pointed as we have it before us cannot have this signification: it ought to be השּׁדודה , like בּגודה in Jer 3:7, Jer 3:10, or השּׁדוּדה (with an unchangeable ā ), corresponding to the Syriac active intensive form ālûṣo , oppressor, gōdûfo , slanderer, and the Arabic likewise active intensive form Arab. fâ‛ûl , e.g., fâshûs , a boaster, and also as an adjective: ǵôz fâshûs , empty nuts, cf. יקוּשׁ = יקושׁ , a fowler, like nâṭûr ( נאטור ), a field-watcher. The form as it stands is part. pass. , and signifies προνενομευμένη (Aquila), vastata (Jerome). It is possible that this may be said in the sense of vastanda , although in this sense of a part. fut. pass . the participles of the Niphal (e.g., Ps 22:32; Psa 102:19) and of the Pual (Psa 18:4) are more commonly used. It cannot at any rate signify vastata in an historical sense, with reference to the destruction of Babylon by Darius Hystaspes (Hengstenberg); for Psa 137:7 only prays that the retribution may come: it cannot therefore as yet have been executed; but if השׁדודה signified the already devastated one, it must (at least in the main) have been executed already. It might be more readily understood as a prophetical representation of the executed judgment of devastation; but this prophetic rendering coincides with the imprecative: the imagination of the Semite when he utters a curse sees the future as a realized fact. "Didst thou see the smitten one ( maḍrûb ),"i.e., he whom God must smite? Thus the Arab inquires for a person who is detested. "Pursue him who is seized ( ilḥaḳ el̇ma'chûdh ),"i.e., him whom God must allow thee to seize! Thy speak thus inasmuch as the imagination at once anticipates the seizure at the same time with the pursuit. Just as here both maḍrûb and ma'chûdh are participles of Kasl , so therefore השּׁדוּודה may also have the sense of vastanda (which must be laid waste!). That which is then further desired for Babylon is the requital of that which it has done to Israel, Isa 47:6. It is the same penal destiny, comprehending the children also, which is predicted against it in Isa 13:16-18, as that which was to be executed by the Medes. The young children (with reference to עולל , עולל , vid., on Psa 8:3) are to be dashed to pieces in order that a new generation may not raise up again the world-wide dominion that has been overthrown, Isa 14:21. It is zeal for God that puts such harsh words into the mouth of the poet. "That which is Israel's excellency and special good fortune the believing Israelite desires to have bestowed upon the whole world, but for this very reason he desires to see the hostility of the present world of nations against the church of God broken"(Hofmann). On the other hand, it cannot be denied that the "blessed"of this Psalm is not suited to the mouth of the New Testament church. In the Old Testament the church as yet had the form of a nation, and the longing for the revelation of divine righteousness clothed itself accordingly in a warlike garb.

Constable: Psa 107:1--150:6

V. Book 5: chs. 107--150

There are 44 psalms in this section of the Psalter. David composed 15 of these (108-110; 122; 124; 131; 133; 138-145), Solomon wrote one (127), and the remaining 28 are anonymous. Psalms 113-118 compose the so-called Egyptian Hallel, which the Jews used in their Passover (cf. Mark 14:26). Fifteen are Songs of Ascent (120-134), and five are Hallel or Hallelujah psalms (146-150).

Constable: Psa 137:1-9

Psalm 137

The psalmist mourned the plight of the exiled Israelites. He expressed strong love for Zion and strong hatred for Israel's enemies.

"This psalm needs no title to announce that its provenance was the Babylonian exile. Every line of it is alive with pain, whose intensity grows with each strophe to the appalling climax."²⁰⁵

Constable: Psa 137:1-4

1. Sorrow in exile 137:1-4

137:1 The writer related that he and his fellow exiles mourned over Zion's destruction as they thought about it in distant Babylon. The rivers of Babylon were the Euphrates and its canals. Even though their situation was pleasant the exiles wept as they remembered Zion.

137:2-4 The exiles could not bring themselves to sing about Zion even when their Babylonian neighbors urged them to sing songs about their native land. Normally this would have brought back pleasant memories, but the memories broke the Israelites' hearts. They could not sing at all so they hung their harps on the poplar trees. Their songs were about the Lord.

Constable: Psa 137:5-6

2. Love for Jerusalem 137:5-6

The poet promised to remember Jerusalem forever. He called down imprecations on himself if he ever forgot the city that had been the scene of so much joyful worship in the past. The hand and tongue stand for all action and speech. One reason the Israelites loved Jerusalem so much was that it was the site of their annual festivals that were joyous occasions of praise and fellowship (cf. Lam. 1-2).

Constable: Psa 137:7-9

3. Hatred for enemies 137:7-9

137:7 The psalmist had previously said that he would remember Jerusalem. Now he called God to remember Jerusalem's destroyers. The Edomites had encouraged the Babylonians as they besieged and devastated the city (cf. Ezek. 25:12; Joel 3:19).

137:8-9 He also prayed that the Babylonians would experience a destruction similar to the one they had inflicted on the Israelites (cf. Isa. 13:16). Evidently during the destruction of Jerusalem the Babylonian soldiers mercilessly killed young Jewish children. Verse 8a should read, "O Daughter of Babylon, doomed to destruction" (NIV). God had promised to curse those who cursed Abraham's descendents (Gen. 12:3). From the viewpoint of the victors over Babylon, the Persians, the fall of Babylon would be a blessing.

Believers who experience God's discipline for their sins may feel great sorrow. Sometimes discipline cuts us off from the blessings of corporate worship and the joy it brings. It is always appropriate to ask God to remain faithful to His promises.

Commentary -- Other

Critics Ask: Psa 137:9

PSALM 137:9 —How could the Psalmist rejoice at the thought of little ones being dashed against rocks?

PROBLEM: When the psalmist considers the ultimate judgment that will be brought against Babylon, he appears to rejoice that babies will be injured. How could a man of God rejoice over such a tragic and cruel event?

SOLUTION: The psalmist is not rejoicing over the dashing of babies. Rather, he is rejoicing over the retributive justice of God that would ultimately return the cruelty of the Babylonians upon them as a just punishment for their crimes. The Babylonians had treated the Hebrews and their children with just such acts of brutality. Ultimately, God would bring the Medes and Persians to inflict His judgment upon Babylon. In the hands of God, the armies of the Medes and Persians would balance the scales of justice, for the Babylonians would reap what they had sown (see comments on Ps. 109:1ff ).   

Evidence: Psa 137:3

Is sin so luscious that you will burn in hell forever for it? CHARLES SPURGEON

Introduction / Outline

JFB: Psalms (Book Introduction)

The Hebrew title of this book is Tehilim ("praises" or "hymns"), for a leading feature in its contents is praise, though the word occurs in the title of only one Psalm (the hundred forty-fifth). The Greek title (in the Septuagint, a translation made two hundred years before Christ) is psalmoi, whence our word "Psalms." This corresponds to the Hebrew word mizmoi by which sixty-five Psalms are designated in their inscriptions, and which the Syriac, a language like the Hebrew, uses for the whole book. It means, as does also the Greek name, an ode, or song, whose singing is accompanied by an instrument, particularly the harp (compare 1Ch 16:4-8; 2Ch 5:12-13). To some Psalms, the Hebrew word (shir) "a song," is prefixed. Paul seems to allude to all these terms in Eph 5:19, "singing . . . in psalms, hymns, and spiritual songs."

TITLES.--To more than a hundred Psalms are prefixed inscriptions, which give one or more (and in one case, [Psalm 60], all) of these particulars: the direction to the musician, the name of the author or the instrument, the style of the music or of the poetry, the subject or occasion. The authority of these inscriptions has been disputed by some writers. They say that the earliest translators, as the Greek and Syriac, evince a disregard for their authority, by variations from a proper translation of some, altering others, and, in several instances, supplying titles to Psalms which, in Hebrew, had none. It is also alleged that the subject of a Psalm, as given in the title, is often inconsistent with its contents. But those translators have also varied from a right translation of many passages in the Bible, which all agree to be of good authority; and the alleged inconsistency may be shown, on more accurate investigation, not to exist. The admitted antiquity of these inscriptions, on the other hand, and even their obscurity, raise a presumption in their favor, while such prefaces to a composition accord with the usages of that age and part of the world (compare Isa 38:9).

