collapse all  

Text -- Revelation 6:1-3 (NET)

Strongs On/Off
Context
The Seven Seals
6:1 I looked on when the Lamb opened one of the seven seals, and I heard one of the four living creatures saying with a thunderous voice, “Come!” 6:2 So I looked, and here came a white horse! The one who rode it had a bow, and he was given a crown, and as a conqueror he rode out to conquer. 6:3 Then when the Lamb opened the second seal, I heard the second living creature saying, “Come!”
Parallel   Cross Reference (TSK)   ITL  

Names, People and Places, Dictionary Themes and Topics

Dictionary Themes and Topics: Vision | SEAL | REVELATION OF JOHN | NOISE | Living Creature | Jesus, The Christ | Horse | HORSE, WHITE | FOUR | ESCHATOLOGY OF THE NEW TESTAMENT, I-V | Crown | Colour | Colors | COME | COLOR; COLORS | Bow | Animals | more
Table of Contents

Word/Phrase Notes
Robertson , Vincent , Wesley , JFB , Clarke , Defender , TSK

Word/Phrase Notes
Barnes , Poole , PBC , Haydock , Gill

Verse Notes / Footnotes
NET Notes , Geneva Bible

Verse Range Notes
TSK Synopsis , MHCC , Matthew Henry , Barclay , Constable , College

collapse all
Commentary -- Word/Phrase Notes (per phrase)

Robertson: Rev 6:1 - -- And I saw ( kai eidon ). As in Rev 4:1; Rev 5:1. The vision unfolds without anything being said about opening the book and reading from it. In a more...

And I saw ( kai eidon ).

As in Rev 4:1; Rev 5:1. The vision unfolds without anything being said about opening the book and reading from it. In a more vivid and dramatic fashion the Lamb breaks the seals one by one and reveals the contents and the symbolism. The first four seals have a common note from one of the four zōa and the appearance of a horse. No effort will be made here to interpret these seals as referring to persons or historical events in the past, present, or future, but simply to relate the symbolism to the other symbols in the book. It is possible that there is some allusion here to the symbolism in the so-called "Little Apocalypse"of Mark 13; Matt 24 and the following chapters; and Luke 21. The imagery of the four horses is similar to that in Zec 1:7-11; Zec 6:1-8 (cf. Jer 14:12; Jer 24:10; Jer 42:17). In the Old Testament the horse is often the emblem of war (Job 39:25; Psa 76:6; Pro 21:31; Eze 26:10). "Homer pictures the horses of Rhesus as whiter than snow, and swift as the wind"(Vincent).

Robertson: Rev 6:1 - -- When the Lamb opened ( hote ēnoixen to arnion ). First aorist active indicative of anoigō . This same phrase recurs in rhythmical order at the op...

When the Lamb opened ( hote ēnoixen to arnion ).

First aorist active indicative of anoigō . This same phrase recurs in rhythmical order at the opening of each seal (Rev 6:1, Rev 6:3, Rev 6:5, Rev 6:7, Rev 6:9, Rev 6:12) till the last (Rev 8:1), where we have hotan ēnoixen (hotan rather than hote calling particular attention to it).

Robertson: Rev 6:1 - -- One ( mian ). Probably used here as an ordinal (the first) as in Mat 28:1. See Robertson, Grammar , p. 671f.

One ( mian ).

Probably used here as an ordinal (the first) as in Mat 28:1. See Robertson, Grammar , p. 671f.

Robertson: Rev 6:1 - -- Of ( ek ). This use of ek with the ablative in the partitive sense is common in the Apocalypse, as twice in this verse (ek tōn , etc.). So henos ...

Of ( ek ).

This use of ek with the ablative in the partitive sense is common in the Apocalypse, as twice in this verse (ek tōn , etc.). So henos ek tōn (one of the four living creatures) is "the first of,"etc.

Robertson: Rev 6:1 - -- In a voice of thunder ( en phōnēi brontēs ). Old word used of John and James (Mar 3:17) and elsewhere in N.T. only Joh 12:29 and a dozen times ...

In a voice of thunder ( en phōnēi brontēs ).

Old word used of John and James (Mar 3:17) and elsewhere in N.T. only Joh 12:29 and a dozen times in the Apocalypse.

Robertson: Rev 6:1 - -- Come ( Erchou ). Present middle imperative of erchomai , but with exclamatory force (not strictly linear). The command is not addressed to the Lamb n...

Come ( Erchou ).

Present middle imperative of erchomai , but with exclamatory force (not strictly linear). The command is not addressed to the Lamb nor to John (the correct text omits kai ide "and see") as in Rev 17:1; Rev 21:9, but to one of the four horsemen each time. Swete takes it as a call to Christ because erchou is so used in Rev 22:17, Rev 22:20, but that is not conclusive.

Robertson: Rev 6:2 - -- And I saw and behold ( kai eidon kai idou ). This combination is frequent in the Apocalypse (Rev 4:1; Rev 6:2, Rev 6:5, Rev 6:8; Rev 14:1, Rev 14:14;...

And I saw and behold ( kai eidon kai idou ).

This combination is frequent in the Apocalypse (Rev 4:1; Rev 6:2, Rev 6:5, Rev 6:8; Rev 14:1, Rev 14:14; Rev 19:11).

Robertson: Rev 6:2 - -- A white horse ( hippos leukos ). In Zec 6:1-8 we have red, black, white, and grizzled bay horses like the four winds of heaven, ministers to do God&#...

A white horse ( hippos leukos ).

In Zec 6:1-8 we have red, black, white, and grizzled bay horses like the four winds of heaven, ministers to do God’ s will. White seems to be the colour of victory (cf. the white horse of the Persian Kings) like the white horse ridden by the Roman conqueror in a triumphant procession.

Robertson: Rev 6:2 - -- Had ( echōn ). Agreeing in gender and case with ho kathēmenos .

Had ( echōn ).

Agreeing in gender and case with ho kathēmenos .

Robertson: Rev 6:2 - -- A bow ( toxon ). Old word (Zec 9:13. of a great bow), here only in N.T.

A bow ( toxon ).

Old word (Zec 9:13. of a great bow), here only in N.T.

Robertson: Rev 6:2 - -- Was given ( edothē ). First aorist passive indicative of didōmi .

Was given ( edothē ).

First aorist passive indicative of didōmi .

Robertson: Rev 6:2 - -- A crown ( stephanos ). See note on Rev 4:4 for this word.

A crown ( stephanos ).

See note on Rev 4:4 for this word.

Robertson: Rev 6:2 - -- He came forth ( exēlthen ). Second aorist active indicative of exerchomai , either to come out or to go out (went forth).

He came forth ( exēlthen ).

Second aorist active indicative of exerchomai , either to come out or to go out (went forth).

Robertson: Rev 6:2 - -- Conquering ( nikōn ). Present active participle of nikaō .

Conquering ( nikōn ).

Present active participle of nikaō .

Robertson: Rev 6:2 - -- And to conquer ( kai hina nikēsēi ). Purpose clause with hina and the first aorist active subjunctive of nikaō . Here hōs nikēsōn (fu...

And to conquer ( kai hina nikēsēi ).

Purpose clause with hina and the first aorist active subjunctive of nikaō . Here hōs nikēsōn (future active participle with hōs ) could have been used. The aorist tense here points to ultimate victory. Commentators have been busy identifying the rider of the white horse according to their various theories. "It is tempting to identify him with the Rider on the white horse in Rev 19:11., whose name is ‘ the Word of God’ "(Swete). Tempting, "but the two riders have nothing in common beyond the white horse.

Robertson: Rev 6:3 - -- The second seal ( tēn sphragida tēn deuteran ). "The seal the second."The white horse with his rider vanished from the scene bent on his conqueri...

The second seal ( tēn sphragida tēn deuteran ).

"The seal the second."The white horse with his rider vanished from the scene bent on his conquering career.

Vincent: Rev 6:1 - -- Of the seals Add seven .

Of the seals

Add seven .

Vincent: Rev 6:1 - -- And see Omit.

And see

Omit.

Vincent: Rev 6:2 - -- White horse For white , see on Luk 19:29. Horse , see Zec 1:7-11; Zec 6:1-8. All the figures of this verse are those of victory. The horse in t...

