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Text -- Revelation 19:16 (NET)

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Context
19:16 He has a name written on his clothing and on his thigh: “King of kings and Lord of lords.”
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Table of Contents

Word/Phrase Notes
Robertson , Vincent , Wesley , JFB , Clarke , Defender , TSK

Word/Phrase Notes
Barnes , Poole , PBC , Gill

Verse Notes / Footnotes
, Geneva Bible

Verse Range Notes
TSK Synopsis , MHCC , Matthew Henry , Barclay , Constable , College

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Commentary -- Word/Phrase Notes (per phrase)

Robertson: Rev 19:16 - -- And on his thigh ( kai epi ton mēron autou ). "Even upon his thigh."Old word, here alone in N.T.

And on his thigh ( kai epi ton mēron autou ).

"Even upon his thigh."Old word, here alone in N.T.

Robertson: Rev 19:16 - -- King of kings, and Lord of lords ( Basileus basileōn kai Kurios kuriōn ). The title already given to the Lamb in Rev 17:14, but in reverse order....

King of kings, and Lord of lords ( Basileus basileōn kai Kurios kuriōn ).

The title already given to the Lamb in Rev 17:14, but in reverse order. See the same idea in 1Ti 6:15.

Vincent: Rev 19:16 - -- On His thigh Some explain, on the garment where it covers the thigh to which the sword is bound. Compare Psa 45:3. Others, partly on the vesture,...

On His thigh

Some explain, on the garment where it covers the thigh to which the sword is bound. Compare Psa 45:3. Others, partly on the vesture, partly on the thigh itself, where, in an equestrian figure, the robe drops from the thigh. According to the former explanation καὶ and is to be taken as explanatory or definitive of the words on His vesture . Others again suppose a sword on the hilt of which the name is inscribed. Expositors refer to the custom of engraving the artist's name on the thigh of a statue. Thus Cicero says: " A most beautiful statue of Apollo, on the thigh of which the name of Myron had been graven in tiny letters of silver" (" Against Verres," iv., 43). Herodotus describes a figure of Sesostris, bearing across the breast from shoulder to shoulder the inscription written in the sacred character of Egypt: " With my own shoulders I conquered this land" (ii., 106). Rawlinson says that Assyrian figures are found with arrow-headed inscriptions engraved across them, and over the drapery as well as the body.

Wesley: Rev 19:16 - -- That is, on the part of his vesture which is upon his thigh.

That is, on the part of his vesture which is upon his thigh.

Wesley: Rev 19:16 - -- It was usual of old, for great personages in the eastern countries, to have magnificent titles affixed to their garments.

It was usual of old, for great personages in the eastern countries, to have magnificent titles affixed to their garments.

JFB: Rev 19:16 - -- "His name written on His vesture and on His thigh," was written partly on the vesture, partly on the thigh itself, at the part where in an equestrian ...

"His name written on His vesture and on His thigh," was written partly on the vesture, partly on the thigh itself, at the part where in an equestrian figure the robe drops from the thigh. The thigh symbolizes Christ's humanity as having come, after the flesh, from the loins of David, and now appearing as the glorified "Son of man." On the other hand, His incommunicable divine name, "which no man knew," is on His head (Rev 19:12), [MENOCHIUS].

JFB: Rev 19:16 - -- Compare Rev 17:14, in contrast with Rev 19:17, the beast being in attempted usurpation a king of kings, the ten kings delivering their kingdom to him.

Compare Rev 17:14, in contrast with Rev 19:17, the beast being in attempted usurpation a king of kings, the ten kings delivering their kingdom to him.

Clarke: Rev 19:16 - -- On his vesture and on his thigh a name written - Dr. Dodd has well observed on this passage, that "it appears to have been an ancient custom among s...