"The Chief Musician" was the superintendent of the music (compare "to oversee," 1Ch 15:21, Margin). "To" prefixed to this, means, "pertaining to" in his official character. This inscription is found in fifty-three Psalms and is attached to Habakkuk's prayer (Hab. 3:1-19). The same Hebrew preposition is prefixed to the name of the author and translated "of," as "a Psalm of David," "of Asaph," except that to "the sons of Korah," it is translated "for," which is evidently wrong, as the usual direction, "to the chief musician," is given, and no other authorship intimated. On the apparent exception to this last remark, see below, and see on Psa 88:1, title. The explanations of other particulars in the titles will be given as they occur.

AUTHORS.--This book is often called "The Psalms of David," he being the only author mentioned in the New Testament (Luk 20:42) and his name appearing in more titles than that of any other writer. Besides about one-half of the Psalms in which it thus appears, Psalms 2 and 95 are ascribed to him (Act 4:25 and Heb 4:7). He was probably the author of many others which appear without a name. He used great efforts to beautify the worship of the sanctuary. Among the two hundred eighty-eight Levites he appointed for singing and performing instrumental music, we find mentioned the "sons of Korah" (1Ch 9:19); including Heman (1Ch 6:33-38); and also Asaph (1Ch 6:39-44); and Ethan (1Ch 15:17-19). God was doubtless pleased to endow these men with the inspiration of His Spirit, so that they used those poetic talents which their connection with the kindred art of music had led them to cultivate, in the production of compositions like those of their king and patron. To Asaph are ascribed twelve Psalms; to the sons of Korah, eleven, including the eighty-eighth, which is also ascribed to Heman, that being the only instance in which the name of the "son" (or descendant) is mentioned; and to Ethan, one. Solomon's name appears before the seventy-second and hundred twenty-seventh; and that of Moses before the ninetieth. Special questions respecting authorship will be explained as they arise.

CONTENTS.--As the book contains one hundred fifty independent compositions, it is not susceptible of any logical analysis. The Jews having divided it into five books, corresponding to the Five Books of Moses (First, Psalms 1-42; Second, Psalms 43-72; Third, Psalms 73-89; Fourth, Psalms 90-106; Fifth, Psalms 107-150), many attempts have been made to discover, in this division, some critical or practical value, but in vain. Sundry efforts have been made to classify the Psalms by subject. Angus' Bible Hand Book is perhaps the most useful, and is appended.

Still the Psalms have a form and character peculiar to themselves; and with individual diversities of style and subject, they all assimilate to that form, and together constitute a consistent system of moral truth. They are all poetical, and of that peculiar parallelism (see Introduction to the Poetical Books,) which distinguished Hebrew poetry. They are all lyrical, or songs adapted to musical instruments, and all religious lyrics, or such as were designed to be used in the sanctuary worship.

The distinguishing feature of the Psalms is their devotional character. Whether their matter be didactic, historical, prophetical, or practical, it is made the ground or subject of prayer, or praise, or both. The doctrines of theology and precepts of pure morality are here inculcated. God's nature, attributes, perfections, and works of creation, providence, and grace, are unfolded. In the sublimest conceptions of the most exalted verse, His glorious supremacy over the principalities of heaven, earth, and hell, and His holy, wise, and powerful control of all material and immaterial agencies, are celebrated. The great covenant of grace resting on the fundamental promise of a Redeemer, both alike the provisions of God's exhaustless mercy, is set forth in respect of the doctrines of regeneration by the Spirit, forgiveness of sins, repentance toward God, and faith toward Jesus Christ, while its glorious results, involving the salvation of men "from the ends of the earth" [Act 13:47], are proclaimed in believing, prophetic prayer and thankful praise. The personal history of the authors, and especially David's in its spiritual aspects, is that of God's people generally. Christian biography is edifying only as it is truth illustrated in experience, such as God's Word and Spirit produce. It may be factitious in origin and of doubtful authenticity. But here the experience of the truly pious is detailed, under divine influence, and "in words which the Holy Ghost" taught [1Co 2:13]. The whole inner life of the pious man is laid open, and Christians of all ages have here the temptations, conflicts, perplexities, doubts, fears, penitent moanings, and overwhelming griefs on the one hand, and the joy and hope of pardoning mercy, the victory over the seductions of false-hearted flatterers, and deliverance from the power of Satan on the other, with which to compare their own spiritual exercises. Here, too, are the fruits of that sovereign mercy, so often sought in earnest prayer, and when found, so often sung in rapturous joy, exhibited by patience in adversity, moderation in prosperity, zeal for God's glory, love for man, justice to the oppressed, holy contempt for the proud, magnanimity towards enemies, faithfulness towards friends, delight in the prosperity of Zion, and believing prayer for her enlargement and perpetuity.

The historical summaries of the Psalms are richly instructive. God's choice of the patriarchs, the sufferings of the Israelites in Egypt, their exodus, temptations of God, rebellions and calamities in the wilderness, settlement in Canaan, backslidings and reformations, furnish illustrations of God's providential government of His people, individually and collectively, tending to exalt His adorable grace and abase human pride. But the promises and prophecies connected with these summaries, and elsewhere presented in the Psalms, have a far wider reach, exhibiting the relations of the book to the great theme of promise and prophecy:

THE MESSIAH AND HIS KINGDOM.--David was God's chosen servant to rule His people, as the head at once of the State and the Church, the lineal ancestor, "according to the flesh" [Act 2:30; Rom 1:3], of His adorable Son, and His type, in His official relations, both in suffering and in triumph. Generally, David's trials by the ungodly depicted the trials of Christ, and his final success the success of Christ's kingdom. Typically, he uses language describing his feelings, which only finds its full meaning in the feelings of Christ. As such it is quoted and applied in the New Testament. And further, in view of the great promise (2Sa 7:12-16) to him and his seed, to which such frequent reference is made in the Psalms, David was inspired to know, that though his earthly kingdom should perish, his spiritual would ever endure, in the power, beneficence, and glory of Christ's. In repeating and amplifying that promise, he speaks not only as a type, but "being a prophet, and knowing that God had sworn with an oath to him, that of the fruit of his loins, according to the flesh, he would raise up Christ to sit on his throne," he "foretold the sufferings of Christ and the glory that should follow. His incarnation, humiliating sorrows, persecution, and cruel death are disclosed in the plaintive cries of a despairing sufferer; and His resurrection and ascension, His eternal priesthood, His royal dignity, His prophetical office, the purchase and bestowal of the gifts of the Spirit, the conversion of the nations, the establishment, increase, and perpetuity of the Church, the end of time, and the blessedness of the righteous who acknowledge, and the ruin of the wicked who reject this King in Zion, are predicted in the language of assured confidence and joy." While these great themes have supplied the people of God with a popular theology and a guide in religious experience and Christian morality, clothed in the language of devotion, they have provided an inspired liturgy in which the pious, of all creeds and sects, have, for nearly three thousand years, poured out their prayers and praises. The pious Jew, before the coming of Christ, mourned over the adversity, or celebrated the future glories, of Zion, in the words of her ancient king. Our Saviour, with His disciples, sang one of these hymns on the night on which He was betrayed [Mat 26:30]; He took from one the words in which He uttered the dreadful sorrows of His soul [Mat 27:46], and died with those of another on His lips [Luk 23:46]. Paul and Silas in the dungeon [Act 16:25], primitive Christians in their covert places of worship, or the costly churches of a later day, and the scattered and feeble Christian flocks in the prevalence of darkness and error through the Middle Ages, fed their faith and warmed their love with these consoling songs. Now, throughout the Christian world, in untold forms of version, paraphrase, and imitation, by Papists and Protestants, Prelatists and Presbyterians, Independents, Baptists, Methodists--men of all lands and all creeds, in public and private worship, God is still adored in the sentiments expressed in these venerable Psalms. From the tone of sorrow and suffering which pervade their earlier portions we are gradually borne on amid alternate conflicts and triumphs, mournful complaints and awakening confidence; as we approach the close the tones of sorrow grow feebler, and those of praise wax louder and stronger--till, in the exulting strains of the last Psalm, the chorus of earth mingles with the hallelujahs of the multitude, which no man can number, in the sanctuary above.