White horse

For white , see on Luk 19:29. Horse , see Zec 1:7-11; Zec 6:1-8. All the figures of this verse are those of victory. The horse in the Old Testament is the emblem of war. See Job 39:25; Psa 76:6; Pro 21:31; Eze 26:10. So Virgil:

" But I beheld upon the grass four horses, snowy white,

Grazing the meadows far and wide, first omen of my sight.

Father Anchises seeth, and saith: 'New land and bear'st thou war?

For war are horses dight; so these war-threatening herd-beasts are.'"

" Aeneid ," iii ., 537 .

So Turnus, going forth to battle:

" He spake, and to the roofed place now swiftly wending home,

Called for his steeds, and merrily stood there before their foam

E'en those that Orithyia gave Pilumnus, gift most fair,

Whose whiteness overpassed the snow, whose speed the winged air."

" Aeneid ," xii ., 81-83 .

Homer pictures the horses of Rhesus as whiter than snow, and swift as the winds (" Iliad," x., 436, 437); and Herodotus, describing the battle of Plataea says: " The fight went most against the Greeks where Mardonius, mounted on a white horse, and surrounded by the bravest of all the Persians, the thousand picked men, fought in person" (ix., 63). The horses of the Roman generals in their triumphs were white.

Vincent: Rev 6:2 - -- Bow ( τόξον ) See Psa 45:4, Psa 45:5; Heb 3:8, Heb 3:9; Isa 41:2; Zec 9:13,Zec 9:14, in which last passage the figure is that of a great b...

Bow ( τόξον )

See Psa 45:4, Psa 45:5; Heb 3:8, Heb 3:9; Isa 41:2; Zec 9:13,Zec 9:14, in which last passage the figure is that of a great bow which is drawn only by a great exertion of strength, and by placing the foot upon it. Compare Homer's picture of Telemachus' attempt to draw Ulysses' bow:

" And then he took his place

Upon the threshold, and essayed the bow;

And thrice he made the attempt and thrice gave o'er."

" Odyssey ," xxi ., 124-25 .

The suitors propose to anoint the bow with fat in order to soften it.

" Bring us from within

An ample roll of fat, that we young men

By warming and anointing may make soft

The bow, and draw the cord and end the strife."

" Odyssey ," xxi ., 178-80 .

Vincent: Rev 6:2 - -- A crown ( στέφανος ) See on Rev 4:4.

A crown ( στέφανος )

See on Rev 4:4.

Vincent: Rev 6:3 - -- And see Omit.

And see

Omit.

Vincent: Rev 6:3 - -- Had opened ( ἤνοιξεν ) Rev., rendering the aorist mow literally, opened .

Had opened ( ἤνοιξεν )

Rev., rendering the aorist mow literally, opened .

Wesley: Rev 6:1 - -- That is, the first.

That is, the first.

Wesley: Rev 6:1 - -- Who looks forward toward the east.

Who looks forward toward the east.

Wesley: Rev 6:2 - -- This colour, and the bow shooting arrows afar off, betoken victory, triumph, prosperity, enlargement of empire, and dominion over many people. Another...

This colour, and the bow shooting arrows afar off, betoken victory, triumph, prosperity, enlargement of empire, and dominion over many people.

Another horseman, indeed, and of quite another kind, appears on a white horse, Rev 19:11. But he that is spoken of under the first seal must be so understood as to bear a proportion to the horsemen in the second, third, and fourth seal.

Nerva succeeded the emperor Domitian at the very time when the Revelation was written, in the year of our Lord 96. He reigned scarce a year alone; and three months before his death he named Trajan for his colleague and successor, and died in the year 98. Trajan's accession to the empire seems to be the dawning of the seven seals.

Wesley: Rev 6:2 - -- This, considering his descent, Trajan could have no hope of attaining. But God gave it him by the hand of Nerva; and then the east soon felt his power...

This, considering his descent, Trajan could have no hope of attaining. But God gave it him by the hand of Nerva; and then the east soon felt his power.

Wesley: Rev 6:2 - -- That is, from one victory to another. In the year 108 the already victorious Trajan went forth toward the east, to conquer not only Armenia, Assyria, ...

That is, from one victory to another. In the year 108 the already victorious Trajan went forth toward the east, to conquer not only Armenia, Assyria, and Mesopotamia, but also the countries beyond the Tigris, carrying the bounds of the Roman empire to a far greater extent than ever. We find no emperor like him for making conquests. He aimed at nothing else; he lived only to conquer. Meantime, in him was eminently fulfilled what had been prophesied of the fourth empire, Dan 2:40, Dan 7:23, that he should "devour, tread down, and break in pieces the whole earth."

Wesley: Rev 6:3 - -- Who looked toward the west. Saying, Come - At each seal it was necessary to turn toward that quarter of the world which it more immediately concerned.

Who looked toward the west. Saying, Come - At each seal it was necessary to turn toward that quarter of the world which it more immediately concerned.

JFB: Rev 6:1 - -- The oldest manuscripts, A, B, C, Vulgate, and Syriac read, "one of the seven seals."

The oldest manuscripts, A, B, C, Vulgate, and Syriac read, "one of the seven seals."

JFB: Rev 6:1 - -- The three oldest manuscripts read this in the nominative or dative, not the genitive, as English Version, "I heard one from among the four living crea...

The three oldest manuscripts read this in the nominative or dative, not the genitive, as English Version, "I heard one from among the four living creatures saying, as (it were) the voice (or, 'as with the voice') of thunder." The first living creature was like a lion (Rev 4:7): his voice is in consonance. Implying the lion-like boldness with which, in the successive great revivals, the faithful have testified for Christ, and especially a little before His coming shall testify. Or, rather, their earnestness in praying for Christ's coming.

JFB: Rev 6:1 - -- One oldest manuscript, B, has "And see." But A, C, and Vulgate reject it. ALFORD rightly objects to English Version reading: "Whither was John to come...

One oldest manuscript, B, has "And see." But A, C, and Vulgate reject it. ALFORD rightly objects to English Version reading: "Whither was John to come? Separated as he was by the glassy sea from the throne, was he to cross it?" Contrast the form of expression, Rev 10:8. It is much more likely to be the cry of the redeemed to the Redeemer, "Come" and deliver the groaning creature from the bondage of corruption. Thus, Rev 6:2 is an answer to the cry, went (literally, "came") forth corresponding to "Come." "Come," says GROTIUS, is the living creature's address to John, calling his earnest attention. But it seems hard to see how "Come" by itself can mean this. Compare the only other places in Revelation where it is used, Rev 4:1; Rev 22:17. If the four living creatures represent the four Gospels, the "Come" will be their invitation to everyone (for it is not written that they addressed John) to accept Christ's salvation while there is time, as the opening of the seals marks a progressive step towards the end (compare Rev 22:17). Judgments are foretold as accompanying the preaching of the Gospel as a witness to all nations (Rev 14:6-11; Mat 24:6-14). Thus the invitation, "Come," here, is aptly parallel to Mat 24:14. The opening of the first four seals is followed by judgments preparatory for His coming. At the opening of the fifth seal, the martyrs above express the same (Rev 6:9-10; compare Zec 1:10). At the opening of the sixth seal, the Lord's coming is ushered in with terrors to the ungodly. At the seventh, the consummation is fully attained (Rev 11:15).

JFB: Rev 6:2 - -- Evidently Christ, whether in person, or by His angel, preparatory to His coming again, as appears from Rev 19:11-12.

Evidently Christ, whether in person, or by His angel, preparatory to His coming again, as appears from Rev 19:11-12.

JFB: Rev 6:2 - -- (Psa 45:4-5).

JFB: Rev 6:2 - -- Greek, "stephanos," the garland or wreath of a conqueror, which is also implied by His white horse, white being the emblem of victory. In Rev 19:11-12...

Greek, "stephanos," the garland or wreath of a conqueror, which is also implied by His white horse, white being the emblem of victory. In Rev 19:11-12 the last step in His victorious progress is represented; accordingly there He wears many diadems (Greek, "diademata"; not merely Greek, "stephanoi," "crowns" or "wreaths"), and is personally attended by the hosts of heaven. Compare Zec 1:7-17; Zec 6:1-8; especially Rev 6:10 below, with Zec 1:12; also compare the colors of the four horses.