On his vesture and on his thigh a name written - Dr. Dodd has well observed on this passage, that "it appears to have been an ancient custom among several nations to adorn the images of their deities, princes, victors at public games, and other eminent persons, with inscriptions, expressing either the character of the persons, their names, or some other circumstance which might contribute to their honor; and to that custom the description here given of Christ may possibly have some allusion

"There are several such images yet extant, with an inscription written either on the garment, or on one of the thighs, or on that part of the garment which was over the thigh; and probably this is the meaning of the apostle. And as these inscriptions are placed on the upper garment, Grotius seems very justly to have explained the words επι το ἱματιον, by his imperial robe, that his power in this victory might be conspicuous to all. But as a farther confirmation of this sense of the passage it may not be improper here to describe briefly several remarkable figures of this sort, which are still extant."This description I shall give from my own examination

1.    Herodotus, Euterpe, lib. ii. p. 127, edit. Gale, speaking of the actions of Sesostris, and of the images he set up in the countries which he conquered, has the following words: Εισι δε περι Ιωνιην δυο τυποι εν πετρῃσι εγκεκολαμμενοι τουτου του ανδρος, κ. τ. λ. "Two images likewise of this man are seen in Ionia, on the way that leads from Ephesus to Phocaea, and from Sardis to Smyrna. The figure is five palms in height; in his right hand he holds a dart, in his left a bow, armed after the manner of the Egyptians and Ethiopians. On a line drawn across the breast, from one shoulder to the other, are these words, written in Egyptian hieroglyphics: Εγω τηνδε την χωρην ωμοισι τοισι εμοισι εκτησαμην· ‘ I obtained this country by these my shoulders;’ "i.e., by my own power

2.    In the Etruria Regalis of Dempster, in the appendix at the end of vol. ii., there is a beautiful female figure of brass, about twelve inches high, the hair gracefully plaited, and the head adorned with a diadem. She has a tunic without sleeves, and over that a sort of pallium. On the outside of the right thigh, close to the tunic, and probably on it, in the original, is an inscription in Etruscan characters. What these import I cannot say. Dempster has given a general explanation of the image in the appendix to the above volume, p. 108. The plate itself is the eighty-third of the work

3.    There are two other images found in the same author, vol. i., p. 91, tab. xxiv.; the first is naked, with the exception of a short loose jupe, or petticoat, which goes round the loins, and over the left arm. On the left thigh of this image there is an inscription in Etruscan characters. The second has a similar jupe, but much longer, which extends to the calf of the leg, and is supported over the bended left arm. Over the right thigh, on this vesture, there is an Etruscan inscription in two lines

4.    Montfaucon, Antiquite Expliquee, vol. iii., part 2, p. 268, has introduced an account of two fine images, which are represented tab. CLVII. The first is a warrior entirely naked, except a collar, one bracelet, and boots. On his left thigh, extending from the groin to a little below the knee, is an inscription in very ancient Etruscan characters, in two lines, but the import is unknown

The second is a small figure of brass, about six inches long, with a loose tunic, which is suspended from the left shoulder down to the calf of the legs. On this tunic, over the left thigh, is an inscription (perhaps) in very ancient Latin characters, but in the Etruscan language, as the learned author conjectures. It is in one line, but what it means is equally unknown

5.    In the same work, p. 269, tab. CLVIII., another Etruscan warrior is represented entirely naked; on the left thigh is the following words in uncial Greek letters, ΚΑΦΙΣΟΔΩΡΟΣ, and on the right thigh, ΑΙΣΧΛΑΜΙΟΥ, i.e., "Kaphisodorus, the son of Aischlamius."All these inscriptions are written longitudinally on the thigh

6.    Gruter, vol. iii., p. DCCCCLXXXIX, sub. tit. Affectus Servorum et Libertinorum inter se, et in suos, gives us the figure of a naked warrior, with his left hand on an axe, the end of whose helve rests on the ground, with the following inscription on the inside of his left thigh, longitudinally written, as in all other cases: -

A. Poblicius. D. L. Antioc

Ti. Barbius. Q. P. L. Tiber

7.    The rabbins say, that "God gave to the Israelites a sword, on which the ineffable name יהוה Yehovah was inscribed; and as long as they held that sword the angel of death had no power over them."Shemoth Rabba, sec. 51, fol. 143, 2. Bemidbar Rabba, sec. 12, fol. 214, 2

In the latter tract, sec. 16, fol. 232, 3, and in Rab. Tanchum, fol. 66, mention is made of the guardian angels of the Israelites, who were clothed with purple vestments, on which was inscribed שם המפורש shem hammephorash , the ineffable name. See more in Schoettgen