JFB: Psalms (Outline)

• ALEPH. (Psa 119:1-8). This celebrated Psalm has several peculiarities. It is divided into twenty-two parts or stanzas, denoted by the twenty-two letters of the Hebrew alphabet. Each stanza contains eight verses, and the first letter of each verse is that which gives name to the stanza. Its contents are mainly praises of God's Word, exhortations to its perusal, and reverence for it, prayers for its proper influence, and complaints of the wicked for despising it. There are but two verses (Psa 119:122, Psa 119:132) which do not contain some term or description of God's Word. These terms are of various derivations, but here used, for the most part, synonymously, though the use of a variety of terms seems designed, in order to express better the several aspects in which our relations to the revealed word of God are presented. The Psalm does not appear to have any relation to any special occasion or interest of the Jewish Church or nation, but was evidently "intended as a manual of pious thoughts, especially for instructing the young, and its peculiar artificial structure was probably adopted to aid the memory in retaining the language." (Psa. 119:1-176)
• BETH. (Psa 119:9-16). The whole verse may be read as a question; for,
• GIMEL. (Psa 119:17-24). Life is desirable in order to serve God; that we may do so aright, we should seek to have our eyes opened to behold His truth, and earnestly desire fully to understand it.
• DALETH. (Psa 119:25-32). Submitting ourselves in depression to God, He will revive us by His promises, and lead us to declare His mercy to others.
• HE. (Psa 119:33-40). To encourage us in prayer for divine aid in adhering to His truth, we are permitted to believe that by His help we shall succeed.
• VAU. (Psa 119:41-48). The sentiment more fully carried out. God's mercies and salvation, as revealed in His Word, provide hope of forgiveness for the past and security in a righteous course for the future.
• ZAIN. (Psa 119:49-56). Resting on the promises consoles under affliction and the tauntings of the insolent.
• CHETH. (Psa 119:57-64). Sincere desires for God's favor, penitence, and activity in a new obedience, truly evince the sincerity of those who profess to find God a portion (Num 18:20; Psa 16:5; Lam 3:24).
• TETH. (Psa 119:65-72). The reliance on promises (Psa 119:49) is strengthened by experience of past dealings according with promises, and a prayer for guidance, encouraged by sanctified affliction.
• JOD. (Psa 119:73-80). As God made, so He can best control, us. So as to Israel, he owed to God his whole internal and external existence (Deu 32:6).
• CAPH. (Psa 119:81-88). In sorrow the pious heart yearns for the comforts of God's promises (Psa 73:26; Psa 84:2).
• LAMED. (Psa 119:89-96). In all changes God's Word remains firm (1Pe 1:25). Like the heavens, it continually attests God's unfailing power and unchanging care (Psa 89:2).
• MEM. (Psa 119:97-104). This characteristic love for God's law (compare Psa 1:2) ensures increase.
• NUN. (Psa 119:105-112). Not only does the Word of God inform us of His will, but, as a light on a path in darkness, it shows us how to follow the right and avoid the wrong way. The lamp of the Word is not the sun. He would blind our eyes in our present fallen state; but we may bless God for the light shining as in a dark place, to guide us until the Sun of Righteousness shall come, and we shall be made capable of seeing Him (2Pe 1:19; Rev 22:4). The lamp is fed with the oil of the Spirit. The allusion is to the lamps and torches carried at night before an Eastern caravan.
• SAMECH. (Psa 119:113-120).
• AIN. (Psa 119:121-128). On the grounds of his integrity, desire for God's word, and covenant relation to Him, the servant of God may plead for His protecting care against the wicked, gracious guidance to the knowledge of truth, and His effective vindication of the righteous and their cause, which is also His own.
• PE. (Psa 119:129-136).
• TZADDI. (Psa 119:137-144). God's justice and faithfulness in His government aggravate the neglect of the wicked, and more excite the lively zeal of His people.
• KOPH. (Psa 119:145-152). An intelligent devotion is led by divine promises and is directed to an increase of gracious affections, arising from a contemplation of revealed truth.
• RESH. (Psa 119:153-160). Though the remembering of God's law is not meritorious, yet it evinces a filial temper and provides the pious with promises to plead, while the wicked in neglecting His law, reject God and despise His promises (compare Psa 9:13; Psa 43:1; Psa 69:18).
• SCHIN. (Psa 119:161-168). (Compare Psa 119:46, Psa 119:86).
• TAU. (Psa 119:169-176). The prayer for understanding of the truth precedes that for deliverance. The fulfilment of the first is the basis of the fulfilment of the second (Psa 90:11-17). On the terms "cry" and "supplication" (compare Psa 6:9; Psa 17:1).
• LIVING VOICES SHALL TAKE UP THE FAILING SOUNDS OF DEAD INSTRUMENTS, AND AS THEY CEASE ON EARTH, THOSE OF INTELLIGENT RANSOMED SPIRITS AND HOLY ANGELS, AS WITH THE SOUND OF MIGHTY THUNDERS, WILL PROLONG ETERNALLY THE PRAISE, SAYING: "ALLELUIA! SALVATION, AND GLORY, AND HONOR, AND POWER, UNTO THE LORD OUR GOD;" "ALLELUIA! FOR THE LORD GOD OMNIPOTENT REIGNETH." AMEN!.

TSK: Psalms (Book Introduction)

The Psalms have been the general song of the universal Church; and in their praise, all the Fathers have been unanimously eloquent. Men of all nations find in these compositions a language at once suitable to their feelings, and expressive of their highest joys and deepest sorrows, as well as of all the endlessly varied wishes and desires of their hearts. Whether the pious believer is disposed to indulge the exalted sentiments of praise and thanksgiving towards the ALMIGHTY FATHER of his being; to pour out his soul in penitence or prayer; to bewail, with tears of contrition, past offences; to magnify the goodness and mercy of GOD; to dwell with ecstacy on the divine attributes of wisdom and omnipotence; or to rejoice in the coming of the MESSIAH, the Psalms afford him the most perfect models for expressing all his feelings.

TSK: Psalms 137 (Chapter Introduction)

Overview

Psa 137:1, The constancy of the Jews in captivity; Psa 137:7, The prophet curses Edom and Babel.

Poole: Psalms (Book Introduction)

OF PSALMS

THE ARGUMENT

The divine authority of this Book of PSALMS is so certain and evident, that it was never questioned in the church; which being fixed, it is of small moment that the penman of some of them is not now known; nor doth this any more lessen its authority, than it invalidates the decree of a prince, or an act of parliament, that it is not certain by whose pen it was drawn up. Most of them were composed by David, as is evident, both from the title of them, and from the express testimony of the New Testament concerning some of them; and that by the inspiration of God’ s Spirit, as appears both from the Divine matter and frame of them, and from 2Sa 23:1 Mat 22:43 Act 1:16 2:25 . But some of them were composed by other persons; by Moses, as Ps 90 , by Heman, and Ethan, and Asaph, as the title of the Psalms show; and by others after their times, whose names are not mentioned, as is manifest from Ps 126 Ps 127 . It is apparent that the Psalms were not written in the order in which they now lie; and they were put into this order either by Ezra, as the Hebrew doctors affirm, or by some other holy prophet or prophets. It is sufficient for us that the whole book is owned as canonical by our blessed Saviour, Luk 24:44 .

PSALM 1

Poole: Psalms 137 (Chapter Introduction)

THE ARGUMENT

The penman of this Psalm is uncertain; the occasion of it was unquestionably the consideration of the Babylonish captivity; and it seems to have been composed either during the time of that captivity, or presently after their deliverance out of it.

The sad complaint of the Jews in captivity, Psa 137:1-3 . Of the scoffing of their enemies, yet their constancy to remember Jerusalem, Psa 137:4-6 . Judgments imprecated upon Edom and Babylon, Psa 137:7-9 .

Rivers of Babylon either,

1. Of the city of Babylon, and then the river is Euphrates, here called rivers for its greatness, and by a common enallage of the plural for the singular, as Tigris also is, Nah 2:6 , yea, and Jordan, Psa 74:15 . Or,

2. Of the territory of Babylon, in which there were many rivers, as Euphrates, which also was divided into several streams or rivulets; and Tigris and others. Here they were either by the appointment of their lords for the making or repairing of the works beside the river; or by choice, retiring themselves thither from the noise and observation of their enemies, as they had opportunity, that they might disburden their oppressed minds before the Lord.

We sat down the usual posture of mourners, Ezr 9:4 , &c.; Job 2:13 Isa 47:1,5 .

