Now the word which is employed in the passages to which we have referred is not that which usually denotes a kingly crown, but that which indicates the garland or wreath or chaplet of festivity and victory. A twist of myrtle or parsley or pine was twined, round the brows of the athlete flushed with effort and victory. The laurel is the meed of mighty conquerors.' Roses, with violets or ivy, sat upon the brows of revellers. And it is thoughts of these rather than of the kingly tiara which is in the mind of the New Testament writers; though the latter, as we shall see, has also to be included.
So we get three general ideals on which I touch very lightly, as conveyed by the emblem.
The first is that of victory recognised and publicly honoured. So Paul uses the symbol in this sense in both the instances of its occurrence to which we have already referred, the reward of the racer or athlete in the palaestrum, and the crown of righteousness' which was to follow his having fought the good fight, and finished his course.' That implies that the present is the wrestling ground, and that the issues of the present lie beyond the present. We do not look for flowers on the hard-beaten soil of the arena; and the time of conflict is no time for seeking for delights. If the crown be yonder, then here must be the struggle; and it must be our task to scorn delights and live laborious days' if we are ever to find that blessed result and reward of life here. We have, then, the general idea of victory recognised and publicly honoured by the tumult of acclaim of the surrounding spectators. I will confess His name before the angels of God.'
Then there is the other general idea of festal gladness. That, I suppose, is what was present particularly to Peter's mind when he talked about the wreath that fadeth not away.' I think that there is in his words a probable reference to a striking Old Testament passage, in which the prophet takes the drooping flowers on the foreheads of the drunkards of Samaria at their feast as an emblem of the swift fading of their delights, and of the impending destruction of their polity. But, says Peter, this wreath fades never. The flowers of heaven do not droop. It is an emblem of the calm and permanent delights which come to those behind whom is change with its sadness, and before whom stretches progress with its blessedness. Festal gladness, society, and the satisfaction of all desires are included in the meaning of the wreathed amaranthine flowers that twine round immortal brows.
But the usage in the Book of the Apocalypse stands upon a somewhat different footing. There are no Gentile images there. We hear nothing about Grecian games and heathen wrestlings in that book; but all moves within the circle of Jewish thought. That the word which is employed for the crown,' though it usually meant the victors' and the feasters' chaplet, sometimes also meant the king's crown of sovereignty, is obvious from one or two of its uses in Scripture. For the crown of thorns' was a mockery of royalty, and the golden crowns' which the elders wear in the vision are associated with the thrones upon which they sit, as emblems, not of festal gladness or of triumphant emergence from the struggles and toils of life, but as symbols of royalty and dominion. The characteristic note of the promises of the Revelation is that of Christ's servants' participation in the royalty of their Lord. So to the other two general ideas which I have deduced from the symbol we must add for completeness this third one, that it shadows, in some of the instances of its use at all events, though by no means in all, the royalty so mysterious, by which every one of Christ's brethren is like the children of a king,' and all are so closely united to Him that they participate in His dominion over all creatures and things. Dominion over self, dominion over the universe, a rule mysterious and ineffable which is also service, cheerful and continuous, are contained in the emblem.
So these three general ideas, victory, festal gladness and abundance, royalty and sovereignty, are taught us by this symbol of the crown.