8.    But what comes nearer to the point, in reference to the title given here to Christ, is what is related of Sesostris by Diodorus Siculus, lib. i. c. 55, p. 166, edit. Bipont, of whom he says: "Having pushed his conquests as far as Thrace, he erected pillars, on which were the following words in Egyptian hieroglyphics: Τηνδε την χωραν ὁπλοις κατεστρεψατο τὸ¹ς ἑαυτου Βασιλευς Βὰƒιλεων, και Δεσποτης Δεσποτων, Σεσοωσις· "This province, Sesoosis, (Sesostris), King of Kings and Lord of Lords, conquered by his own arms. This inscription is conceived almost in the words of St. John. Now the Greek historian did not borrow the words from the apostle, as he died in the reign of Augustus, about the time of our Lord’ s incarnation. This cannot be the same inscription mentioned above by Herodotus, the one being in Ionia, the other in Thrace: but as he erected several of those pillars or images, probably a nearly similar inscription was found on each

9.    This custom seems to have been common among the ancient Egyptians. Inscriptions are frequently found on the images of Isis, Osiris, Anubis, etc., at the feet, on the head, on the back, on the girdle, etc., etc. Eight of those ancient images in my own collection abound with these inscriptions

1.    Osiris, four inches and a quarter high, standing on a thrones all covered over with hieroglyphics exquisitely engraved

2.    Anubis, six inches high, with a tiara, on the back of which is cut ΛΕΓΟΡΝΥΘ , in uncial Greek characters

3.    The Cercopithecus, seven inches long, sitting on a pedestal, and at his feet, in the same characters, ΧΑΔΕΟ

4.    An Isis, about eight inches high, on her back ΔΡΥΓΟ

5.    Ditto, seven inches, beautifully cut, standing, holding a serpent in her left hand, and at her feet ΕΤΑΠΥΓΙ

6.    Ditto, five inches and a quarter, round whose girdle is ΠΙΕΥΧΥΔΙ ; but part of this inscription appears to be hidden under her arms, which are extended by her side

7.    Ditto, five inches high, hooded, with a loose stola, down the back of which are seven lines of Greek uncial characters, but nearly obliterated

8.    Ditto, four inches high, with a girdle going round the back immediately under the arms, the front of which is hidden under a sort of a stomacher; on the part that appears are these characters, ΧΕΝΛΑ . These may be all intended as a kind of abrasaxas or tutelary deities; and I give this notice of them, and the inscriptions upon them, partly in illustration of the text, and partly to engage my learned and antiquarian readers in attempts to decipher them. I would have given the Etruscan characters on the other images described above, but have no method of imitating them except by an engraving

As these kinds of inscriptions on the thigh, the garments, and different parts of the body, were in use among different nations, to express character, conduct, qualities, and conquests, we may rest assured that to them St. John alludes when he represents our sovereign Lord with an inscription upon his vesture and upon his thigh; and had we not found it a custom among other nations, we should have been at a loss to account for its introduction and meaning here.

Defender: Rev 19:16 - -- Note 1Ti 6:15; Rev 17:14."

TSK: Rev 19:16 - -- on his vesture : Rev 19:12, Rev 19:13 KING : Rev 17:14; Psa 72:11; Pro 8:15, Pro 8:16; Dan 2:47; Phi 2:9-11; 1Ti 6:15

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Commentary -- Word/Phrase Notes (per Verse)

Barnes: Rev 19:16 - -- And he hath on his vesture - That is, this name was conspicuously written on his garment - probably his military robe. And on his thigh - ...

And he hath on his vesture - That is, this name was conspicuously written on his garment - probably his military robe.

And on his thigh - The robe or military cloak may be conceived of as open and flowing, so as to expose the limbs of the rider; and the idea is, that the name was conspicuously written not only on the flowing robe, but on the other parts of his dress, so that it must be conspicuous whether his military cloak were wrapped closely around him, or whether it was open to the breeze. Grotius supposes that this name was on the edge or hilt of the sword which depended from his thigh.

A name written - Or a title descriptive of his character.

