collapse all  

Text -- Revelation 1:16 (NET)

Strongs On/Off
Context
1:16 He held seven stars in his right hand, and a sharp double-edged sword extended out of his mouth. His face shone like the sun shining at full strength.
Parallel   Cross Reference (TSK)   ITL  

Names, People and Places, Dictionary Themes and Topics

Dictionary Themes and Topics: Vision | Sword | Sun | Stars | Seven | SUN (2) | SHINE | REVELATION OF JOHN | NUMBER | Jesus, The Christ | ASTRONOMY, II | ARMOR; ARMS | more
Table of Contents

Word/Phrase Notes
Robertson , Vincent , Wesley , JFB , Clarke , TSK

Word/Phrase Notes
Barnes , Poole , PBC , Haydock , Gill

Verse Notes / Footnotes
NET Notes

Verse Range Notes
TSK Synopsis , Maclaren , MHCC , Matthew Henry , Barclay , Constable , College

collapse all
Commentary -- Word/Phrase Notes (per phrase)

Robertson: Rev 1:16 - -- And he had ( kai echōn ). "And having,"present active participle of echō , loose use of the participle (almost like eiche , imperfect) and not in...

And he had ( kai echōn ).

"And having,"present active participle of echō , loose use of the participle (almost like eiche , imperfect) and not in agreement with autou , genitive case. This is a common idiom in the book; a Hebraism, Charles calls it.

Robertson: Rev 1:16 - -- In his right hand ( en tēi dexiāi cheiri ). For safe keeping as in Joh 10:28.

In his right hand ( en tēi dexiāi cheiri ).

For safe keeping as in Joh 10:28.

Robertson: Rev 1:16 - -- Seven stars ( asteras hepta ). Symbols of the seven churches (Rev 1:20), seven planets rather than Pleiades or any other constellation like the bear.

Seven stars ( asteras hepta ).

Symbols of the seven churches (Rev 1:20), seven planets rather than Pleiades or any other constellation like the bear.

Robertson: Rev 1:16 - -- Proceeded ( ekporeuomenē ). Present middle participle of ekporeuomai , old compound (Mat 3:5) used loosely again like echōn .

Proceeded ( ekporeuomenē ).

Present middle participle of ekporeuomai , old compound (Mat 3:5) used loosely again like echōn .

Robertson: Rev 1:16 - -- A sharp two-edged sword ( romphaia distomos oxeia ). "A sword two-mouthed sharp."Romphaia (as distinct from machaira ) is a long sword, properly a...

A sharp two-edged sword ( romphaia distomos oxeia ).

"A sword two-mouthed sharp."Romphaia (as distinct from machaira ) is a long sword, properly a Thracian javelin, in N.T. only Luk 2:35; Rev 1:16; Rev 2:12; Heb 4:12. See stoma used with machairēs in Luk 21:24 (by the mouth of the sword).

Robertson: Rev 1:16 - -- Countenance ( opsis ). Old word (from optō ), in N.T. only here, Joh 7:24; Joh 11:44.

Countenance ( opsis ).

Old word (from optō ), in N.T. only here, Joh 7:24; Joh 11:44.

Robertson: Rev 1:16 - -- As the sun shineth ( hōs ho hēlios phainei ). Brachylogy, "as the sun when it shines."For phainei see Joh 1:5.

As the sun shineth ( hōs ho hēlios phainei ).

Brachylogy, "as the sun when it shines."For phainei see Joh 1:5.

Vincent: Rev 1:16 - -- A sharp, two-edged sword ( ῥομφαία δίστομος ὀξεῖα ) The (Greek order is a sword , two-edged , sharp . For the pe...

A sharp, two-edged sword ( ῥομφαία δίστομος ὀξεῖα )

The (Greek order is a sword , two-edged , sharp . For the peculiar word for sword see on Luk 2:35. Two-edged is, literally, two-mouthed . See on edge , Luk 21:24. Homer speaks of poles for sea-fighting, " clad on the tip (στόμα , mouth ) with brass."