When we remembered Zion either,

1. Our former enjoyments in Zion, which greatly aggravated their present misery, Lam 1:7 . Or,

2. Zion’ s present desolations and pollutions.

MHCC: Psalms (Book Introduction)

David was the penman of most of the psalms, but some evidently were composed by other writers, and the writers of some are doubtful. But all were written by the inspiration of the Holy Ghost; and no part of the Old Testament is more frequently quoted or referred to in the New. Every psalm either points directly to Christ, in his person, his character, and offices; or may lead the believer's thoughts to Him. And the psalms are the language of the believer's heart, whether mourning for sin, thirsting after God, or rejoicing in Him. Whether burdened with affliction, struggling with temptation, or triumphing in the hope or enjoyment of deliverance; whether admiring the Divine perfections, thanking God for his mercies, mediating on his truths, or delighting in his service; they form a Divinely appointed standard of experience, by which we may judge ourselves. Their value, in this view, is very great, and the use of them will increase with the growth of the power of true religion in the heart. By the psalmist's expressions, the Spirit helps us to pray. If we make the psalms familiar to us, whatever we have to ask at the throne of grace, by way of confession, petition, or thanksgiving, we may be assisted from thence. Whatever devout affection is working in us, holy desire or hope, sorrow or joy, we may here find words to clothe it; sound speech which cannot be condemned. In the language of this Divine book, the prayers and praises of the church have been offered up to the throne of grace from age to age.

MHCC: Psalms 137 (Chapter Introduction)

(Psa 137:1-4) The Jews bewail their captivity.

(Psa 137:5-9) Their affection for Jerusalem.

Matthew Henry: Psalms (Book Introduction)

An Exposition, with Practical Observations, of The Book of Psalms

We have now before us one of the choicest and most excellent parts of all the Old Testament; nay, so much is there in it of Christ and his gospel, as well as of God and his law, that it had been called the abstract, or summary, of both Testaments. The History of Israel, which we were long upon, let us to camps and council-boards, and there entertained and instructed us in the knowledge of God. The book of Job brought us into the schools, and treated us with profitable disputations concerning God and his providence. But this book brings us into the sanctuary, draws us off from converse with men, with the politicians, philosophers, or disputers of this world, and directs us into communion with God, by solacing and reposing our souls in him, lifting up and letting out our hearts towards him. Thus may we be in the mount with God; and we understand not our interests if we say not, It is good to be here. Let us consider,

I. The title of this book. It is called, 1. The Psalms; under that title it is referred to, Luk 24:44. The Hebrew calls it Tehillim , which properly signifies Psalms of praise, because many of them are such; but Psalms is a more general word, meaning all metrical compositions fitted to be sung, which may as well be historical, doctrinal, or supplicatory, as laudatory. Though singing be properly the voice of joy, yet the intention of songs is of a much greater latitude, to assist the memory, and both to express and to excite all the other affections as well as this of joy. The priests had a mournful muse as well as joyful ones; and the divine institution of singing psalms is thus largely intended; for we are directed not only to praise God, but to teach and admonish ourselves and one another in psalms, and hymns, and spiritual songs, Col 3:16. 2. It is called the Book of Psalms; so it is quoted by St. Peter, Act 1:20. It is a collection of psalms, of all the psalms that were divinely inspired, which, though composed at several times and upon several occasions, are here put together without any reference to or dependence upon one another; thus they were preserved from being scattered and lost, and were in so much greater readiness for the service of the church. See what a good master we serve, and what pleasantness there is in wisdom's ways, when we are not only commanded to sing at our work, and have cause enough given us to do so, but have words also put in our mouths and songs prepared to our hands.

II. The author of this book. It is, no doubt, derived originally from the blessed Spirit. They are spiritual songs, words which the Holy Ghost taught. The penman of most of them was David the son of Jesse, who is therefore called the sweet psalmist of Israel, 2Sa 23:1. Some that have not his name in their titles yet are expressly ascribed to him elsewhere, as Psa 2:1-12 (Act 4:25) and Psa 96:1-13 and 105 (1 Chr. 16). One psalm is expressly said to be the prayer of Moses (Ps. 90); and that some of the psalms were penned by Asaph is intimated, 2Ch 29:30, where they are said to praise the Lord in the words of David and Asaph , who is there called a seer or prophet. Some of the psalms seem to have been penned long after, as Psa 137:1-9, at the time of the captivity in Babylon; but the far greater part of them were certainly penned by David himself, whose genius lay towards poetry and music, and who was raised up, qualified, and animated, for the establishing of the ordinance of singing psalms in the church of God, as Moses and Aaron were, in their day, for the settling of the ordinances of sacrifice; theirs is superseded, but his remains, and will to the end of time, when it shall be swallowed up in the songs of eternity. Herein David was a type of Christ, who descended from him, not from Moses, because he came to take away sacrifice (the family of Moses was soon lost and extinct), but to establish and perpetuate joy and praise; for of the family of David in Christ there shall be no end.

III. The scope of it. It is manifestly intended, 1. To assist the exercises of natural religion, and to kindle in the souls of men those devout affections which we owe to God as our Creator, owner, ruler, and benefactor. The book of Job helps to prove our first principles of the divine perfections and providence; but this helps to improve them in prayers and praises, and professions of desire towards him, dependence on him, and an entire devotedness and resignation to him. Other parts of scripture show that God is infinitely above man, and his sovereign Lord; but this shows us that he may, notwithstanding, be conversed with by us sinful worms of the earth; and there are ways in which, if it be not our own fault, we may keep up communion with him in all the various conditions of human life. 2. To advance the excellencies of revealed religion, and in the most pleasing powerful manner to recommend it to the world. There is indeed little or nothing of the ceremonial law in all the book of Psalms. Though sacrifice and offering were yet to continue many ages, yet they are here represented as things which God did not desire (Psa 40:6, Psa 51:16), as things comparatively little, and which in time were to vanish away. But the word and law of God, those parts of it which are moral and of perpetual obligation are here all along magnified and made honourable, nowhere more. And Christ, the crown and centre of revealed religion, the foundation, corner, and top-stone, of that blessed building, is here clearly spoken of in type and prophecy, his sufferings and the glory that should follow, and the kingdom that he should set up in the world, in which God's covenant with David, concerning his kingdom, was to have its accomplishment. What a high value does this book put upon the word of God, his statutes and judgments, his covenant and the great and precious promises of it; and how does it recommend them to us as our guide and stay, and our heritage for ever!

IV. The use of it. All scripture, being given by inspiration of God, is profitable to convey divine light into our understandings; but this book is of singular use with that to convey divine life and power, and a holy warmth, into our affections. There is no one book of scripture that is more helpful to the devotions of the saints than this, and it has been so in all ages of the church, ever since it was written and the several parts of it were delivered to the chief musician for the service of the church. 1. It is of use to be sung. Further than David's psalms we may go, but we need not, for hymns and spiritual songs. What the rules of the Hebrew metre were even the learned are not certain. But these psalms ought to be rendered according to the metre of every language, at least so as that they may be sung for the edification of the church. And methinks it is a great comfort to us, when we are singing David's psalms, that we are offering the very same praises to God that were offered to him in the days of David and the other godly kings of Judah. So rich, so well made, are these divine poems, that they can never be exhausted, can never be worn thread-bare. 2. It is of use to be read and opened by the ministers of Christ, as containing great and excellent truths, and rules concerning good and evil. Our Lord Jesus expounded the psalms to his disciples, the gospel psalms, and opened their understandings (for he had the key of David) to understand them, Luk 24:44. 3. It is of use to be read and meditated upon by all good people. It is a full fountain, out of which we may all be drawing water with joy. (1.) The Psalmist's experiences are of great use for our direction, caution, and encouragement. In telling us, as he often does, what passed between God and his soul, he lets us know what we may expect from God, and what he will expect, and require, and graciously accept, from us. David was a man after God's own heart, and therefore those who find themselves in some measure according to his heart have reason to hope that they are renewed by the grace of God, after the image of God, and many have much comfort in the testimony of their consciences for them that they can heartily say Amen to David's prayers and praises. (2.) Even the Psalmist's expressions too are of great use; and by them the Spirit helps our praying infirmities, because we know not what to pray for as we ought. In all our approaches to God, as well as in our first returns to God, we are directed to take with us words (Hos 14:2), these word, words which the Holy Ghost teaches. If we make David's psalms familiar to us, as we ought to do, whatever errand we have at the throne of grace, by way of confession, petition, or thanksgiving, we may thence be assisted in the delivery of it; whatever devout affection is working in us, holy desire or hope, sorrow or joy, we may there find apt words wherewith to clothe it, sound speech which cannot be condemned. It will be good to collect the most proper and lively expressions of devotion which we find here, and to methodize them, and reduce them to the several heads of prayer, that they may be the more ready to us. Or we may take sometimes one choice psalm and sometimes another, and pray it over, that is, enlarge upon each verse in our own thoughts, and offer up our meditations to God as they arise from the expressions we find there. The learned Dr. Hammond, in his preface to his paraphrase on the Psalms (sect. 29), says, " That going over a few psalms with these interpunctions of mental devotion, suggested, animated, and maintained, by the native life and vigour which is in the psalms, is much to be preferred before the saying over the whole Psalter, since nothing is more fit to be averted in religious offices than their degenerating into heartless dispirited recitations." If, as St. Austin advises, we form our spirit by the affection of the psalm, we may then be sure of acceptance with God in using the language of it. Nor is it only our devotion, and the affections of our mind, that the book of Psalms assists, teaching us how to offer praise so as to glorify God, but, it is also a directory to the actions of our lives, and teaches us how to order our conversation aright, so as that, in the end, we may see the salvation of God, Psa 50:23. The Psalms were thus serviceable to the Old Testament church, but to us Christians they may be of more use than they could be to those who lived before the coming of Christ; for, as Moses's sacrifices, so David's songs, are expounded and made more intelligible by the gospel of Christ, which lets us within the veil; so that if to David's prayers and praises we all St. Paul's prayers in his epistles, and the new songs in the Revelation, we shall be thoroughly furnished for this good work; for the scripture, perfected, makes the man of God perfect.