King of kings, and Lord of lords - As in Rev 17:5, so here, there is nothing in the original to denote that this should be distinguished, as it is, by capital letters. As a conspicuous title, however, it is not improper. It means that he is, in fact, the sovereign over the kings of the earth, and that all nobles and princes are under his control - a rank that properly belongs to the Son of God. Compare the notes on Eph 1:20-22. See also Rev 19:12 of this chapter. The custom here alluded to of inscribing the name or rank of distinguished individuals on their garments, so that they might be readily recognized, was not uncommon in ancient times. For full proof of this, see Rosenmuller, Morgenland, vol. iii. pp. 232-236. The authorities quoted there are, Thevenot’ s Travels, vol. i. p. 149; Gruter, p. 989; Dempster’ s Etruria Regalis , t. ii. tab. 93; Montfaucon, Antiq. Expliq. t. iii. tab. 39. Thus Herodotus (vol. ii. p. 196), speaking of the figures of Sesostris in Ionia, says that, "Across his breast, from shoulder to shoulder, there is this inscription in the sacred characters of Egypt, ‘ I conquered this country by the force of my arms.’ "Compare Cic. Verr. iv. 23; LeMoyne a.d. Jer 23:6; Munter, Diss. a.d. Rev 17:5, as referred to by Prof. Stuart, in loco.

Poole: Rev 19:16 - -- The same name as in Rev 17:14 1Ti 6:15 ; See Poole on "Rev 17:14" , See Poole on "1Ti 6:15" ; denoting the sovereign power and authority which he ...

The same name as in Rev 17:14 1Ti 6:15 ; See Poole on "Rev 17:14" , See Poole on "1Ti 6:15" ; denoting the sovereign power and authority which he had. This he always had, but he now comes forth openly to manifest it; therefore this name is said to be

written on his vesture and on his thigh that all might take notice of it.

PBC: Rev 19:16 - -- Now they could read His name and know who He is. Yet they repented not of their wickedness. Destruction awaits those who go day after day with an unre...

Now they could read His name and know who He is. Yet they repented not of their wickedness. Destruction awaits those who go day after day with an unrepentant heart.— Eld. Charles Taylor

Gill: Rev 19:16 - -- And he hath on his vesture and on his thigh a name written,.... This name, afterwards expressed, is said to be written on his vesture, in allusion to ...

And he hath on his vesture and on his thigh a name written,.... This name, afterwards expressed, is said to be written on his vesture, in allusion to the custom of persons of note and eminence having their names interwoven in their garments, and which was sometimes done in letters of gold, as Zeuxis had t; and it is expressive of the conspicuousness of Christ's kingdom, which now will come with observation; his judgments, the administrations of his kingly office, will be manifest, and he will reign before his ancients gloriously: and its being said to be written on his thigh may mean either that it was upon that part of his garment which covered his thigh; or else that it was also on his sword, which he sometimes girt upon his thigh. Mr. Daubuz has given an instance out of Victor Vitensis, of Clementianus, a monk, who had written on his thigh,

""a manichee" disciple of Jesus Christ.''

And this being done in Africa, he supposes it to be a Phoenician custom continued. It may here denote the perpetuity of Christ's name, power, and dominion, which will continue to the latest posterity, Psa 72:17 which spring from the thigh; and it may denote the subjection of his people to him, signified by the putting the hand under the thigh, Gen 24:2. And this name is

King of kings and Lord of lords; which will well suit him now when he shall be openly King over all the earth; See Gill on Rev 17:14.

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Commentary -- Verse Notes / Footnotes

Geneva Bible: Rev 19:16 ( 16 ) And he hath on [his] vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS. ( 16 ) The name agreeing to Christ according t...

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Commentary -- Verse Range Notes

TSK Synopsis: Rev 19:1-21 - --1 God is praised in heaven for judging the great whore, and avenging the blood of his saints.7 The marriage of the Lamb.10 The angel will not be worsh...

MHCC: Rev 19:11-21 - --Christ, the glorious Head of the church, is described as on a white horse, the emblem of justice and holiness. He has many crowns, for he is King of k...

Matthew Henry: Rev 19:11-21 - -- No sooner was the marriage solemnized between Christ and his church by the conversion of the Jews than the glorious head and husband of the church i...

Barclay: Rev 19:14-16 - --The description of the warrior Christ is further filled in. He has with him the armies of heaven. With this we may compare Jesus' words at his arres...

Constable: Rev 4:1--22:6 - --III. THE REVELATION OF THE FUTURE 4:1--22:5 John recorded the rest of this book to reveal those aspects of the f...