Vincent: Rev 1:16 - -- Countenance ( ὄψις ) Used by John only, and only three times: here, Joh 7:24; Joh 11:44. Not general appearance.

Countenance ( ὄψις )

Used by John only, and only three times: here, Joh 7:24; Joh 11:44. Not general appearance.

Vincent: Rev 1:16 - -- Shineth ( φαίει ) See on Joh 1:5.

Shineth ( φαίει )

See on Joh 1:5.

Vincent: Rev 1:16 - -- In his strength With the full power of the eastern sun at noonday. This picture of the Son of Man suggests some remarks on the general character...

In his strength

With the full power of the eastern sun at noonday.

This picture of the Son of Man suggests some remarks on the general character of such symbols in Revelation. It may be at once said that they are not of a character which tolerates the sharper definitions of pictorial art. They must be held in the mind, not as clearly-cut symbols which translate themselves into appeals to the eye and which have their exact correspondences in visible facts, but rather in their totality, and with a dominant sense of their inner correspondences with moral and spiritual ideas. To translate them into picture is inevitably to run at some point into a grotesqueness which impairs and degrades their solemnity. This is shown in Albrecht Dürer's sixteen wood-cuts illustrative of Revelation. Professor Milligan goes too far in saying that these are only grotesque. One must be always impressed with Dürer's strong individuality, " lurking" as Lord Lindsay remarks, below a mind " like a lake, stirred by every breath of wind which descends on it through the circumjacent valleys;" with the fertility of his invention, the plenitude of his thought, his simplicity and fearlessness. But his very truthfulness to nature is his enemy in his dealing with such themes as the Apocalyptic visions; investing them as it does with a realism which is foreign to their spirit and intent. Take, for example, " the four riders" (Revelation 6). The power is at once felt of the onward movement of the three horsemen with bow, sword, and balances; the intense, inexorable purpose with which they drive on over the prostrste forms at their feet; but the fourth rider, Death on the pale horse, followed by Hell, portrayed as the wide-opened jaws of a rnonster into which a crowned head is sinking, degenerates into a ghastly caricature of the most offensive German type - a harlequin, far surpassing in hideousness the traditional skeleton with seythe and hour-glass.

Similarly, the angel with his feet like pillars of fire, the one upon the sea and the other upon the earth. If we are solemnly impressed by the awful face of the angel breaking forth from the sun, the solemnity degenerates into something akin to amusement, at the feet like solid columns, ending in flame at the knees, and at the Evangelist " who kneels on a promontory with the corner of the great book presented by the angel in his mouth, apparently in danger of choking."

In short, such symbols as the Lamb with seven horns and seven eyes; the four living creatures, each with six wings, and full of eyes before and behind; the beast rising out of the sea, having ten horns and seven heads, and on the horns ten diadems, - do not lend themselves to the pencil. An illustration of the sadly grotesque effect of such an attempt may be seen in Mr. Elliott's " Horae Apocalypticae," where is a picture of the locust of chapter 9, with a gold crown on the head, hair like women's, a breastplate of iron, and a tail like a scorpion's.

Archbishop Trench very aptly draws the comparison between the modes in which the Greek and the Hebrew mind respectively dealt with symbolism. With the Greek, the aesthetic element is dominant, so that the first necessity of the symbol is that it shall satisfy the sense of beauty, form, and proportion. With the Hebrew, the first necessity is " that the symbol should set forth truly and fully the religious idea of which it is intended to be the vehicle. How it would appear when it clothed itself in an outward form and shape; whether it would find favor and allowance at the bar of taste, was quite a secondary consideration; may be confidently affirmed not to have been a consideration at all."

The imagery of Revelation is Hebrew and not Greek. It is doubtful if there is any symbol taken from heathenism, so that the symbols of Revelation are to be read from the Jewish and not from the Heathen stand-point.