JFB: Rev 6:2 - -- That is, so as to gain a lasting victory. All four seals usher in judgments on the earth, as the power which opposes the reign of Himself and His Chur...

That is, so as to gain a lasting victory. All four seals usher in judgments on the earth, as the power which opposes the reign of Himself and His Church. This, rather than the work of conversion and conviction, is primarily meant, though doubtless, secondarily, the elect will be gathered out through His word and His judgments.

JFB: Rev 6:3 - -- Omitted in the three oldest manuscripts, A, B, C, and Vulgate.

Omitted in the three oldest manuscripts, A, B, C, and Vulgate.

Clarke: Rev 6:1 - -- When the Lamb opened one of the seals - It is worthy of remark that the opening of the seals is not merely a declaration of what God will do, but is...

When the Lamb opened one of the seals - It is worthy of remark that the opening of the seals is not merely a declaration of what God will do, but is the exhibition of a purpose then accomplished; for whenever the seal is opened, the sentence appears to be executed. It is supposed that, from Revelation 6:1-11:19, the calamities which should fall on the enemies of Christianity, and particularly the Jews, are pointed out under various images, as well as the preservation of the Christians under those calamities

Clarke: Rev 6:1 - -- One of the four beasts - Probably that with the face of a lion. See Rev 4:7

One of the four beasts - Probably that with the face of a lion. See Rev 4:7

Clarke: Rev 6:1 - -- Come and see - Attend to what is about to be exhibited. It is very likely that all was exhibited before his eyes as in a scene, and he saw every act...

Come and see - Attend to what is about to be exhibited. It is very likely that all was exhibited before his eyes as in a scene, and he saw every act represented which was to take place, and all the persons and things which were to be the chief actors.

Clarke: Rev 6:2 - -- A white horse - Supposed to represent the Gospel system, and pointing out its excellence, swiftness, and purity

A white horse - Supposed to represent the Gospel system, and pointing out its excellence, swiftness, and purity

Clarke: Rev 6:2 - -- He that sat on him - Supposed to represent Jesus Christ

He that sat on him - Supposed to represent Jesus Christ

Clarke: Rev 6:2 - -- A bow - The preaching of the Gospel, darting conviction into the hearts of sinners

A bow - The preaching of the Gospel, darting conviction into the hearts of sinners

Clarke: Rev 6:2 - -- A crown - The emblem of the kingdom which Christ is to establish on earth

A crown - The emblem of the kingdom which Christ is to establish on earth

Clarke: Rev 6:2 - -- Conquering, and to conquer - Overcoming and confounding the Jews first, and then the Gentiles; spreading more and more the doctrine and influence of...

Conquering, and to conquer - Overcoming and confounding the Jews first, and then the Gentiles; spreading more and more the doctrine and influence of the cross over the face of the earth.

Clarke: Rev 6:3 - -- The second beast - That which had the face of an ox.

The second beast - That which had the face of an ox.

Defender: Rev 6:1 - -- The Lamb had received the title deed to the earth, but now the seals must be broken and the full writing disclosed to the world. As each successive se...

The Lamb had received the title deed to the earth, but now the seals must be broken and the full writing disclosed to the world. As each successive seal is broken, the Lord will unleash successive great judgments on the earth, with the ultimate end of purging the earth of its age-long domination by Satan.

Defender: Rev 6:1 - -- Certain manuscripts omit the words "and see," but the weight of manuscript evidence favors their retention. The first four judgments mark the sending ...

Certain manuscripts omit the words "and see," but the weight of manuscript evidence favors their retention. The first four judgments mark the sending forth of the four horsemen of the Apocalypse and, as each emerges, one of the four "living ones" invites John to "come and see." John, who had been commanded to write what he saw (Rev 1:11), then immediately responds: "And I saw [beheld, looked] ..." (Rev 6:2, Rev 6:5, Rev 6:8, Rev 6:9, Rev 6:12)."

Defender: Rev 6:2 - -- Many futurist commentators interpret the rider on the white horse to be the Antichrist, who they say is seeking to imitate Christ as he appears as the...

Many futurist commentators interpret the rider on the white horse to be the Antichrist, who they say is seeking to imitate Christ as he appears as the conquering Rider on the white horse in Rev 19:11. This interpretation seems inappropriate. The coming Antichrist is not a "false Christ," pretending to be Christ, but the ultimate Antichrist, openly opposing Christ and seeking to destroy all Christian believers and everything for which Christ stands. The Antichrist, or Beast, will receive his power and authority from Satan (Rev 11:7; Rev 13:7).

The proper interpretation is to view Christ as the rider; remember that each judgment of the seven seals is sent forth by Christ, not Satan. Furthermore, it is eminently fitting that the conquering Christ should be seen as riding forth both at the beginning of His cleansing judgments on the earth, and then again at their climactic completion (Rev 6:2; Rev 19:11). Throughout the events of Revelation 6 through 19, as the successive seal judgments are sent forth, He is gradually "conquering" and is destined finally "to conquer" completely."

TSK: Rev 6:1 - -- when : Rev 5:5-7 the noise : Rev 4:5, Rev 10:3, Rev 10:4, Rev 11:19 one : Rev 6:3, Rev 6:5, Rev 6:7, Rev 4:6, Rev 4:7; Act 4:20

TSK: Rev 6:2 - -- a white : This seems to be a representation of the person and dignity of Christ, and the mild and beneficent triumphs of his Gospel over all the power...

a white : This seems to be a representation of the person and dignity of Christ, and the mild and beneficent triumphs of his Gospel over all the powers of paganism. Rev 19:11, Rev 19:14; Zec 1:8, Zec 6:3-8

and he that : Psa 45:3-5, Psa 76:7

and a : Rev 14:14, Rev 19:12; Zec 6:11-13; Mat 28:18

and he went : Rev 11:15, Rev 11:18, Rev 15:2, Rev 17:14; Psa 98:1, Psa 110:2; Isa 25:8; Rom 15:18, Rom 15:19; 1Co 15:25, 1Co 15:55-57; 2Co 10:3-5

TSK: Rev 6:3 - -- Rev 6:1, Rev 4:7

collapse all
Commentary -- Word/Phrase Notes (per Verse)

Barnes: Rev 6:1 - -- And I saw - Or, I looked. He fixed his eye attentively on what was passing, as promising important disclosures. No one had been found in the un...

And I saw - Or, I looked. He fixed his eye attentively on what was passing, as promising important disclosures. No one had been found in the universe who could open the seals but the Lamb of God Rev 5:2-4; and it was natural for John, therefore, to look upon the transaction with profound interest.

When the Lamb opened one of the seals - See the notes on Rev 5:1, Rev 5:5. This was the first or outermost of the seals, and its being broken would permit a certain portion of the volume to be unrolled and read. See the notes on Rev 5:1. The representation in this place is, therefore, that of a volume with a small portion unrolled, and written on both sides of the parchment.

And I heard, as it were the noise of thunder - One of the four living creatures speaking as with a voice of thunder, or with a loud voice.

One of the four beasts - notes on Rev 4:6-7. The particular one is not mentioned, though what is said in the subsequent verses leaves no doubt that it was the first in order as seen by John - the one like a lion, Rev 4:7. In the opening of the three following seals, it is expressly said that it was the second, the third, and the fourth of the living creatures that drew near, and hence the conclusion is certain that the one here referred to was the first. If the four living creatures be understood to be emblematic of the divine providential administration, then there was a propriety that they should be represented as summoning John to witness what was to be disclosed. These events pertained to the developments of the divine purposes, and these emblematic beings would therefore be interested in what was occurring.

Come and see - Addressed evidently to John. He was requested to approach and see with his own eyes what was disclosed in the portion of the volume now unrolled. He had wept much Rev 5:4 that no one was found who was worthy to open that book, but he was now called on to approach and see for himself. Some have supposed (Lord, in loco) that the address here was not to John, but to the horse and his rider, and that the command to them was not to "come and see,"but to come forth, and appear on the stage, and that the act of the Redeemer in breaking the seal, and unrolling the scroll, was nothing more than an emblem signifying that it was by his act that the divine purposes were to be unfolded. But, in order to this interpretation, it would be necessary to omit from the Received Text the words καὶ βλέπε kai blepe - "and see."This is done, indeed, by Hahn and Tittmann, and this reading is followed by Prof. Stuart, though he says that the received text has "probability"in its favor, and is followed by some of the critical editions. The most natural interpretation, however, is that the words were addressed to John. John saw the Lamb open the seal; he heard the loud voice; he looked and beheld a white horse - that is, evidently, he looked on the unfolding volume, and saw the representation of a horse and his rider. That the voice was addressed to John is the common interpretation, is the most natural, and is liable to no real objection.