Constable: Rev 19:1-21 - --L. The second coming of Christ ch. 19 John wrote the record of his vision of events surrounding the Lord...

Constable: Rev 19:11-16 - --2. The return of Christ to earth 19:11-16 On the one hand, the return of Jesus Christ to the earth is the climax of all that has preceded. On the othe...

College: Rev 19:1-21 - -- REVELATION 19 1 After this I heard what sounded like the roar of a great multitude in heaven shouting: "Hallelujah! Salvation and glory and power...

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Introduction / Outline

Robertson: Revelation (Book Introduction) THE REVELATION OF JOHN ABOUT a.d. 95 By Way of Introduction Difficulty in the Problem Perhaps no single book in the New Testament presents so ...

JFB: Revelation (Book Introduction) AUTHENTICITY.--The author calls himself John (Rev 1:1, Rev 1:4, Rev 1:9; Rev 2:8). JUSTIN MARTYR [Dialogue with Trypho, p. 308] (A.D. 139-161) quotes ...

JFB: Revelation (Outline) TITLE: SOURCE AND OBJECT OF THIS REVELATION: BLESSING ON THE READER AND KEEPER OF IT, AS THE TIME IS NEAR: INSCRIPTION TO THE SEVEN CHURCHES: APOSTOL...

TSK: Revelation (Book Introduction) The obscurity of this prophecy, which has been urged against its genuineness, necessarily results from the highly figurative and symbolical language i...

TSK: Revelation 19 (Chapter Introduction) Overview Rev 19:1, God is praised in heaven for judging the great whore, and avenging the blood of his saints; Rev 19:7, The marriage of the Lamb;...

Poole: Revelation 19 (Chapter Introduction) CHAPTER 19

MHCC: Revelation (Book Introduction) The Book of the Revelation of St. John consists of two principal divisions. 1. Relates to " the things which are," that is, the then present state of...

MHCC: Revelation 19 (Chapter Introduction) (Rev 19:1-10) The church in heaven and that on earth triumph, and praise the Lord for his righteous judgments. (Rev 19:11-21) A vision of Christ goin...

Matthew Henry: Revelation (Book Introduction) An Exposition, with Practical Observations, of The Revelation of St. John the Divine It ought to be no prejudice to the credit and authority of this b...

Matthew Henry: Revelation 19 (Chapter Introduction) In this chapter we have, I. A further account of the triumphant song of angels and saints for the fall of Babylon (Rev 19:1-4). II. The marriage ...

Barclay: Revelation (Book Introduction) INTRODUCTION TO THE REVELATION OF JOHN The Strange Book When a student of the New Testament embarks upon the study of the Revelation he feels him...

Barclay: Revelation 19 (Chapter Introduction) The Te Deum Of The Angels (Rev_19:1-2) The Te Deum Of Nature And The Church (Rev_19:3-5) The Te Deum Of The Redeemed (Rev_19:6-8) The Almighty And...

Constable: Revelation (Book Introduction) Introduction Historical background The opening verses of the book state that "John" wr...

Constable: Revelation (Outline) Outline I. The preparation of the prophet ch. 1 A. The prologue of the book 1:1-8 ...

Constable: Revelation Revelation Bibliography Abbott-Smith, George. A Manual Greek Lexicon of the New Testament. Edinburgh: T. & ...

Haydock: Revelation (Book Introduction) THE APOCALYPSE OF ST. JOHN, THE APOSTLE. INTRODUCTION. Though some in the first ages [centuries] doubted whether this book was canonical, and ...

Gill: Revelation (Book Introduction) INTRODUCTION TO REVELATION That this book was written by the Apostle and Evangelist John, is clear not only from the express mention of his name, a...

Gill: Revelation 19 (Chapter Introduction) INTRODUCTION TO REVELATION 19 This chapter contains the triumph of the saints over Babylon, and their thanksgiving to God because of his judgments ...

College: Revelation (Book Introduction) PREFACE This commentary on the Revelation of John has been prepared for general readers of the Bible who desire to deepen their understanding of God'...

College: Revelation (Outline) OUTLINE I. PROLOGUE - 1:1-20 A. Introduction to the Prophecy - 1:1-3 B. Sender - 1:4a C. Recipients - 1:4b D. Prescript - 1:4c-5a E. ...

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