As to the division of this book, we need not be solicitous; there is no connexion (or very seldom) between one psalm and another, nor any reason discernable for the placing of them in the order wherein we here find them; but it seems to be ancient, for that which is now the second psalm was so in the apostles' time, Act 13:33. The vulgar Latin joins the 9th and 10th together; all popish authors quote by that, so that, thenceforward, throughout the book, their number is one short of ours; our 11 is their 10, our 119 is their 118. But they divide the 147th into two, and so make up the number of 150. Some have endeavoured to reduce the psalms to proper heads, according to the matter of them, but there is often such a variety of matter in one and the same psalm that this cannot be done with any certainty. But the seven penitential Psalms have been in a particular manner singled out by the devotions of many. They are reckoned to be Psa 6:1-10, Psa 32:1-11, 38, 51,102, Psa 130:1-8, and Psa 143:1-12. The Psalms were divided into five books, each concluding with Amen, Amen, or Hallelujah; the first ending with Psa 41:1-13, the second with Ps. 72, the third with Ps. 89, the fourth with Ps. 106, the fifth with Psa 150:1-6. Others divide them into three fifties; others into sixty parts, two for every day of the month, one for the morning, the other for the evening. Let good Christians divide them for themselves, so as may best increase their acquaintance with them, that they may have them at hand upon all occasions and may sing them in the spirit and with the understanding.

Matthew Henry: Psalms 137 (Chapter Introduction)

There are divers psalms which are thought to have been penned in the latter days of the Jewish church, when prophecy was near expiring and the canon of the Old Testament ready to be closed up, but none of them appears so plainly to be of a late date as this, which was penned when the people of God were captives in Babylon, and there insulted over by these proud oppressors; probably it was towards the latter end of their captivity; for now they saw the destruction of Babylon hastening on apace (Psa 137:8), which would be their discharge. It is a mournful psalm, a lamentation; and the Septuagint makes it one of the lamentations of Jeremiah, naming him for the author of it. Here I. The melancholy captives cannot enjoy themselves (Psa 137:1, Psa 137:2). II. They cannot humour their proud oppressors (Psa 137:3, Psa 137:4). III. They cannot forget Jerusalem (Psa 137:5, Psa 137:6). IV. They cannot forgive Edom and Babylon (Psa 137:7-9). In singing this psalm we must be much affected with the concernments of the church, especially that part of it that is in affliction, laying the sorrows of God's people near our hearts, comforting ourselves in the prospect of the deliverance of the church and the ruin of its enemies, in due time, but carefully avoiding all personal animosities, and not mixing the leaven of malice with our sacrifices.

Constable: Psalms (Book Introduction)

Introduction

Title

The title of this book in the Hebrew Bible is Tehillim, which means "praise songs." The title adopted by the Septuagint translators for their Greek version was Psalmoi meaning "songs to the accompaniment of a stringed instrument." This Greek word comes from the Hebrew word mizmor that occurs in the titles of 57 of the psalms. In time the Greek word psalmoi came to mean "songs of praise" without reference to stringed accompaniment. The English translators transliterated the Greek title resulting in the title "Psalms" in English Bibles.

Date and Writers

The texts of the individual psalms do not usually indicate who wrote them.¹ However some of the titles of the individual psalms do contain information about the writers.² This is the only really reliable information we have as to who composed these psalms, though the commentators have their theories.

Not all the titles contain information about authorship.³ The ones that do refer to the following writers. Moses wrote Psalm 90.⁴ David composed 73 psalms, mostly in the first two books of the Psalter (i.e., Pss. 1-72). Asaph wrote 12 (Pss. 50, 73-83). Korah's descendents were responsible for 10 (Pss. 42, 44-49, 84, 87-88). Solomon wrote one or two (127 and perhaps 72). Heman the Ezrahite wrote one (Ps. 88). Ethan the Ezrahite composed one (Ps. 89).

Of these the earliest would have been the one Moses wrote (Ps. 90) and it probably dates from about 1405 B.C. Those David composed would have originated between about 1020 and 975 B.C. Asaph was a contemporary of David so we can date his in approximately the same period. Solomon's psalm(s) seem to have been produced about 950 B.C. Korah's descendents as well as Heman and Ethan probably lived after Solomon, but exactly when we cannot identify. Since Heman and Ethan are connected with Ezra as Ezrahites it is probable that they lived and wrote after the Babylonian exile as he did.

We can date some of the psalms that do not contain information about their writers in the title, if they have a title, by their subject matter. For example, David seems to have written Psalms 2 and 33 even though his name does not occur in the superscriptions (cf. Acts 4:25). Likewise Psalms 126 and 137 must have been late compositions dating from the time the Jews returned from Babylonian exile or shortly after that.

Most of the Psalms, then, were written between 1000 and 450 B.C. The one by Moses was composed considerably earlier and a few may have been written later, but probably not much later, than 450 B.C.

There is some internal evidence in the Book of Psalms that the Jews collected the individual psalms and compiled them into groups in various stages and that this process took some time.⁵ We would expect this because some psalms date hundreds of years after others. Psalm 72:20, for example, seems to mark the end of a collection of David's psalms that antedated the Psalter we now have, but which editors incorporated into the larger work. Psalm 1 appears intended to introduce this collection and, probably later, the entire Psalter. The writer of most of the first 72 psalms (Books 1 and 2 of our modern editions) was David.⁶ Solomon (2 Chron. 5:11-14; 7:6; 9:11; Eccles. 2:8), Jehoshaphat (2 Chron. 20:21-22), and Jehoiada (2 Chron. 23:18) all organized temple singing and may have had a hand in compiling some of the psalms. Hezekiah (715-686 B.C.; 2 Kings 18-20; 2 Chron. 29-32), one of Judah's best kings and one who led his people in returning to Scripture, may have added to and organized part of the Psalter (cf. 2 Chron. 29:25-28, 30; 30:21; 31:2; Prov. 25:1). So may Josiah, another reforming king of Judah (640-609 B.C.; 2 Kings 22:1-23:30; 2 Chron. 34-35; cf. 2 Chron. 35:15, 25). The last two books (sections) of Psalms (chs. 90-106 and 107-150) contain more miscellaneous psalms dating from Moses to the return from exile. It seems likely that Ezra, the great renovator of postexilic Judaism, may have been responsible for adding these and perhaps putting the whole collection in its final form.

"The picture that emerges is a mixture of order and informality of arrangement, which invites but also defeats the attempt to account for every detail of its final form. There is some chronological progression, with David most in evidence in the first half, and a clear allusion to the captivity towards the close of Book V (Ps. 137). But David reappears in the next psalm (138), and by contrast, the fall of Jerusalem had been lamented as far back as Psalm 74."⁷

Each of the five books or major sections of the Psalter ends with a doxology, and Psalm 150 is a grand doxology for the whole collection. The earliest evidence of the five-fold division of the Book of Psalms comes from the Qumran scrolls, which scribes copied early in the first century A.D. Undoubtedly the Psalter was in its final form by the close of the Old Testament canon, namely by 400 B.C.