Barnes: Rev 6:2 - -- And I saw, and behold - A question has arisen as to the mode of representation here: whether what John saw in these visions was a series of pic...

And I saw, and behold - A question has arisen as to the mode of representation here: whether what John saw in these visions was a series of pictures, drawn on successive portions of the volume as one seal was broken after another; or whether the description of the horses and of the events was written on the volume, so that John read it himself, or heard it read by another; or whether the opening of the seal was merely the occasion of a scenic representation, in which a succession of horses was introduced, with a written statement of the events which are referred to. Nothing is indeed said by which this can be determined with certainty; but the most probable supposition would seem to be that there was some pictorial representation in form and appearance, such as he describes in the opening of the six seals. In favor of this it may be observed:

(1)\caps1     t\caps0 hat, according to the interpretation of Rev 6:1, it was something in or on the volume - since he was invited to draw nearer, in order that he might contemplate it.

(2)\caps1     e\caps0 ach one of the things under the first five seals, where John uses the word "saw,"is capable of being represented by a picture or painting.

(3)\caps1     t\caps0 he language used is not such as would have been employed if he had merely read the description, or had heard it read.

(4)\caps1     t\caps0 he supposition that the pictorial representation was not in the volume, but that the opening of the seal was the occasion merely of causing a scenic representation to pass before his mind, is unnatural and forced.

What would be the use of a sealed volume in that case? What the use of the writing within and without? On this supposition the representation would be that, as the successive seals were broken, nothing was disclosed in the volume but a succession of blank portions, and that the mystery or the difficulty was not in anything in the volume, but in the want of ability to summon forth these successive scenic representations. The most obvious interpretation is, undoubtedly, that what John proceeds to describe was in some way represented in the volume; and the idea of a succession of pictures or drawings better accords with the whole representation, than the idea that it was a mere written description. In fact, these successive scenes could be well represented now in a pictorial form on a scroll.

And behold a white horse - In order to any definite understanding of what was denoted by these symbols, it is proper to form in our minds, in the first place, a clear conception of what the symbol properly represents, or an idea of what it would naturally convey. It may be assumed that the symbol was significant, and that there was some reason why that was used rather than another; why, for instance, a horse was employed rather than an eagle or a lion; why a white horse was employed in one case, and a red one, a black one, a pale one in the others; why in this case a bow was in the hand of the rider, and a crown was placed on his head. Each one of these particulars enters into the constitution of the symbol; and we must find something in the event which fairly corresponds with each - for the symbol is made up of all these things grouped together. It may be further observed, that where the general symbol is the same - as in the opening of the first four seals - it may be assumed that the same object or class of objects is referred to; and the particular things denoted, or the diversity in the general application, is to be found in the variety in the representation - the color, etc., of the horse, and the arms, apparel, etc., of the rider. The specifications under the first seal are four:

(1)\caps1     t\caps0 he general symbol of the horse - common to the first four seals;

(2)\caps1     t\caps0 he color of the horse;

(3)\caps1     t\caps0 he fact that he that sat on him had a bow; and,

(4)\caps1     t\caps0 hat a crown was given him by someone, as indicative of victory.

The question now is, what these symbols would naturally denote:

(1) The horse. The meaning of this symbol must be drawn from the natural use to which the symbol is applied, or the characteristics which it is known to have; and it may be added, that there might have been something for which that was best known in the time of the writer who uses it, which would not be so prominent at another period of the world, or in another country, and that it is necessary to have that before the mind in order to obtain a correct understanding of the symbol. The use of the horse, for instance, may have varied at different times to some degree; at one time the prevailing use of the horse may have been for battle; at another for rapid marches - as of cavalry; at another for draught; at another for races; at another for conveying messages by the establishment of posts or the appointment of couriers. To an ancient Roman the horse might suggest prominently one idea; to a modern Arab another; to a teamster in Holland another. The things which would be most naturally suggested by the horse as a symbol, as distinguished, for instance, from an eagle, a lion, a serpent, etc., would be the following:

(a) War, as this was probably one of the first uses to which the horse was applied. So, in the magnificent description of the horse in Job 39:19-25, no notice is taken of any of his qualities but those which pertain to war. See, for a full illustration of this passage, and of the frequent reference in the classic writers to the horse as connected with war, Bochart, Hieroz. lib. ii, c. viii., particularly p. 149. Compare Virgil, Geor. 3:83, 84:

"Si qua sonum procul arma dedere,

Stare loco nescit, micat auribus, et tremit artus ."

Ovid, Metam . iii:

"Ut fremit acer equus, cum bellicus, aere canoro.

Signa dedit tubicen, pugnaeque assumit amorem ."

Silius, lib. xiii:

"Is trepido alituum tinnitu, et stare neganti,

Imperitans violenter equo ."

So Solomon says Pro 21:31, "The horse is prepared against the day of battle."So in Zec 10:3, the prophet says, God had made the house of Judah "as his goodly horse in the battle"; that is, he had made them like the victorious war-horse.

(b) As a consequence of this, and of the conquests achieved by the horse in war, he became the symbol of conquest - of a people that could not be overcome. Compare the above reference in Zech. Thus, in Carthage the horse was an image of victorious war, in contradistinction to the ox, which was an emblem of the arts of peaceful agriculture. This was based on a tradition respecting the foundation of the city, referred to by Virgil, Aeneas i. 442-445:

"Quo primum jactati undis et turbine Poeni.

Effodere loco signum, quod regia Juno.

Monstrarat, caput acris equi: sic nam fore bello.

Egregiam, et facilem victu per Secula gentem ."

In reference to this circumstance Justin (lib. xviii. 5) remarks, that "in laying the foundations of the city the head of an ox was found, which was regarded as an emblem of a fruitful land, but of the necessity of labor and of dependence; on which account the city was transferred to another place. Then the head of a horse was found, and this was regarded as a happy omen that the city would be warlike and prosperous."Compare Creuzer, Symbolik, vol. ii. p. 456.

© The horse was an emblem of fleetness, and, consequently, of the rapidity of conquest. Compare Joe 2:4; "The appearance of them is as the appearance of horses; and as horsemen, so shall they run."Jer 4:13; "behold, he shall come up as clouds, and his chariots shall be as the whirlwind; his horses are swifter than eagles."Compare Job 39:18.

(d) The horse is an emblem of strength, and consequently of safety. Psa 147:10; "he delighteth not in the strength of the horse."In general, then, the horse would properly symbolize war, conquest, or the rapidity with which a message is conveyed. The particular character or complexion of the event - as peaceful or warlike, prosperous or adverse - is denoted by the color of the horse, and by the character of the rider.

\caps1 (2) t\caps0 he color of the horse: "a white horse."It is evident that this is designed to be significant, because it is distinguished from the red, the black, and the pale horse, referred to in the following verses. In general, it may be observed that white is the emblem of innocence, purity, prosperity - as the opposite is of sickness, sin, calamity. If the significance of the emblem turned alone on the color, we should look to something cheerful, prosperous, happy as the thing that was symbolized. But the significance in the case is to be found not only in the color - white - but in the horse that was white; and the inquiry is, what would a horse of that color properly denote; that is, on what occasions, and with reference to what ends, was such a horse used? Now, the general notion attached to the mention of a white horse, according to ancient usage, would be that of state and triumph, derived from the fact that white horses were rode by conquerors on the days of their triumph; that they were used in the marriage cavalcade; that they were employed on coronation occasions, etc. In the triumphs granted by the Romans to their victorious generals, after a procession composed of musicians, captured princes, spoils of battle, etc., came the conqueror himself, seated on a high chariot drawn by four white horses, robed in purple, and wearing a wreath of laurel (Eschenburg, "Man. of Class."Literature, p. 283. Compare Ovid de Arte Amandi, lib. v. 214). The name of λευκιππος leukippos - leucippos - was given to Proserpine, because she was borne from Hades to Olympus in a chariot drawn by white horses (Scol. Pind. Ol. vi. 161. See Creuzer’ s Symbol . iv. 253). White horses are supposed, also, to excel others in fleetness. So Horace, Sat. lib. i. vii. 8:

"Sisennas, Barrosque ut equis praecurreret albis ."