But to say that these symbols jar upon the aesthetic sense is not to detract from their value as symbols, nor to decry them as violations of the fitness of things. It may be fairly asked if, with all their apparent incongruity, and even monstrousness, they may not, after all, be true to a higher canon of congruity. Certain it is that the great visible divine economy, both of nature and of man, distinctly includes the grotesque, the monstrous, the ridiculous (or what we style such). We recognize the fact in the phrase " freaks of Nature." But are they freaks? Are they incongruous? Until we shall have grasped in mind the whole kosmos , it will not be safe for us to answer that question too positively. The apparent incongruity, viewed from a higher plane, may merge into beautiful congruity. Tested by a more subtle sense; brought into connection and relation with the whole region of mental and spiritual phenomena; regarded as a factor of that larger realm which embraces ideas and spiritual verities along with external phenomena; the outwardly grotesque may resolve itself into the spiritually beautiful; the superficial incongruity into essential and profound harmony.

This possibility emerges into fact in certain utterances of our Lord, notably in His parables. Long since, the absurdity has been recognized of attempting to make a parable " go on all fours;" in other words, to insist on a hard and literal correspondence between the minutest details of the symbol and the thing symbolized. Sound exposition has advanced to a broader, freer, yet deeper and more spiritual treatment of these utterances, grasping below mere correspondences of detail to that deeper, " fundamental harmony and parallelism between the two grand spheres of cosmic being - that of Nature and that of Spirit; between the three kingdoms of Nature, History, and Revelation. The selection of symbols and parables in Scripture, therefore, is not arbitrary, but is based on an insight into the essence of things" (Milligan).

Thus then, in this picture of the Son of Man, the attempt to portray to the eye the girded figure, with snow-white hair, flaming eyes, and a sword proceeding out of His mouth, - with feet like shining brass, and holding seven stars in His hand, would result as satisfactorily as the attempt to picture the mysterious combination of eyes and wheels and wings in Ezekiel's vision. If, on the other hand, we frankly admit the impossibility of this, and relegate this symbolism to a higher region, as a delineation (imperfect through the imperfection of human speech and the inevitable power of the sensuous) of deep-lying spiritual facts, priestly and royal dignity, purity, divine insight, divine indignation at sin; if we thus bring the deeper suggestions of outward humanity and nature into relation with their true correspondents in the spiritual realm - we gain something more and deeper than a pictorial appeal to the imagination. We grasp what we cannot formulate; nevertheless we grasp it. Dropping the outward correspondence, we are the freer to penetrate to the depths of the symbolism, and reach an inner correspondence no less real and no less apprehensible.

Wesley: Rev 1:16 - -- In token of his favour and powerful protection.

In token of his favour and powerful protection.

Wesley: Rev 1:16 - -- edged sword - Signifying his justice and righteous anger, continually pointed against his enemies as a sword; sharp, to stab; two - edged, to hew.

edged sword - Signifying his justice and righteous anger, continually pointed against his enemies as a sword; sharp, to stab; two - edged, to hew.

Wesley: Rev 1:16 - -- Without any mist or cloud.

Without any mist or cloud.

JFB: Rev 1:16 - -- Greek, "having." John takes up the description from time to time, irrespective of the construction, with separate strokes of the pencil [ALFORD].

Greek, "having." John takes up the description from time to time, irrespective of the construction, with separate strokes of the pencil [ALFORD].

JFB: Rev 1:16 - -- (Rev 1:20; Rev 2:1; Rev 3:1). He holds them as a star-studded "crown of glory," or "royal diadem," in His hand: so Isa 62:3. He is their Possessor an...

(Rev 1:20; Rev 2:1; Rev 3:1). He holds them as a star-studded "crown of glory," or "royal diadem," in His hand: so Isa 62:3. He is their Possessor and Upholder.

