Lamentations 2:8

ח (Khet)

2:8 The Lord was determined to tear down

Daughter Zion’s wall.

He prepared to knock it down; ¹ 

he did not withdraw his hand from destroying. ² 

He made the ramparts and fortified walls lament;

together they mourned their ruin. ³ 

Lamentations 2:7

ז (Zayin)

2:7 The Lord ⁴  rejected ⁵  his altar

and abhorred his temple. ⁶ 

He handed over to the enemy ⁷ 

her palace walls;

the enemy ⁸  shouted ⁹  in the Lord’s temple

as if it were a feast day. ¹⁰ 

Lamentations 2:18

צ (Tsade)

2:18 Cry out ¹¹  from your heart ¹²  to the Lord, ¹³ 

O wall of Daughter Zion! ¹⁴ 

Make your tears flow like a river

all day and all night long! ¹⁵ 

Do not rest;

do not let your tears ¹⁶  stop!

[2:8]  ¹ tn Heb “he stretched out a measuring line.” In Hebrew, this idiom is used (1) literally: to describe a workman’s preparation of measuring and marking stones before cutting them for building (Job 38:5; Jer 31:39; Zech 1:16) and (2) figuratively: to describe the Lord’s planning and preparation to destroy a walled city, that is, to mark off for destruction (2 Kgs 21:13; Isa 34:11; Lam 2:8). It is not completely clear how a phrase from the vocabulary of building becomes a metaphor for destruction; however, it might picture a predetermined and carefully planned measure from which God will not deviate.

[2:8]  ² tn Heb “He did not return His hand from swallowing.” That is, he persisted until it was destroyed.

[2:8]  ³ tn Heb “they languished together.” The verbs אָבַּלּ (’aval, “to lament”) and אָמַל (’amal, “languish, mourn”) are often used in contexts of funeral laments in secular settings. The Hebrew prophets often use these terms to describe the aftermath of the Lord’s judgment on a nation. Based on parallel terms, אָמַל (’amal) may describe either mourning or deterioration and so makes for a convenient play on meaning when destroyed objects are personified. Incorporating this play into the translation, however, may obscure the parallel between this line and the deterioration of the gates beginning in v. 9.

[2:7]  ⁴ tc The MT reads אֲדֹנָי (’adonay, “the Lord”) here rather than יהוה (YHWH, “the Lord”), which occurs near the end of this verse. See the tc note at 1:14.

[2:7]  ⁵ tn The Heb verb זָנַח (zanakh) is a rejection term often used in military contexts. Emphasizing emotion, it may mean “to spurn.” In military contexts it may be rendered “to desert.”

[2:7]  ⁶ tn Heb “His sanctuary.” The term מִקְדָּשׁוֹ (miqdasho, “His sanctuary”) refers to the temple (e.g., 1 Chr 22:19; 2 Chr 36:17; Ps 74:7; Isa 63:18; Ezek 48:21; Dan 8:11) (BDB 874 s.v. מִקְדָּשׁ).

[2:7]  ⁷ tn Heb “He delivered into the hand of the enemy.” The verb הִסְגִּיר (hisgir), Hiphil perfect 3rd person masculine singular from סָגַר (sagar), means “to give into someone’s control: to deliver” (Deut 23:16; Josh 20:5; 1 Sam 23:11, 20; 30:15; Job 16:11; Pss 31:9; 78:48, 50, 62; Lam 2:7; Amos 1:6, 9; Obad 14).

[2:7]  ⁸ tn Heb “they.”

[2:7]  ⁹ tn Heb “they gave voice” (קוֹל נָתְנוּ, kol natno). The verb נָתַן (natan, “to give”) with the noun קוֹל (kol, “voice, sound”) is an idiom meaning: “to utter a sound, make a noise, raise the voice” (e.g., Gen 45:2; Prov 2:3; Jer 4:16; 22:20; 48:34) (HALOT 734 s.v. נתן 12; BDB 679 s.v. נָתַן 1.x). Contextually, this describes the shout of victory by the Babylonians celebrating their conquest of Jerusalem.

[2:7]  ¹⁰ tn Heb “as on the day of an appointed time.” The term מוֹעֵד (mo’ed, “appointed time”) refers to the religious festivals that were celebrated at appointed times in the Hebrew calendar (BDB 417 s.v. 1.b). In contrast to making festivals neglected (forgotten) in v 6, the enemy had a celebration which was entirely out of place.

[2:18]  ⁷ tc The MT reads צָעַק לִבָּם אֵל־אֲדֹנָי (tsa’aq libbam el-’adonay, “their heart cried out to the Lord”) which neither matches the second person address characterizing 2:13-19 nor is in close parallel to the rest of verse 18. Since the perfect צָעַק (tsa’aq, “cry out”) is apparently parallel to imperatives, it could be understood as a precative (“let their heart cry out”), although this understanding still has the problem of being in the third person. The BHS editors and many text critics suggest emending the MT צָעַק (tsa’aq), Qal perfect 3rd person masculine singular, to צָעֲקִי (tsa’aqi), Qal imperative 2nd person masculine singular: “Cry out!” This restores a tighter parallelism with the two 2nd person masculine singular imperatives introducing the following lines: הוֹרִידִי (horidi, “Let [your tears] flow down!”) and אַל־תִּתְּנִי (’al-tittni, “Do not allow!”). In such a case, לִבָּם (libbam) must be taken adverbially. For לִבָּם (libbam, “their heart”) see the following note. The adverbial translation loses a potential parallel to the mention of the heart in the next verse. Emending the noun to “your heart” while viewing the verb as a precative perfect would maintain this connection.

[2:18]  ⁸ tn Heb “their heart” or “from the heart.” Many English versions take the ־ם (mem) on לִבָּם (libbam) as the 3rd person masculine plural pronominal suffix: “their heart” (cf. KJV, NASB, NIV, NJPS, CEV). However, others take it as an enclitic or adverbial ending: “from the heart” (cf. RSV, NRSV, TEV, NJPS margin). See T. F. McDaniel, “The Alleged Sumerian Influence upon Lamentations,” VT 18 (1968): 203-4.

[2:18]  ⁹ tc The MT reads אֲדֹנָי (’adonay, “the Lord”) here rather than יהוה (YHWH, “the Lord”). See the tc note at 1:14.

[2:18]  ¹⁰ tn The wall is a synecdoche of a part standing for the whole city.

[2:18]  ¹¹ tn Heb “day and night.” The expression “day and night” forms a merism which encompasses everything in between two polar opposites: “from dawn to dusk” or “all day and all night long.”

[2:18]  ¹² tn Heb “the daughter of your eye.” The term “eye” functions as a metonymy for “tears” that are produced by the eyes. Jeremiah exhorts personified Jerusalem to cry out to the Lord day and night without ceasing in repentance and genuine sorrow for its sins.