So Plaut. Asin. ii. 2, 12. So Homer, Iliad K. 437:

Λευκότεροι χιονος, θείειν δ ̓ ἀνέμοισιν ὁμοῖοι

Leukoteroi chionos , theiein d' anemoisin homoioi "Whiter than the snow, and swifter than the winds."

And in the Aeneid , where Turnus was about to contend with Aeneas, he demanded horses:

"Qui candore nives anteirent cursibus auras ."

"Which would surpass the snow in whiteness, and the wind in fleetness"( Aeneas xii. 84).

So the poets everywhere describe the chariot of the sun as drawn by while horses (Bochart, ut supra ). So conquerors and princes are everywhere represented as borne on white horses. Thus, Propertius, lib. iv. eleg. i.:

"Quatuor huic albos Romulus egit equos ."

So Claudian, lib. ii., de Laudibus Stilichonis :

"Deposits mitis clypeo, candentibus urbem.

Ingreditur trabeatus equis ."

And thus Ovid (lib. i. de Arte) addresses Augustus, auguring that he would return a victor:

"Ergo erit illa dies, qua tu, Pulcherrime rerum,

Quatuor in niveis aureus ibis equis ."

The preference of "white"to denote triumph or victory was early referred to among the Hebrews. Thus, Jdg 5:10, in the Song of Deborah:

"Speak, ye that ride on white asses,

Ye that sit in judgment,

And walk by the way."

The expression, then, in the passage before us, would properly refer to some kind of triumph; to some joyous occasion; to something where there was success or victory; and, so far as this expression is concerned, would refer to any kind of triumph, whether of the gospel or of victory in war.

\caps1 (3) t\caps0 he bow: "and he that sat on him had a bow."The bow would be a natural emblem of war - as it was used in war; or of hunting - as it was used for that purpose. It was a common instrument of attack or defense, and seems to have been early invented, for it is found in all rude nations. Compare Gen 27:3; Gen 48:22; Gen 49:24; Jos 24:12; 1Sa 18:4; Psa 37:15; Isa 7:24. The bow would be naturally emblematic of the following things:

(a)    War. See the passages above.

(b)    Hunting. Tires it was one of the emblems of Apollo as the god of hunting.

©    The effect of truth - as what secured conquest, or overcame opposition in the heart.

So far as this emblem is concerned, it might denote a warrior, a hunter, a preacher, a ruler - anyone who exerted power over others, or who achieved any kind of conquest over them.

\caps1 (4) t\caps0 he crown: "and a crown was given unto him."The word used here - στέφανος stephanos - means a circlet, chaplet, or crown - usually such as was given to a victor, 1Co 9:25. It would properly be emblematic of victory or conquest - as it was given to victors in war, or to the victors at the Grecian games, and as it is given to the saints in heaven regarded as victors, Rev 4:4, Rev 4:10; 2Ti 4:8. The crown or chaplet here was "given"to the rider as significant that he would be victorious, not that he had been; and the proper reference of the emblem was to some conquest yet to be made, not to any which had been made. It is not said by whom this was given to the rider; the material fact being only that such a diadem was conferred on him.

\caps1 (5) t\caps0 he going forth to conquest: "and he went forth, conquering and to conquer."He went forth as a conqueror, and that he might conquer. That is, he went forth with the spirit, life, energy, determined purpose of one who was confident that he would conquer, and who had the port and bearing of a conqueror. John saw in him two things: one, that he had the aspect or port of a conqueror - that is, of one who had been accustomed to conquest, and who was confident that he could conquer; the ether was, that this was clearly the design for which he went forth, and this would be the result of his going forth.

Having thus inquired into the natural meaning of the emblems used, perhaps the proper work of an expositor is done, and the subject might be left here. But the mind naturally asks what was this designed to signify, and to what events are these things to be applied? On this point it is scarcely necessary to say, that the opinions of expositors have been almost as numerous as the expositors themselves, and that it would be a hopeless task, and as useless as hopeless, to attempt to enumerate all the opinions entertained. They who are desirous of examining those opinions must be referred to the various books on the Apocalypse where they may be found. Perhaps all the opinions entertained, though presented by their authors under a great variety of forms, might be referred to three:

(1) That the whole passage in Rev. 6\endash 11 refers to the destruction of Jerusalem and the wasting of Judaea, principally by the Romans - and particularly the humiliation and prostration of the Jewish persecuting enemies of the church: on the supposition that the book was written before the destruction of Jerusalem. This is the opinion of Prof. Stuart, and of those generally who hold that the book was written at that time.

\caps1 (2) t\caps0 he opinion of those who suppose that the book was written in the time of Domitian, about 95 or 96 a.d., and that the symbols refer to the Roman affairs subsequent to that time. This is the opinion of Mede, Elliott, and others.

\caps1 (3) t\caps0 he opinions of those who suppose that the different horses and horsemen refer to the Saviour, to ministers of the gospel, and to the various results of the ministry. This is the opinion of Mr. David C. Lord and others. My purpose does not require me to examine these opinions in detail. Justice could not be done to them in the limited compass which I have; and it is better to institute a direct inquiry whether any events are known which can be regarded as corresponding with the symbols here employed. In regard to this, then, the following things may be referred to:

(a) It will be assumed here, as elsewhere in these notes, that the Apocalypse was written in the time of Domitian, about 95 a.d. or 96 a.d. For the reasons for this opinion, see the Introduction, 2. Compare an article by Dr. Geo. Duffield in the Biblical Repository , July, 1847, pp. 385-411. It will also be assumed that the book is inspired, and that it is not to be regarded and treated as a work of mere human origin. These suppositions will preclude the necessity of any reference in the opening of the seals to the time of Nero, or to the events pertaining to the destruction of Jerusalem and the over throw of the Jewish persecuting enemies of the church - for the opinion that those events are referred to can be held only on one of two suppositions: either that the work was written in the time of Nero, and before the Jewish wars, as held by Prof. Stuart and others; or that it was penned after the events referred to had occurred, and is such a description of the past as could have been made by one who was uninspired.

(b) It is to be presumed that the events referred to, in the opening of the first seal, would occur soon after the time when the vision appeared to John in Patmos. This is clear, not only because that would be the most natural supposition, but because it is fairly implied in Rev 1:1; "The Revelation of Jesus Christ, which God gave unto him to show unto his servants things which must shortly come to pass."See the notes on that verse. Whatever may be said of some of those events - those lying most remotely in the series - it would not accord with the fair interpretation of the language to suppose that the beginning of the series would be far distant, and we therefore naturally look for that beginning in the age succeeding the time of the apostle, or the reign of Domitian.

© The inquiry then occurs whether there were any such events in that age as would properly be symbolized by the circumstances before us - the horse; the color of the horse; the how in the hand of the rider; the crown given him; the state and hearing of the conqueror.

(d) Before proceeding to notice what seems to me to be the interpretation which best accords with all the circumstances of the symbol, it may be proper to refer to the only other one which has any plausibility, and which is adopted by Grotius, by the author of Hyponoia, by Dr. Keith (Signs of the Times, 1:181ff), by Mr. Lord, and others, that this refers to Christ and his church - to Christ and his ministers in spreading the gospel. The objections to this class of interpretations seem to me to be insuperable:

(1) The whole description, so far as it is a representation of triumph, is a representation of the triumph of war, not of the gospel of peace. All the symbols in the opening of the first four seals are warlike; all the consequences in the opening of each of the seals where the horseman appears, are such as are usually connected with war. It is the march of empire, the movement of military power.

\caps1 (2) a\caps0 horseman thus armed is not the usual representation of Christ, much less of his ministers or of his church. Once indeed Rev 19:14-16 Christ himself is thus represented; but the ordinary representation of the Saviour in this book is either that of a man - majestic and glorious, holding the stars in his right hand - or of a lamb. Besides, if it were the design of the emblem to refer to Christ, it must be a representation of him personally and literally going forth in this manner; for it would be incongruous to suppose that this relates to him, and then to give it a metaphorical application, referring it not to himself, but to his truth, his gospel, his ministers.