JFB: Rev 1:16 - -- Greek, "going forth"; not wielded in the hand. His WORD is omnipotent in executing His will in punishing sinners. It is the sword of His Spirit. Repro...

Greek, "going forth"; not wielded in the hand. His WORD is omnipotent in executing His will in punishing sinners. It is the sword of His Spirit. Reproof and punishment, rather than its converting winning power, is the prominent point. Still, as He encourages the churches, as well as threatens, the former quality of the Word is not excluded. Its two edges (back and front) may allude to its double efficacy, condemning some, converting others. TERTULLIAN [Epistle against Judaizers], takes them of the Old and the New Testaments. RICHARD OF ST. VICTOR, "the Old Testament cutting externally our carnal, the New Testament internally, our spiritual sins."

JFB: Rev 1:16 - -- Greek, "romphaia," the Thracian long and heavy broad sword: six times in Revelation, once only elsewhere in New Testament, namely, Luk 2:35.

Greek, "romphaia," the Thracian long and heavy broad sword: six times in Revelation, once only elsewhere in New Testament, namely, Luk 2:35.

JFB: Rev 1:16 - -- In unclouded power. So shall the righteous shine, reflecting the image of the Sun of righteousness. TRENCH notices that this description, sublime as a...

In unclouded power. So shall the righteous shine, reflecting the image of the Sun of righteousness. TRENCH notices that this description, sublime as a purely mental conception, would be intolerable if we were to give it an outward form. With the Greeks, æsthecial taste was the first consideration, to which all others must give way. With the Hebrews, truth and the full representation ideally of the religious reality were the paramount consideration, that representation being designed not to be outwardly embodied, but to remain a purely mental conception. This exalting of the essence above the form marks their deeper religious earnestness.

Clarke: Rev 1:16 - -- In his right hand seven stars - The stars are afterwards interpreted as representing the seven angels, messengers, or bishops of the seven Churches....

In his right hand seven stars - The stars are afterwards interpreted as representing the seven angels, messengers, or bishops of the seven Churches. Their being in the right hand of Christ shows that they are under his special care and most powerful protection. See below

Clarke: Rev 1:16 - -- Out of his mouth went a sharp two-edged sword - This is no doubt intended to point out the judgments about to be pronounced by Christ against the re...

Out of his mouth went a sharp two-edged sword - This is no doubt intended to point out the judgments about to be pronounced by Christ against the rebellious Jews and persecuting Romans; God’ s judgments were just now going to fall upon both. The sharp two-edged sword may represent the word of God in general, according to that saying of the apostle, Heb 4:12 : The word of God is quick and powerful, sharper than any two-edged sword, piercing even to the dividing asunder of soul and spirit, etc. And the word of God is termed the sword of the Spirit, Eph 6:17

Clarke: Rev 1:16 - -- And his countenance was as the sun shineth in his strength - His face was like the disk of the sun in the brightest summer’ s day, when there w...

And his countenance was as the sun shineth in his strength - His face was like the disk of the sun in the brightest summer’ s day, when there were no clouds to abate the splendor of his rays. A similar form of expression is found in Jdg 5:31 : Let them that love him be as the sun when he Goeth Forth in His Might. And a similar description may be found, Midrash in Yalcut Simeoni, part I., fol. 55, 4: "When Moses and Aaron came and stood before Pharaoh, they appeared like the ministering angels; and their stature, like the cedars of Lebanon: - וגלגלי עיניהם דומים לגלגלי חמה vegalgilley eyneyhem domim legalgilley chammah , and the pupils of their eyes were like the wheels of the sun; and their beards were as the grape of the palm trees; וזיו פניהם כזיו חמה veziv peneyhem keziv chammah , and the Splendor of Their Faces was as the Splendor of the Sun."