Scope

Historically the psalms cover a period of about 1000 years, from the time of Moses (c. 1400 B.C.) to the Isrealites' return from exile (c. 450 B.C.).

In terms of subject matter they deal with selected events of that millennium. They provide us with the thoughts and feelings of those who went through the experiences recorded, especially their God-directed thoughts and feelings.

"Of all the books in the Old Testament the Book of Psalms most vividly represents the faith of individuals in the Lord. The Psalms are the inspired responses of human hearts to God's revelation of Himself in law, history, and prophecy. Saints of all ages have appropriated this collection of prayers and praises in their public worship and private meditations."⁸

Genre

"One should think of this aspect of interpretation as being like the Olympics, a grand occasion made up of a variety of sports. Though it is all sport, each game is played by its own rules and has its own expectations about how to play the game. The variety of literature is the same way. It all has a message, but it conveys that message in a variety of ways and with a variety of expectations. To try to play basketball with soccer's rules will never work, though both use a ball and require foot speed. Or think of musical instruments, they all make music, but in different ways with different sounds. One cannot play the violin like a piano or drums; nor should one expect a violin to sound like either a piano or the kettledrum! In the same way, to read the poetry of the Psalms like a historical book is to miss the emotional and pictorial impact of the message, though both genres convey reality about people's experience with God. To transform the imagery and setting of the Psalter into mere theological proposition is also to take the passion and lifeblood out of its veins."⁹

Types

The messianic psalms are perhaps the most commonly known type. They predict the coming of a messiah. Franz Delitzsch broke these psalms down into five kinds. The first is the purely prophetic, which predicts that a future Davidic king would be the Lord (Ps. 110). Second, the eschatological psalms predict the coming of Messiah and the consummation of His kingdom (Pss. 96-99, et al.). Third, we have the typological-prophetic in which the writer describes his own experience but goes beyond that to describe what became true of the Messiah (e.g., Ps. 22). Fourth, there are the indirectly messianic psalms composed for a contemporary king but having ultimate fulfillment in Messiah (Pss. 2: 45; 72). Fifth, we have the typically messianic in which the writer was in some way typical of Messiah, but all he wrote in the psalm did not describe Him (e.g., Ps. 34:20; 109:8 as used in Acts 1:20).¹⁰ The following seem to be messianic psalms in whole or in part: 2 (cf. Matt. 3:17; Acts 13:33; Heb. 1:5; 5:5; 7:28; 2 Pet. 1:17); 8 (Matt. 21:15-16; Heb. 2:6-9); 16 (Acts 2:25-28; 13:55); 22 (Matt. 27:46; Mark 15:34); 34; 40; 41; 45 (Heb. 1:8-9); 68; 69 (John 2:17; 15:25); 72; 96-99; 102; 109; 110; and 118 (Matt. 21:42).¹¹

The imprecatory psalms are thought of as a distinct type by some interpreters on the basis of their subject matter.¹² These psalms contain imprecations, or curses, on God's enemies. They have created a problem for some Christians since Jesus Christ taught His disciples to bless their enemies and not to curse them (Matt. 5:43-44; Luke 6:27-28; cf. Rom. 12:14). In the progress of revelation it was not easy for the writers of the psalms to see the details of the future distinctly. They could not feel the peace about God's ultimate establishment of justice that modern believers who know their Bibles do. Consequently when they witnessed injustice and oppression they did not usually know how God would deal with it so they called on Him to vindicate Himself immediately. With the coming of Jesus Christ and the added revelation He provided believers now have a fuller picture of how God will balance the scales of justice. It is therefore inappropriate for us to pray imprecations of the sort we find in the Old Testament. God has recorded them for our benefit, not as examples to follow in their wording but in their spirit of zeal for God's glory.¹³

What is now the most common way of classifying the psalms originated with the German scholar Hermann Gunkel at the beginning of the twentieth century.¹⁴ He was one of the founders of the form critical school of scholarship that sought to understand a given portion of Scripture by analyzing the form in which the writer composed it. Scholars then compared that form with other biblical and contemporary literature from the ancient Near Eastern countries that were Israel's neighbors, particularly Egypt and Mesopotamia. Gunkel classified the psalms into various categories or types (Germ. gattungen) by trying to identify the general situation in life (Germ. sitz im leben) that brought them into existence rather than by their content. He concluded that most of the psalms were postexilic. Many scholars have followed this form critical approach in their study of the Psalms as well as in other portions of the Old Testament.¹⁵

Most form critical scholars speculated about the origins of the various psalms and concluded that priests wrote most of them late in Israel's history. This has led many conservatives to reject form criticism completely. Nonetheless this school of interpreters has given us some helpful information, namely the various literary types of psalms that appear in the book.

Some of the more important types of psalms by literary form are the following. Individual laments are psalms by individuals calling on God for help from distress. National laments are similar but voice a corporate cry for help in view of some national situation.

"Laments outnumber every other kind of psalm in the Psalter; almost a third of the psalms belong to this category."¹⁶

Thanksgiving psalms--also called psalms of declarative praise--center on some act of deliverance God granted His people. Descriptive praise psalms offer praise to God for Himself or for His general working rather than for a specific instance of His working. The poets wrote the pilgrim psalms, also called songs of ascent, for singing by the Israelites as they made their thrice-yearly pilgrimages up to Jerusalem for the required festival observances there. Royal psalms are those in which the king of Israel is the chief character. Some event in his reign is being described such as his coronation, wedding, or going out to battle. The enthronement psalms speak of the Lord as the great king fulfilling His role in some way such as reigning or coming to judge.

Another type of psalm, based on the form in which the writer set it rather than on the subject matter, is the acrostic. In these each verse, or group of verses in the case of Psalm 119, begins with the succeeding letter of the Hebrew alphabet. The psalmists adopted this style so the Israelites could memorize and remember the psalm easily. The acrostic psalms are these: 9, 10, 25, 34, 37, 111, 112, 119, and 145.¹⁷

Message¹⁸

The Book of Psalms is an inspired collection of Hebrew poems intended for use in worship. Spirit directed compilers put them in their present order for several reasons including authorship and affinity of ideas. The compilers did not organize them in the order in which the psalmist wrote them. Each psalm is the expression of one writer who responded to God in the light of his particular circumstances when he wrote. Consequently there is no argument or progression of thought as the reader makes his or her way through the book.

The subject of the Book of Psalms is worship. Worship is the act of offering to God what is due Him because of who He is. The Hebrew word translated "worship" (shachah) means to bow oneself down or to do obeisance. The psalmists used it to describe prostration before God or some angel or another human being. It pictures an attitude of submission to a superior person. This word occurs only 15 times in Psalms with God as the object, but the idea of worshipping God is present in every psalm.

In these 15 passages the psalmists referred to God as Yahweh, Elohim, or Adonai. Those worshipping Him are individuals, kings, nations, and all the earth. His temple (Israel's central sanctuary) and His holy hill (Mt. Zion) were the central places of worship. Fear, holiness, and joy are the primary attitudes prominent in this worship.

God's people throughout history have loved the Psalter. There are a number of reasons for its popularity. First, it is a collection of songs that arise out of experiences with which we can all identify. It is very difficult to find any circumstance in life that does not find expression in some psalm or another. Some arose out of prosperity, others out of adversity. Some psalms deal with holiness, and others with sinfulness. Some are laments that bewail the worst of situations whereas others are triumphant hymns of joy and thanksgiving. Some look back to the past while others look forward to the future.

The psalms are great because their writers composed them out of their most profound experiences. Great poetry arises out of great living. "Out of the abundance of the heart the mouth speaks" (Matt. 12:34). They are also great because the writers brought these profound experiences into God's presence. They show how people behave when they are conscious of God, the only truly realistic way to live. Therefore the permanent value of the psalms lies in their revelation of worship.

First, the Psalter reveals the person of God who is the object of worship. The primary revelation of God's character in the psalms is His names. The writers employed dozens of titles and figures of speech to describe God, but the three names of God that they used most are Yahweh, Elohim, and Adonai. When we understand these names alone we will want to worship God.