\caps1 (3) i\caps0 f there is little probability that this refers to Christ, there is still less that it refers to ministers of the gospel - as held by Lord and others - for such a symbol is employed nowhere else to represent an order of ministers, nor do the circumstances find a fulfillment in them. The minister of the gospel is a herald of peace, and is employed in the service of the Prince of Peace. He cannot well be represented by a warrior, nor is he in the Scriptures. In itself considered, there is nothing more unlike or incongruous than a warrior going forth to conquest with hostile arms, and a minister of Christ.

\caps1 (4) b\caps0 esides, this representation of a horse and his rider, when applied in the following verses, on this principle becomes most forced and unnatural. If the warrior on the white horse denotes the ministry, then the warrior on the red horse, the black horse, the pale horse, must denote the ministry also, and nothing is more fanciful and arbitrary than to attempt to apply these to teachers of various kinds of error - error denoted by the red, black, and pale color - as must be done on that supposition. It seems plain, therefore, to me, that the representation was not designed to symbolize the ministry, or the state of the church considered with reference to its extension, or the various forms of belief which prevailed. But if so, it only remains to inquire whether a state of things existed in the Roman world of which these would be appropriate symbols. We have, then, the following facts, which are of such a nature as would properly be symbolized by the horse of the first seal; that is, they are such facts that if one were to undertake to devise an appropriate symbol of them since they occurred, they would be well represented by the image here employed:

(1) It was in general a period of prosperity, of triumph, of conquest - well represented by the horseman on the white horse going forth to conquest. I refer now to the period immediately succeeding the time of John’ s banishment, embracing some ninety years, anti extending through the successive reigns of Nerva, Trajan, Adrian, and the two Antonines, from the death of Domitian, 96 a.d., to the accession of Commodus, and the peace made by him with the Germans, 180 a.d. As an illustration of this period, and of the pertinency of the symbol, I will first copy from an historical chart drawn up with no reference to the symbol here, and in the mind of whose author the application to this symbol never occurred. The chart, distinguished for accuracy, is that of A.S. Lyman, published 1845 a.d. The following is the account of this period, beginning at the death of Domitian: "Domitian, a cruel tyrant, the last of the twelve Caesars."(His death, therefore, was an important epoch.) "96 a.d. Nerva, noted for his virtues, but enfeebled by age.""98 a.d. Trajan, a great general, and popular emperor; under him the empire attains its greatest extent.""117 a.d. Adrian, an able sovereign; spends thirteen years traveling through the empire, reforming abuses and rebuilding cities.""138 a.d. Antonions Pius, celebrated for his wisdom, virtue, and humanity.""161 a.d. Marcus Aurelius Antoninus, the Stoic Philosopher, noted for his virtues."

Then begins a new era - a series of wicked princes and of great calamities. The next entry in the series is, "180 a.d. Commodus, profligate and cruel."Then follows a succession of princes of the same general description. Their character will be appropriately considered under the succeeding seals. But in regard to the period now supposed to be represented by the opening of the first seal, anti the general applicability of the description here to that period, we have the fullest testimony in Mr. Gibbon, in his Decline and Fall of the Roman Empire: a writer who, sceptic as he was, seems to have been raised up by Divine Providence to search deeply into historic records, and to furnish an inexhaustible supply of materials in confirmation of the fulfillment of the pro phecies, and of the truth of revelation. For:

\caps1 (1) h\caps0 e was eminently endowed by talent, and learning, and patience, and general candor, and accuracy, to prepare a history of that period of th world, and to place his name in the very first rank of historians.

\caps1 (2) h\caps0 is history commences at about the period supposed in this interpretation to be referred to by these symbols, and extends over a very considerable portion of the time embraced in the book of Revelation.

\caps1 (3) i\caps0 t cannot be alleged that he was biassed in his statements of facts by a desire to favor revelation; nor can it be charged on him that he perverted facts with a view to overthrow the authority of the volume of inspired truth. He was, indeed, thoroughly skeptical as to the truth of Christianity, and he lost no opportunity to express his feelings toward it by a sneer - for it seems to have been an unfortunate characteristic of his mind to sneer at everything - but there is no evidence that he ever designedly perverted a fact in history to press it into the service of infidelity, or that he designedly falsified a statement for the purpose of making it bear against Christianity. It cannot be suspected that he had any design, by the statements which he makes, to confirm the truth of Scripture prophecies. Infidels, at least, are bound to admit his testimony as impartial.

\caps1 (4) n\caps0 ot a few of the most clear and decisive proofs of the fulfillment of prophecies are to be found in his history. They are frequently such statements as would be expected to occur in the writings of a partial friend of Christianity who was endeavoring to make the records of history speak out in favor of his religion; and if they had been found in such a writer, they would be suspected of having been shaped with a view to the confirmation of the prophecies, and it may be added also with an intention to defend some favorite interpretation of the Apocalypse. In regard to the passage before us - the opening of the first seal and the general explanation of the meaning of that seal, above given, there is a striking resemblance between that representation and the state of the Roman empire as given by Mr. Gibbon at the period under consideration - from the end of the reign of Domitian to the accession of Commodes. By a singular coincidence Mr. Gibbon begins his history at about the period supposed to be referred to by the opening of the seal - the period following the death of Domitian, 96 a.d. Thus, in the opening sentences of his work he says: "In the second century of the Christian era the empire of Rome comprehended the fairest part of the earth, and the most civilized portion of mankind. During a happy period of more than fourscore years the public administration was conducted by the virtue and abilities of Nerva, Trajan, Adrian, and the two Antenines. It is the design of this and the two succeeding chapters to describe the prosperous condition of their empire; and afterward, from the death of Marcus Antoninus, to deduce the most important circumstances of its decline and fall; a revolution which will ever be remembered, and is still felt by the nations of the earth,"vol. i. 1.

Before Mr. Gibbon proceeds to give the history of the fall of the empire, he pauses to describe the happy condition of the Roman world during the period now referred to - for this is substantially his object in the first three chapters of his history. The titles of these chapters will show their object. They are respectively the following: Ch. i., "The Extent and Military Force of the Empire, in the Age of the Antonines"; ch. ii., "Of the Union and Internal Prosperity of the Roman Empire, in the Age of the Antonines"; ch. iii., "Of the Constitution of the Roman Empire, in the Age of the Antonines."In the language of another, this is "the bright ground of his historic picture, from which afterward more effectively to throw out in deep coloring the successive traits of the empire’ s corruption and decline"(Elliott). The introductory remarks of Mr. Gibbon, indeed, professedly refer to "the age of the Antenines"(138-180 a.d.); but that he designed to describe, under this general title, the actual condition of the Roman world during the period which I suppose to be embraced under the first seal, as a time of prosperity, triumph, and happiness - from Domitian to Commodes - is apparent from a remarkable statement which there will be occasion again to quote, in which he expressly designates this period in these words: "If a man were called to fix the period in the history of the world during which the condition of the human race was most happy and prosperous, he would, without hesitation, name what elapsed from the death of Domitian to the accession of Commodus,"i. 47.

The same thing is apparent also from a remark of Mr. Gibbon in the general summary which he makes of the Roman affairs, showing that this period constituted, in his view, properly an era in the condition of the world. Thus, he says (i. 4): "Such was the state of the Roman frontiers, and such the maxims of imperial policy, from the death of Augustus to the accession of Trajan."This was 98 a.d. The question now is, whether, during this period, the events in the Roman empire were such as accord with the representation in the first seal. There was nothing in the first century that could accord with this; and if John wrote the Apocalypse at the time supposed (95 or 96 a.d.), of course it does not refer to that. Respecting that century Mr. Gibbon remarks: "The only accession which the Roman empire received, during the first century of the Christian era, was the province of Britain. In this single instance the successors of Caesar and Augustus were persuaded to follow the example of the former rather than the precept of the latter. After a war of about forty years, undertaken by the most stupid, maintained by the most dissolute, and terminated by the most timid of all the emperors, the far greater part of the island submitted to the Roman yoke,"i. 2, 3.