TSK: Rev 1:16 - -- he had : Rev 1:20, Rev 2:1, Rev 3:1, Rev 12:1; Job 38:7; Dan 8:10, Dan 12:3 out : Rev 2:12, Rev 2:16, Rev 19:15, Rev 19:21; Isa 11:4, Isa 49:2; Eph 6:...

collapse all
Commentary -- Word/Phrase Notes (per Verse)

Barnes: Rev 1:16 - -- And he had in his right hand seven stars - Emblematic of the angels of the seven churches. How he held them is not said. It may be that they se...

And he had in his right hand seven stars - Emblematic of the angels of the seven churches. How he held them is not said. It may be that they seemed to rest on his open palm; or it may be that he seemed to hold them as if they were arranged in a certain order, and with some sort of attachment, so that they could be grasped. It is not improbable that, as in the case of the seven lamp-bearers (see the notes at Rev 1:13), they were so arranged as to represent the relative position of the seven churches.

And out of his mouth went a sharp two-edged sword - On the form of the ancient two-edged sword, see the notes on Eph 6:17. The two edges were designed to cut both ways; and such a sword is a striking emblem of the penetrating power of truth, or of words that proceed from the mouth; and this is designed undoubtedly to be the representation here - that there was some symbol which showed that his words, or his truth, had the power of cutting deep, or penetrating the soul. So in Isa 49:2, it is said of the same personage, "And he hath made my mouth like a sharp sword."See the notes on that verse. So in Heb 4:12, "The Word of God is quick and powerful, sharper than any two-edged sword,"etc. So it is said of Pericles by Aristophanes:

"His powerful speech.

Pierced the hearer’ s soul, and left behind.

Deep in his bosom its keen point infixt."

A similar figure often occurs in Arabic poetry. "As arrows his words enter into the heart."See Gesenius, Commentary zu, Isa 49:2. The only difficulty here is in regard to the apparently incongruous representation of a sword seeming to proceed from the mouth; but it is not perhaps necessary to suppose that John means to say that he saw such an image. He heard him speak; he felt the penetrating power of his words; and they were as if a sharp sword proceeded from his mouth. They penetrated deep into the soul, and as he looked on him it seemed as if a sword came from his mouth. Perhaps it is not necessary to suppose that there was even any visible representation of this - either of a sword or of the breath proceeding from his mouth appearing to take this form, as Prof. Stuart supposes. It may be wholly a figurative representation, as Heinrichs and Ewald suppose. Though there were visible and impressive symbols of his majesty and glory presented to the eyes, it is not necessary to suppose that there were visible symbols of his words.

And his countenance - His face. There had been before particular descriptions of some parts of his face - as of his eyes - but this is a representation of his whole aspect; of the general splendor and brightness of his countenance.

Was as the sun shineth in his strength - In his full splendor when unobscured by clouds; where his rays are in no way intercepted. Compare Jdg 5:31; "But let them that love him (the Lord) be as the sun when he goeth forth in his might"; 2Sa 23:4, "And he shall be as the light of the morning, when the sun ariseth, even a morning without clouds"; Psa 19:5, "Which (the sun) is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race."There could be no more striking description of the majesty and glory of the countenance than to compare it with the overpowering splendor of the sun. This closes the description of the personage that appeared to John. The design was evidently to impress him with a sense of his majesty and glory, and to prepare the way for the authoritative nature of the communications which he was to make. It is obvious that this appearance must have been assumed.

The representation is not that of the Redeemer as he rose from the dead - a middle-aged man; nor is it clear that it was the same as on the mount of transfiguration - where, for anything that appears, he retained his usual aspect and form though temporarily invested with extraordinary brilliancy; nor is it the form in which we may suppose he ascended to heaven for there is no evidence that he was thus transformed when he ascended; nor is it that of a priest - for all the special habiliments of a Jewish priest are missing in this description. The appearance assumed is, evidently, in accordance with various representations of God as he appeared to Ezekiel, to Isaiah, and to Daniel - what was a suitable manifestation of a divine being - of one clothed in the majesty and power of God. We are not to infer from this, that this is in fact the appearance of the Redeemer now in heaven, or that this is the form in which he will appear when he comes to judge the world. Of his appearance in heaven we have no knowledge; of the aspect which he will assume when he comes to judge people we have no certain information. We are necessarily quite as ignorant of this as we are of what will be our own form and appearance after the resurrection from the dead.