The name Yahweh captures the essential being of God. He is who He is (Exod. 3:14). This name occurs more often than any other in the psalms. Essentially it means that God is the eternally self-existent Person who becomes all that His people need. God's being is never the subject of debate in the psalms. The writers assumed His existence. As Yahweh God is always an adequate resource for whatever His people need whenever they have needs. That is because the Name Yahweh describes God in covenant relationship with His people. Translators normally render it LORD in English translations. Psalm 139 is perhaps the greatest exposition of the essential being of God, and Psalm 23 the chief revelation of His becoming all His people need.

The second great name of God in the Psalter is Elohim. Normally this Hebrew word translates as "God" in our English Bibles. It is a plural word in the Hebrew, which does not necessarily signify number but immensity. God as He reveals Himself is so infinite that no singular word can express Him adequately. "Elohim" suggests God's essential might and the fact that He is extremely powerful. God's strength is not just potential, but kinetic (i.e., in motion). It is latent, but also active. Such power elicited the awe of the psalmists. Psalm 68 is perhaps the greatest revelation of God's essential might in the Psalter, and Psalm 46 sets forth His great power at work most impressively.

The title "Adonai" (Lord in the sense of Master) does not occur frequently in the psalms, but the idea it expresses is present constantly. This title expresses the sovereignty of God, the fact that there is no one higher in authority than He. He is the King over the whole universe and the ultimate ruler over Israel. Perhaps Psalm 86 sets forth the sovereignty of God more magnificently than any other psalm.

Whenever a person, king, nation, or race conceives of God as Yahweh, Elohim, or Adonai the result is worship. We can do nothing else but prostrate ourselves before such an One. That is what the writers of these psalms did as they reflected on their experiences in the light of who God is.

The second great revelation of the Psalter is man's attitude in worship. Briefly we see man responding to the revelation of God joyfully, trustfully, and submissively. When we understand that God Himself is an adequate resource for us regardless of our needs, we worship by rejoicing. When we appreciate God's mighty power we worship Him by trusting Him. When we learn that God is sovereign we respond in worship by submitting to Him.

When we appreciate God's grace in providing all we need we rejoice. In the psalms we see joy manifesting itself in penitence and adoration. Penitence manifests joy in the following way. We have God's promises of forgiveness if we confess when we sin. Forgiveness for sin is one of God's greatest gifts to humankind. It is not something we can earn or deserve. It is a gift of God based ultimately on a work God has done for us through His Son. The penitential root attitude blossoms into adoration for God's grace. The sweetest music comes out of hearts broken by sin, hearts aware of their total bankruptcy before God. The most glorious praises spring from the lips of those who most sense the great gifts God has given them.

Trust in God's almighty power expresses itself in honesty and courage. Honesty is the internal fruit of trust and courage its external manifestation. The person who really trusts God's power will be open and honest because he believes God will exercise His power to defend him. He will be willing to take risks because he is relying on God's supernatural power to sustain and uphold him. The psalmists expressed themselves and behaved honestly before God and people because they believed in His sovereignty. They also faced danger courageously because they believed God could and would provide adequate help for His own.

Submission to the sovereignty of God expresses itself in reverence and obedience in the psalms. Reverence is the external evidence of submission to God, and obedience the core proof of it. The person who really believes God is the ultimate authority will respect Him. He will also yield to God's superior authority submissively. We see the psalmists expressing their reverence for God and bowing humbly to His will throughout the Psalter.

The third major revelation concerning worship in the psalms is the activities of worship. As we have seen, one's conception of God leads to worship, and one's attitudes shape worship. One's activities also demonstrate worship.

The psalms reveal that worship grows out of something God has done for man. Man does not worship because there is something intrinsic within him that must come out. Worship is always a response to something God has done. God elicits worship. Man does not initiate it on his own. Throughout the psalms the psalmists responded to God's dealings with them. God is always the initiator and man the responder. This fact helps us see that God is worthy of worship.

Human response in worship involves opening the soul to God. David's confession in Psalm 32 is a good example of this. He rejoiced in his open relationship with God when he acknowledged his sin. He also received God's gift of pardon. Then he offered praise to God. These are the essential human activities of worship: confession, reception, and praise.

After God initiates worship and man responds by worshipping, God becomes to the worshipper all he or she needs. God is true and faithful in His dealings with worshippers. He becomes for us all we need when we worship Him. Thus the activities of worship begin and end with God. They begin with His initiating situations in life. They end with His drawing us to Himself. In between we bare our souls, receive His gifts, and offer our praise.

The message of the Psalter then is, "Worship God!" Turn every situation into an occasion for worship. If we are sad we should worship. If we are glad we should worship. If we are in the dark we should worship. If we are in the light we should worship. The Apostle Paul expressed it this way in Philippians 4:4 and 7: "Rejoice in the Lord always, and again I say, Rejoice. . . . And the peace of God, which passes all understanding, shall guard your hearts and minds in Christ Jesus." "Let everything that has breath praise the Lord. You praise the Lord" (Ps. 150:6).

Constable: Psalms (Outline)

Outline

I. Book 1: chs. 1-41

II. Book 2: chs. 42-72

III. Book 3: chs. 73-89

IV. Book 4: chs. 90-106

V. Book 5: chs. 107-150

Constable: Psalms

Psalms

Bibliography

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_____. Fortolkning til de Gemmeltestamentlige Salmer. Kobenhavn: G. E. C. Gad, 1939.

Bock, Darrell L. "Interpreting the Bible--How Texts Speak to Us." In Progressive Dispensationalism, pp. 76-105. By Craig A. Blaising and Darrell L. Bock. Wheaton: Victor Books, 1993.

Bratcher, Robert G., ed. Old Testament Quotations in the New Testament. 3rd rev. ed. London: United Bible Societies, 1987.

Cansdale, G. S. Animals of Bible Lands. London: Paternoster Press, 1970.

Chafer, Lewis Sperry. Systematic Theology. 8 vols. Dallas: Dallas Seminary Press, 1948.

Childs, Brevard S. Memory and Tradition in Israel. Studies in Biblical Theology series, no. 37. London: SCM, 1962.

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_____. "Does God Deceive?" Bibliotheca Sacra 155:617 (January-March 1998):11-28.

_____. "A Theology of the Psalms." In A Biblical Theology of the Old Testament, pp. 257-304. Edited by Roy B. Zuck. Chicago: Moody Press, 1991.

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Copyright 2003 by Thomas L. Constable

Haydock: Psalms (Book Introduction)

THE BOOK OF PSALMS.

INTRODUCTION.