Of course the representation in the first seal could not be applied to such a period as this. In the second century, however, and especially in the early part of it - the beginning of the period supposed to be embraced in the opening of the first seal - a different policy began to prevail, and though the main characteristic of the period, as a whole, was comparatively peaceful, yet it began with a career of conquests, and its general state might be characterized as triumph and prosperity. Thus, Mr. Gibbon speaks of Trajan on his accession after the death of Nerva: "That virtuous and active prince had received the education of a soldier, and possessed the talents of a general. The peaceful system of his predecessors was interrupted by scenes of war and conquest; and the legions, after a long interval, beheld a military emperor at their head. The first exploits of Trajan were against the Dacians, the most warlike of men, who dwelt beyond the Danube, and who, during the reign of Domitian, had insulted the majesty of Rome. This memorable war, with a very short suspension of hostilities, lasted five years; and as the emperor could exert, without control, the whole force of the state, it was terminated by an absolute submission of the barbarians. The new province of Dacia, which formed a second exception to the precept of Augustus, was about thirteen hundred miles in circumference,"i. 4.

Speaking of Trajan (p. 4), he says further: "The praises of Alexander, transmitted by a succession of poets and historians, had kindled a dangerous emulation in the mind of Trajan. Like him, the Roman emperor undertook an expedition against the nations of the East; but he lamented with a sigh that his advanced age scarcely left him any hopes of equalling the renown of the son of Phil Yet the success of Trajan, however transient, was rapid and specious. The degenerate Parthians, broken by intestine discord, fled before his arms. He descended the river Tigris, in triumph, from the mountains of Armenia to the Persian Gulf. He enjoyed the honor of being the first, as he was the last, of the Roman generals who ever navigated that remote sea. His fleets ravaged the coasts of Arabia; and Trajan vainly flattered himself that he was approaching toward the confines of India. Every day the astonished senate received the intelligence of new names and new nations that acknowledged his sway.

They were informed that the kings of Bosphorus, Colchis, lberia, Albania, Osrhoene, and even the Parthian monarch himself, had accepted their diadems from the hand of the emperor; that the independent tribes of the Median and Carduchian hills had implored his protection; and that the rich countries of Armenia, Mesopotamia, and Assyria were reduced into the state of provinces."Of such a reign what more appropriate symbol could there be than the horse and the rider of the first seal? If Mr. Gibbon had been writing a designed commentary on this, what more appropriate language could he have used in illustration of it? The reign of Hadrian, the successor of Trajan (117-138 a.d.), was comparatively a reign of peace - though one of his first acts was to lead an expedition into Britain: but though comparatively a time of peace, it was a reign of prosperity and triumph. Mr. Gibbon, in the following language, gives a general characteristic of that reign: "The life of Hadrian was almost a perpetual journey; and as he possessed the various talents of the soldier, the statesman, and the scholar, he gratified his curiosity in the discharge of his duty. careless of the difference of seasons and of climates, he marched on foot, and bareheaded, over the snows of Caledonia and the sultry plains of Upper Egypt; nor was there a province of the empire which, in the course of his reign, was not honored with the presence of the monarch,"p. 5.

On p. 6, Mr. Gibbon remarks of this period: "The Roman name was revered among the remote nations of the earth. The fiercest barbarians frequently submitted their differences to the arbitration of the emperor; and we are informed by a contemporary historian that he had seen ambassadors who were refused the honor which they came to solicit, of being admitted into the rank of subjects."And again, speaking of the reign of Hadrian, Mr. Gibbon remarks (i. 45): "Under his reign, as has been already mentioned, the empire flourished in peace and prosperity. He encouraged the arts, reformed the laws, asserted military discipline, and visited all the provinces in person."Hadrian was succeeded by the Antonines, Antoninus Pins and Marcus Aurelius (the former from 138 a.d. to 161 a.d.; the latter from 161 a.d. to the accession of Commodus, 180 a.d.). The general character of their reigns is well known.

It is thus stated by Mr. Gibbon: "The two Antenines governed the world for 42 years with the same invariable spirit of wisdom and virtue. Their united reigns are possibly the only period of history in which the happiness of a great people was the sole object of government,"i. 46. And after describing the state of the empire in respect to its military and naval character, its roads, and architecture, and constitution, and laws, Mr. Gibbon sums up the whole description of this period in the following remarkable words (vol. i. p. 47): "If a man were called to fix the period in the history of the world during which the condition of the human race was most happy and prosperous, he would, without hesitation, name what elapsed from the death of Domitian to the accession of Commodus. The vast extent of the Roman empire was governed by absolute power, under the guidance of virtue and wisdom. The armies were restrained by the firm but gentle hands of four successive emperors, whose characters and authority commanded involuntary respect. The forms of the civil administration were carefully preserved by Nerva, Trajan, Hadrian, and the Antonines, who delighted in the image of liberty, and were pleased with considering themselves as the accountable ministers of the laws. Such princes deserved the honor of restoring the republic, had the Romans of their days been capable of enjoying a rational freedom."If it be supposed now that John designed to represent this period of the world, could he have chosen a more expressive and significant emblem of it than occurs in the horseman of the first seal? If Mr. Gibbon had intended to prepare a commentary on it, could he have shaped the facts of history so as better to furnish an illustration?

\caps1 (2) t\caps0 he particular things represented in the symbol:

(a) The bow - a symbol of war. Mr. Elliott has endeavored to show that the bow at that period was especially the badge of the Cretians, and that Nerva, who succeeded Domitian, was a Cretian by birth. The argument is too long to be abridged here, but, if well founded, the fulfillment is remarkable; for although the sword or the javelin was usually the badge of the Roman emperor, if this were so, there would be a special propriety in making the bow the badge during this period. See Elliott, vol. 1, pp. 133-140. But whatever may be said of this, the bow was so generally the badge of a warrior, that there would be no impropriety in using it as a symbol of Roman victory.

(b) The crown - στέφανος stephanos - was, up to the time of Aurelian, 270 a.d. (see Spanheim, p. 60), the distinguishing badge of the Roman emperor; after that, the diadem, set with pearls and other jewels, was adopted and worn. The crown, composed usually of laurel, was properly the badge of the emperor considered as a military leader or commander. See Elliott, 1:130. At the period now under consideration the proper badge of the Roman emperor would be the crown; after the time of Aurelian, it would have been the diadem. In illustration of this, two engravings have been introduced, the first representing the emperor Nerva with the crown, or στέφανος stephanos , the second the emperor Valentinian, with the diadem.

© The fact that the crown was given to the rider. It was common among the Romans to represent an emperor in this manner; either on medals, bas-reliefs, or triumphal arches. The emperor appears going forth on horseback, and with Victory represented as either crowning him, or as preceding him with a crown in her hand to present to him. The engraving below, copied from one of the basreliefs on a triumphal arch erected to Claudius Drusus on occasion of his victories over the Germans, will furnish a good illustration of this, and, indeed, is so similar to the symbol described by John, that the one seems almost a copy of the other. Except that the bow is missing, nothing could have a closer resemblance; and the fact that such symbols were employed, and were well understood by the Romans, may be admitted to be a confirmation of the view above taken of the meaning of the first seal. Indeed, so many things combine to confirm this, that it seems impossible to be mistaken in regard to it: for if it should be supposed that John lived after this time, and that he meant to furnish a striking emblem of this period of Roman history, he could not have employed a more significant and appropriate symbol than he has done.

Barnes: Rev 6:3 - -- And when he had opened the second seal - So as to disclose another portion of the volume. See the notes at Rev 5:1. I heard the second bea...

And when he had opened the second seal - So as to disclose another portion of the volume. See the notes at Rev 5:1.

I heard the second beast say - The second beast was like a calf or an ox. See the notes at Rev 4:7. It cannot be supposed that there is any special significancy in the fact that the second beast addressed the seer on the opening of the second seal, or that, so far as the symbol was concerned, there was any reason why this living. creature should approach on the opening of this seal rather than on either of the others. All that seems to be designed is, that as the living creatures are intended to be emblems of the providential government of God, it was proper to represent that government as concerned in the opening of each of these four seals, indicating important events among the nations.

Come and see - See the notes on Rev 6:1.

Poole: Rev 6:1 - -- Rev 6:1-17 The opening of six of the seals in order, and what followed thereupon. Chapter Introduction We are now come to the prophetical, and t...