Poole: Rev 1:16 - -- And he had in his right hand seven stars: the right hand is the hand of power, Psa 21:8 ; and of favour, Psa 44:3 ; and of honour and dignity, Psa 11...

And he had in his right hand seven stars: the right hand is the hand of power, Psa 21:8 ; and of favour, Psa 44:3 ; and of honour and dignity, Psa 110:1 . The seven stars are expounded, Rev 1:20 , to be the ministers of the gospel, his messengers to his churches, who having in all times been most exposed to the malice and rage of enemies, Christ is said to hold them in his right hand, as to signify the dignity he hath put upon them and the favour he hath showed them, so also to show his resolution to protect them, according to his promise, Mat 28:20 .

And out of his mouth went a sharp two-edged sword either his gospel and word, compared to a two-edged sword, Heb 4:12 ; or a sword of justice, which he will use till he hath perfectly overcome and vanquished his enemies.

And his countenance was as the sun shineth in his strength that is, was very glorious, so as the apostle was not able to behold him.

PBC: Rev 1:16 - -- The descriptive language remains the same throughout Scripture. " And, behold, the glory of the God of Israel came from the way of the east: and his v...

The descriptive language remains the same throughout Scripture. " And, behold, the glory of the God of Israel came from the way of the east: and his voice was like a noise of many waters: and the earth shined with his glory." {Eze 43:2} In Eph 6:17, Paul calls the word of God the sword of the Spirit. In Heb 4:12 he speaks about the effectiveness of the word of God; " For the word of God is quick, and powerful, and sharper than any twoedged sword, piercing even to the dividing asunder of soul and spirit, and of the joints and marrow, and is a discerner of the thoughts and intents of the heart." Paul, as he was on his way to persecute the saints, describes his experience with similar language, " At midday, O king, I saw in the way a light from heaven, above the brightness of the sun, shining round about me and them which journeyed with me." {Ac 26:13}

—Eld. Charles Taylor

Haydock: Rev 1:16 - -- In his right hand seven stars, which, as it is said, (ver. 20.) were the Angels, i.e. the bishops of the seven churches, by this comparison is expr...

In his right hand seven stars, which, as it is said, (ver. 20.) were the Angels, i.e. the bishops of the seven churches, by this comparison is expressed their dignity. ---

And from his mouth came out a sharp two-edged sword. The word of God preached is compared to a two-edged sword. (Ephesians vi. 17. and Hebrews iv. 12.) It also signifies God's severity in punishing sinners. (Witham)

Gill: Rev 1:16 - -- And he had in his right hand seven stars,.... The angels or pastors of the seven churches, Rev 1:20. The ministers of the Gospel are compared to stars...

And he had in his right hand seven stars,.... The angels or pastors of the seven churches, Rev 1:20. The ministers of the Gospel are compared to stars, because of their efficient cause, God, who has made them, and fixed them in their proper place, and for his glory; and because of the matter of them, being the same with the heavens, so ministers are of the same nature with the churches; and because of their form, light, which they receive from the sun, so preachers of the Gospel receive their light from Christ; and because of their multitude and variety, so the ministers of the Gospel are many, and their gifts different; and chiefly for their usefulness, to give light to others, to direct to Christ, and point out the way of salvation, and to rule over the churches: nor was it unusual with the Jews to compare good men to stars, and to the seven stars. The Targumist r says, the seven lamps in the candlestick answer to the seven stars to which the righteous are like. These are led and held in Christ's right hand; which shows that they are dear unto him, and highly valued by him; that they are his, in his possession, at his dispose, whom he uses as his instruments to do his work; and whom he upholds and sustains, that they shall not sink under their burdens; and whom he preserves from failing, and so holds them that they shall stand fast in the faith, and not be carried away with the error of the wicked:

