Expository Notes on the Bible (Constable)

• 2. Love for Jerusalem 137:5-6
  The poet promised to remember Jerusalem forever. He called down imprecations on himself if he ever forgot the city that had been the scene of so much joyful worship in the past. The hand and tongue stand for all action and sp...
• Drunken Jerusalem 51:17-23
  God now turned the tables on His people and called on them to awake (cf. v. 1). They needed to wake up to the fact that He would comfort them and punish their oppressors (cf. 40:2; Lam. 1-2). The fact that the Babylonian capt...
• A lament concerning Jerusalem's terrible fate 15:5-9
  Invasion and war had already overtaken Jerusalem when Jeremiah wrote this lament, but more destruction was to come (v. 9).15:5 The Lord said that no one would have pity on Jerusalem when she had experienced His judgment (cf. ...
• Writer and Date
  This book does not identify its writer. The common view that Jeremiah wrote it rests on a preface in the Greek Septuagint, which the Latin Vulgate adopted and elaborated on. The Septuagint version of Lamentations begins, "And...
• Structure and Genre
  The book consists of five laments (funeral or mourning songs, elegies). All but the third of these describe the Babylonians' destruction of Jerusalem in 586 B.C. and its aftermath. Each chapter exhibits its own special qualit...
• Message
  The church at the beginning of the twenty-first century is very similar to Judah at the beginning of the sixth century B.C. Our times are very similar to Jeremiah's times. We minister in a cultural context that is remarkably ...
• Outline
  I. The destruction and misery of Jerusalem (the first lament) ch. 1A. An observer's sorrow over Jerusalem's condition 1:1-11B. Jerusalem's sorrow over her own condition 1:12-22II. The divine punishment of Jerusalem (the secon...
• I. The destruction and misery of Jerusalem (the first lament) ch. 1
  This acrostic lament contains a variety of similar statements describing the destruction and misery of Jerusalem. Thus the two section titles that follow describe a slight shift in viewpoint rather than a major division of th...
• A. An observer's sorrow over Jerusalem's condition 1:1-11
  Jeremiah first viewed Jerusalem's destruction as an outsider looking in. Verses 1-7 describe the extent of the desolation and verses 8-11 its cause.1:1 Jeremiah bewailed the abandoned city of Jerusalem that had once been so g...
• II. The divine punishment of Jerusalem (the second lament) ch. 2
  One of the striking features of this lament is its emphasis on God's initiative in bringing destruction on Jerusalem and its people. Jeremiah saw Him as the One ultimately responsible for what had happened because He was angr...
• III. The prophet's response to divine judgment (the third lament) ch. 3
  As mentioned previously, this lament is an acrostic in triplets; the same succeeding Hebrew consonant begins three verses instead of just one, as in the previous chapters. The verses are about one third as long as most of tho...
• A. Conditions during the siege 4:1-11
  This section of the poem consists of two parallel parts (vv. 1-6, 7-11). The Judahites had become despised (vv. 1-2, 7-8), and both children and adults (everyone) suffered (vv. 3-5, 9-10). This calamity was the result of Yahw...
• V. The response of the godly (the fifth lament) ch. 5
  This poem, like the one in chapter 3, contains verses of only two lines each. It is the only non-acrostic chapter in the book, though like chapters 1, 2, and 4, it consists of 22 verses. The doleful qinahmeter is also absent ...
• The interpretation of these acts 5:5-17
  Evidently Ezekiel's verbal explanation of this drama came at the very end of the drama, at the time of the real destruction of Jerusalem. Ezekiel was no longer silent then.5:5-6 The Lord explained that the center of the drama...
• 3. The parable of the persistent widow 18:1-8
  Jesus continued His instruction to the disciples about His return. He told them a parable designed to encourage them to continue praying while they lived in the interval before His second coming.18:1 The audience for this par...