The Psalms are called by the Hebrew, Tehillim; that is, hymns of praise. The author, of a great part of them at least, was king David; but many are of opinion, that some of them were made by Asaph and others, whose names are prefixed in the titles. (Challoner) --- These, however, are not unquestionably of divine authority, though they deserve to be respected. (Calmet) --- St. Jerome (ad Cyprian) says: "Let us be convinced that those labour under a mistake, who suppose that David was the author of all the Psalms, and not those whose names appear in the titles." Paine is not, therefore, the first who has made this discovery. (Watson) (2 Paralipomenon xxix. 30.) --- Psalm lxxvi., compared with Psalms xxxviii., lxiv., lxx., cxi., cxxv., cxxxvi., and cxlv., seems favourable of this opinion, (Calmet; Tirinus; &c.) which is contrary to St. Ambrose, &c. The matter is not of great moment, as all confess that the 150 Psalms were dedicated by the Holy Ghost. (Du Hamel) --- St. Augustine (City of God xvii. 14.) attributes all the Psalms to David; and it seems best to adhere to this opinion, as it is most generally received. (Menochius) --- Our Saviour cites the cix. Psalm as belonging to David, (Matthew xxii. 44.) agreeably to the title; and the 2d Psalm is also attributed to him, by the apostles, (Acts iv. 25.) though it have no title at all, no more than the first. (Haydock) --- It has generally been asserted, that when a Psalm is in this position, it must be referred to the author who was mentioned last. But Bellarmine calls this in question: and the titles of themselves afford but a precarious argument, either to know the author or the real import of the Psalm. (Calmet) --- St. Jerome himself (ad Paulin.) seems to suppose that David was the writer of all the Psalms, (Worthington) and that he has left us compositions which may vie with those of the most celebrated pagan bards. In effect, nothing could excel the harmony of these divine hymns, to judge even from a translation. (Fleury.) --- What then would they be in the original? The difficulty of coming to a perfect knowledge of the author's meaning, arises chiefly from the variety of translations and commentaries, which have been more numerous on this work than any other. To examine all minutely, would require more volumes than our present limits will allow. The version which we have to explain, is not that which St. Jerome made from the Hebrew and which possesses the same intrinsic merit as the rest of his works: but the Church has declared authentic the holy doctor's corrected (Haydock) version from St. Lucian, (Bellarmine; Tirinus) or from the Septuagint as the people had been accustomed to sing the psalter in that manner; and it would have been difficult for them to learn another. (Calmet) --- A critical examination would show, that the Septuagint have not so often deviated from the original [Hebrew] as some would pretend. See Berthier, &c. Pellican extols the fidelity of our version on the Psalms, though he was a Protestant. (Ward. Err. p. 6.) --- When therefore we offer a different version, we would not insinuate that the Vulgate is therefore to be rejected. The copiousness of the Hebrew language, (Haydock) and on some occasions the uncertainty of its roots, or precise import, (Somon. Crit.) ought to make every one diffident in pronouncing peremptorily on such subjects. Let us rather adhere to the decision of the Church, when it is given on any particular text; and when she is silent, let us endeavour to draw the streams of life from our Saviour's fountains, and read for our improvement in virtue. (Haydock) --- No exhortations could be more cogent, than those which we may find in the Psalms. They contain the sum of all the other sacred books, as the Fathers agree. (St. Augustine; St. Basil; &c.) To understand them better, we must reflect upon what key or string they each play. Expositors discover ten such stings on this mysterious harp: 1. God; 2. his works; 3. Providence; 4. the peculiar people of the Jews; 5. Christ; 6. his Church; 7. true worship; 8. David; 9. the end of the world; 10. a future life. On some of these subjects the Psalm principally turns. The titles, composed by Esdras, or the Septuagint, (Worthington) or by some other, (Calmet) will often point out the subject; and if that be not the case, the context and other parts of Scripture will (Worthington) commonly (Haydock) do it. (Worthington) --- The greatest stress must be laid on these. (Calmet) --- An intimate acquaintance with the history of David, and with the Jewish and Christian religion, will also be of essential service to enable us to penetrate the hidden treasures contained in these most heavenly canticles. (Haydock) --- David excels all the pagans in point of antiquity, as he lived 100 years before Homer. His natural genius led him to follow the pursuits of poetry and music; (1 Kings xvi. 23.) and God inspired him to compose these poems, as works in metre are more easily remembered, and make a more pleasing impression upon the heart. Hence Moses and other prophets adopted the same plan, both in the Old and the New Testament. The pious king [David] not being permitted to build the temple, made nevertheless all necessary preparations for it; and among the rest, procured 288 masters of music to train up 4000 singers, 1 Paralipomenon xxiii. 25. He foresaw that these Psalms would be of service, not only on the Jewish festivals, but also in the Christian Church, (Psalm lvi., 10., &c.) gathered from all nations, (Worthington) among whom he sings by the mouths (Haydock) of the clergy, who are commanded daily to sing or recite some of these Psalms. (Worthington) --- The psalter takes its name from an instrument of ten strings, resembling the Greek [letter] Lamda, (Ven. Bede) and sounding from above, to insinuate that we may (Worthington) here learn to observe (Haydock) all the decalogue, and to aim at heaven. If difficulties present themselves in the perusal of these sacred writings, we must remember not to trust private interpretation, (2 Peter i.) but to the doctrine of the Church, (John xiv. 16., and 1 Corinthians xii.) which we may find in the works of the holy Fathers, (St. Augustine, Doct.[On Christian Doctrine?]) and exercise ourselves in humility, when any thing occurs above our comprehension. (St. Gregory xvii. in Ezechiel) (Worthington) --- We must pray with all earnestness to the Father of Lights, and surely no prayers can be more efficacious to obtain what we want, than those which he has here delivered. Whether just or sinners, whether in joy or sorrow, we may here find what may be suitable for us. (Haydock) --- In hoc libro spiritualis Bibliotheca instructa est. (Cassiodorus)

Gill: Psalms (Book Introduction)

INTRODUCTION TO PSALMS

The title of this book may be rendered "the Book of Praises", or "Hymns"; the psalm which our Lord sung at the passover is called an "hymn", Mat 26:30; and the one hundred forty fifth Psalm is entitled תהלה, "an Hymn of David"; and the psalms in general are called "hymns" by Philo the Jew ^a, and songs and hymns by Josephus ^b; and to these several names of this book the apostle manifestly refers in Eph 5:19, Col 3:16. The Jews divided the writings of the Old Testament into three parts: the first division is the Law, or five books of Moses; the second is the Prophets, former and latter; and the third, the "Hagiographa", or holy writings; to which division Christ has a regard in Luk 24:44; and because the book of Psalms stand first in the last division, the whole goes by its name. This book by the Apostle Peter is entitled as here, Act 1:20; the title in the Syriac version is,

"the Book of the Psalms of David, King and Prophet,''

with which agrees the Arabic version. As to the divine authority of it, that it was written by inspiration of God, we have not only the testimony of David, who says, "the Spirit of God spake by me", 2Sa 23:2; but the testimonies of Christ and his apostles, Mat 22:43; and, as Aben Ezra ^c observes the whole of it was spoken ברוח הקודש, "by the Holy Ghost". Concerning the penman or amanuensis, employed by the Spirit of God in writing it, there are different opinions. The Jews make mention of ten, which are differently reckoned by them. According to Jarchi ^d, they were Adam, Melchizedek, Abraham, Moses, David, Solomon, Asaph, and the three sons of Korah. According to Kimchi ^e, they were Adam, the first, Melchizedek, Abraham, Asaph, Heman, Jeduthun, Moses, and the three sons of Korah; Asir, Elkanah, and Abiasaph. Some ascribe all the Psalms to David ^f, and think that those which are said to be a psalm of Asaph, or of Heman, &c. should be rendered "a psalm to Asaph", &c. and only signify that they were psalms delivered to them, to be sung in a public manner. But the truest opinion seems to be, that the greater part of them were written by David, and for the most part those that have no title; and the rest by those whose names they bear. Some were written at and after the Babylonish captivity, as Psa 126:1 and Psa 137:1. The manner or form in which they were written was metre ^g, though some deny it that the Jews had metre: as appears by the different accentuation of them from other writings, and from their being sung vocally and on musical instruments. Josephus ^h, the Jewish historian, says, that

"David being free from war, and enjoying a profound peace, composed songs and hymns to God, of various metre; some trimeter, and some pentameter;''

that is, some of three feet, and others of five feet: for the Psalms of David are thought to be of the "lyric" kind; and Gomarus, in his Lyra, has given many instances out of them, which are of the "iambic", "trochaic" kind, &c. though the Jews for many years have lost the knowledge of the sacred poetry. R. Benjamin ⁱ indeed says, that in his time there were at Bagdad R. Eleazar and his brethren, who knew how to sing the songs, as the singers did when the temple was standing. The subject matter of this book is exceeding great and excellent; many of the psalms respect the person, offices, and grace of Christ; his sufferings and death, resurrection, ascension, and session at the right hand of God; and so are exceeding suitable to the Gospel dispensation. The whole book is a rich mine of grace and evangelical truths, and a large fund of spiritual experience; and is abundantly suited to every case, state, and condition, that the church of Christ, or particular believers, are in at any time.

Gill: Psalms 137 (Chapter Introduction)

INTRODUCTION TO PSALM 137

The occasion of this psalm was the captivity of the Jews in Babylon, and the treatment they met with there; either as foreseen, or as now endured. Aben Ezra ascribes this psalm to David; and so the Syriac version, which calls it,

"a psalm of David; the words of the saints, who were carried captive into Babylon.''

The Septuagint, Vulgate Latin, and Ethiopic versions, make it to be David's, and yet add the name of Jeremiah; and the Arabic version calls it David's, concerning Jeremiah: but, as Theodoret observes, Jeremiah was not carried into Babylon, but, after some short stay in or near Jerusalem, was forced away into Egypt; and could neither be the writer nor subject of this psalm: and though it might be written by David under a spirit of prophecy; who thereby might foresee and foretell the Babylonish captivity, and what the Jews would suffer in it; as the prophets Isaiah and Jeremiah did, many years before it came to pass; yet it seems rather to have been written by one of the captivity, either while in it, or immediately after it.