and out of his mouth went a sharp twoedged sword; which designs the word of God; see Eph 6:17; This comes out of the mouth of Christ, it is the word of God, and not of man; and is a sharp sword, contains sharp reproofs for sin, severe threatenings against it, and gives cutting convictions of it, and is a twoedged one; and by its two edges may be meant law and Gospel; the law lays open the sins of men, fills with grief and anguish for them, yea, not only wounds, but kills; and the Gospel cuts down the best in man, his wisdom, holiness, righteousness, and carnal privileges, in which he trusts; and the worst in man, teaching him to deny ungodliness and worldly lusts: or the word of God may be so called, because it is a means both of saving and of destroying; it is the savour of life unto life to some, and the savour of death unto death to others; and is both an offensive and defensive weapon; it is for the defence of the saints, against Satan, false teachers, and every other enemy; and an offensive one to them, which cuts them down, and destroys them and their principles: or this may mean the judiciary sentence of Christ upon the wicked, which will be a fighting against them, and a smiting of the nations of the world; see Rev 2:16; which the Jews interpret of the law s:

and his countenance was as the sun shineth in his strength; at noonday; such was the countenance of Christ at his transfiguration, Mat 17:2; and designs here the manifestation of himself in the glories of his person, and in the riches of his grace; who is the sun of righteousness that arises upon his people with light, heat, joy, and comfort; see the phrase in Jdg 5:31, which the Jewish writers understand of the strength of the sun both in the summer solstice, and in the middle of the day, or at noon, at which time its heat is strongest, and it usually shines brightest; the design of the metaphor is to set forth the glory and majesty of Christ,

expand all
Commentary -- Verse Notes / Footnotes

NET Notes: Rev 1:16 This is a continuation of the previous sentence in the Greek text, but a new sentence was started here in the translation.

expand all
Commentary -- Verse Range Notes

TSK Synopsis: Rev 1:1-20 - --1 The preface.4 John's salutation to the seven churches of Asia.7 The coming of Christ.8 His glorious power and majesty.

Maclaren: Rev 1:9-20 - --The King Of Glory And Lord Of The Churches "I John, who also am your brother, and companion in tribulation, and in the kingdom and patience of Jesus ...

MHCC: Rev 1:12-20 - --The churches receive their light from Christ and the gospel, and hold it forth to others. They are golden candlesticks; they should be precious and pu...

Matthew Henry: Rev 1:9-20 - -- We have now come to that glorious vision which the apostle had of the Lord Jesus Christ, when he came to deliver this revelation to him, where obser...

Barclay: Rev 1:14-18 - --Before we begin to look at this passage in detail, there are two general facts we must note. (i) It is easy to miss seeing how carefully wrought the ...

Barclay: Rev 1:14-18 - --Let us look very briefly at each of the titles by which the Risen Lord is here called. His head and his hair were white, as white wool, like snow. T...

Barclay: Rev 1:14-18 - --There was coming forth from his mouth a sharp, two-edged sword. The sword referred to was not long and narrow like a fencer's blade; it was a short,...

Constable: Rev 1:1-20 - --I. THE PREPARATION of the prophet ch. 1 The first chapter contains a prologue to the book, which is similar to t...

Constable: Rev 1:9-20 - --B. The commission of the prophet 1:9-20 John next explained a vision of the glorified Christ that God ha...

Constable: Rev 1:12-16 - --2. The source of the commission 1:12-16 John turned to see the person who had given him his commission. These verses describe what he saw. 1:12 When J...

College: Rev 1:1-20 - --REVELATION 1 I. PROLOGUE (1:1-20) Revelation begins with a Prologue (1:1-20) in which John relates how the risen Christ appeared to him on the islan...

expand all
Introduction / Outline

Robertson: Revelation (Book Introduction) THE REVELATION OF JOHN ABOUT a.d. 95 By Way of Introduction Difficulty in the Problem Perhaps no single book in the New Testament presents so ...

JFB: Revelation (Book Introduction) AUTHENTICITY.--The author calls himself John (Rev 1:1, Rev 1:4, Rev 1:9; Rev 2:8). JUSTIN MARTYR [Dialogue with Trypho, p. 308] (A.D. 139-161) quotes ...

JFB: Revelation (Outline) TITLE: SOURCE AND OBJECT OF THIS REVELATION: BLESSING ON THE READER AND KEEPER OF IT, AS THE TIME IS NEAR: INSCRIPTION TO THE SEVEN CHURCHES: APOSTOL...

TSK: Revelation (Book Introduction) The obscurity of this prophecy, which has been urged against its genuineness, necessarily results from the highly figurative and symbolical language i...

TSK: Revelation 1 (Chapter Introduction) Overview Rev 1:1, The preface; Rev 1:4, John’s salutation to the seven churches of Asia; Rev 1:7, The coming of Christ; Rev 1:8, His glorious po...

MHCC: Revelation (Book Introduction) The Book of the Revelation of St. John consists of two principal divisions. 1. Relates to " the things which are," that is, the then present state of...

MHCC: Revelation 1 (Chapter Introduction) (Rev 1:1-3) The Divine origin, the design, and the importance of this book. (Rev 1:4-8) The apostle John salutes the seven churches of Asia. (Rev 1:...

Matthew Henry: Revelation (Book Introduction) An Exposition, with Practical Observations, of The Revelation of St. John the Divine It ought to be no prejudice to the credit and authority of this b...

Matthew Henry: Revelation 1 (Chapter Introduction) This chapter is a general preface to the whole book, and contains, I. An inscription, declaring the original and the design of it (Rev 1:1, Rev 1:...

Barclay: Revelation (Book Introduction) INTRODUCTION TO THE REVELATION OF JOHN The Strange Book When a student of the New Testament embarks upon the study of the Revelation he feels him...

Barclay: Revelation 1 (Chapter Introduction) God's Revelation To Men (Rev_1:1-3) The Means Of God's Revelation (Rev_1:1-3 Continued) Servants Of God (Rev_1:1-3 Continued) The Blessed's Of G...

Constable: Revelation (Book Introduction) Introduction Historical background The opening verses of the book state that "John" wr...

Constable: Revelation (Outline) Outline I. The preparation of the prophet ch. 1 A. The prologue of the book 1:1-8 ...

Constable: Revelation Revelation Bibliography Abbott-Smith, George. A Manual Greek Lexicon of the New Testament. Edinburgh: T. & ...

Haydock: Revelation (Book Introduction) THE APOCALYPSE OF ST. JOHN, THE APOSTLE. INTRODUCTION. Though some in the first ages [centuries] doubted whether this book was canonical, and ...

Gill: Revelation (Book Introduction) INTRODUCTION TO REVELATION That this book was written by the Apostle and Evangelist John, is clear not only from the express mention of his name, a...

Gill: Revelation 1 (Chapter Introduction) INTRODUCTION TO REVELATION 1 This chapter contains the preface and introduction to the book, and the first vision in it. The preface begins with th...

College: Revelation (Book Introduction) PREFACE This commentary on the Revelation of John has been prepared for general readers of the Bible who desire to deepen their understanding of God'...

College: Revelation (Outline) OUTLINE I. PROLOGUE - 1:1-20 A. Introduction to the Prophecy - 1:1-3 B. Sender - 1:4a C. Recipients - 1:4b D. Prescript - 1:4c-5a E. ...

Advanced Commentary (Dictionaries, Hymns, Arts, Sermon Illustration, Question and Answers, etc)


TIP #03: Try using operators (AND, OR, NOT, ALL, ANY) to refine your search. [ALL]
created in 0.15 seconds
powered by
bible.org - YLSA