Rev 6:1-17 The opening of six of the seals in order, and what followed thereupon.

Chapter Introduction

We are now come to the prophetical, and therefore the most difficult, part of this mysterious book; as to which I judge it reasonable, before we come to open the mysterious text, (after Mr. Pool’ s method in his Latin Synopsis), to premise some things which may instruct the reader of these notes, both of the things wherein the difficulties lie, and of the fairest way to find out the sense of them. Hitherto we have met with no great difficulties; what have been, have been chiefly:

1. Concerning the seven Spirits of God.

2. Concerning the seven churches, and epistles to them; whether the churches be to be considered typically, and what was written to them be to be understood in a prophetic, as well as a didactic, or a corrective sense?

But in what follows we shall find great (if not some inextricable) difficulties. To prepare a way for the explication of which:

1. I shall first take it for granted, that from this chapter to the end of the book, is revealed the most remarkable things which have happened, or shall happen, to the church of God over all the earth, from the time of this Revelation first made to John, to the end of the world.

2. Hence it followeth, that many of the things prophesied are fulfilled; but how many is hard to determine, because the time is not set when these revelations should take place; whether (as some would have it) from the beginning of Christianity, which, to me, seemeth not probable; because at this time ninety-five years were elapsed since that time, and this prophecy was concerning the things that were to be after the time of John’ s being in Patmos, Rev 1:1 22:6 ; or from the beginning of the time when the Jewish church and state ceased, which was twenty-six or twenty-seven years before this; or from the time when this Revelation was, which was Anno 95, or thereabouts, in the time when Domitian was the Roman emperor, and had began his persecution of the Christians, which (as historians tell us) was but five years before he was slain, for he was slain in September, 97. And for those that are fulfilled, the things spoken are so applicable to various accidents happening in that period of time, that it is very difficult ofttimes to assert the sense of the prophecy.

3. I take it for granted also, that things happened in the same order as is here described; so as the things under the second seal came not to pass till those prophesied of under the first seal were, in a great measure, accomplished, &c.

4. I agree with those who think, that what we have, Rev 12:1-13:18, Rev 17:1-18:24 , are but a prophecy of other things that happened to the church at the same times spoken of, Rev 6:1-10:11 .

5. I do believe the visions of the seals, trumpets, and vials, Rev 6:1-17,8:1-13,15:1-8,16:1-21 , the principal prophecies, and contain the revelation of things in order as they were to happen; and of these, that of the seals is the principal.

6. I agree with those who think, that God, by the first six seals, intends the whole space from the time when the things written in this book began to be fulfilled, unto the time when paganism was rooted out of the Roman empire, which some make the year 310, some, 325. In which time (counting the beginning from the time when John was in Patmos, which was in Domitian’ s time) the emperors of Rome were Nerva, Trajan, Adrianus, Antoninus Pius, Antoninus Philosophus, Antoninus Verus, Commodus, Severus, Caracalla, Macrinus, Heliogabalus, Alexander Severus, Maximinus, Gordianus, Philippus, Decius, Valerianus, Gallienus, Claudius, Aurelianus, Tacitus, Probus, Carus, Numerianus, Dioclesianus with Maximinianus, Constantius Chlorus with Galerius, Constantius with Galerus, Constantinus; in all, twenty-seven, in about two hundred years: they were all persecutors, and God allowed them short reigns. So as what we have revealed in and under the first six seals, happened within the Short space of the three hundred or three hundred and twenty-five first years after Christ; I am apt to think, after ninety-eight or one hundred of them were elapsed. These things being premised, let us now come to consider the text.

John’ s vision continueth still: by the Lamb he means Christ, the Lamb oft mentioned Rev 5:1-14 ; and by

one of the seals one of the seven seals mentioned Rev 5:1 , that were set upon the book which John saw in the right hand of God the Father, given to Christ, Rev 5:7 . Christ began to discover the counsels of God relating to that first period of his church. And John heard one of the four living creatures speaking to him with a great and terrible voice, like

the noise of thunder Inviting him to come near, or to attend and see.

Poole: Rev 6:2 - -- Some, by this white horse understand the gospel; others, the Roman empire. And by him that sat thereon with a bow, some understand Christ going for...

Some, by this white horse understand the gospel; others, the Roman empire. And by him that sat thereon with a bow, some understand Christ going forth with power to convert the nations; others (and in my opinion more probably) the Roman emperors, armed with power, and having the imperial crown, carrying all before them. So as that which God intended by this to reveal to St. John, was, that the Roman emperors should yet continue, and use their power against his church. Those that understand by the white horse, the gospel, or God’ s dispensations to his church under the first period, and by the rider, Christ, (amongst whom is our famous Mede), think, that hereby all the time is signified from Christ’ s ascension, which was in the thirty-fourth year after his incarnation, till the time that all the apostles were dead, that is, the first hundred years after Christ (for so long histories tell us John lived). It was the age then current, and so may take up part of the vision of things that were to come. The history of all but forty of those years we have in the Acts, till Paul was carried prisoner to Rome. In this period ruled Augustus Caesar, (in whose time Christ was born, Luk 2:1 ), Tiberius, Claudius, and Nero, Galba, Otho, F. Vespasianus, Titus, and Domitian, Nerva, and Trajan, ten or eleven in all. They went on

conquering, and to conquer the world. But till Nero’ s time, about the year 66, they did not begin to persecute the Christians; nor did Vespasian and Titus much rage, nor Domitian, till he had reigned eight years: so as I leave it indifferent to the reader, whether to understand by the white horse and his rider, God’ s dispensations of providence to his church these first years, causing his gospel to prevail much, and conquering many to the profession of it, or the Roman empire, with those that ruled it: what is said is true of both.

Poole: Rev 6:3 - -- The second seal the second of those seven seals with which the book, mentioned Rev 5:1 , was sealed. The second beast the beast like a calf Rev 4:7...

The second seal the second of those seven seals with which the book, mentioned Rev 5:1 , was sealed.

The second beast the beast like a calf Rev 4:7 .

Come and see inviting John to attend.

PBC: Rev 6:1 - -- Introduction to the three rhythmic cycles of this vision Beginning with the seven seals, we have a rhythmic continuation of the same vision: seven se...

Introduction to the three rhythmic cycles of this vision

Beginning with the seven seals, we have a rhythmic continuation of the same vision: seven seals followed by seven trumpets. This is followed by seven vials. In the three cycles of this vision, we find a silence or period of waiting, between the opening of the sixth and seventh seal. There is a silence, or period of waiting, between the sounding of the sixth and seventh trumpets. There is a silence, or period of waiting, between the pouring out of the sixth and seventh vials. The purpose of this pause seems to be meant to allow concentration on the events which are taking place. Throughout these cycles, we find an ever increasing intensity in the events. However, they are the same events progressively described in greater detail.

The First Seal Opened: The white horse and its rider {Re 6:1-2}

Re 6:1 And I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see.

Chapter five ended with the scene of all creatures giving honor and praise to Him that sitteth upon the throne, and unto the Lamb for ever and ever. " Then the four beasts said, Amen. And the four and twenty elders fell down and worshiped him that liveth for ever and ever." It is of greatest importance that one is found who is worthy to open the seals and reveal the things contained therein. What more can be done than time taken to give honor and praise to Him that controls the destiny of time, and of the inhabitants of the earth.

Now the opening of the seals is the uppermost thing to be performed. This is shown by the beast who in thunderous tones spoke to John and said, " Come and see."— Eld. Charles Taylor

PBC: Rev 6:2 - -- Some have interpreted this person as Vespasian whom the Roman emperor, Nero, sent to put down the revolt in Judea and Jerusalem. While there is some s...

Some have interpreted this person as Vespasian whom the Roman emperor, Nero, sent to put down the revolt in Judea and Jerusalem. While there is some symbolic resemblance that could be connected with the coming of Vespasian, we must see the overall meaning of the symbols represented here. (1) This figure was mounted on a white horse. White is the symbol for purity and righteousness. Vespasian, although a conqueror of much territory, could never be pictured as pure or righteous. He caused the death of many of God’s people in the land. (2) This One was given a crown. Vespasian was also given a crown, but, it was after he had returned to Rome[1] upon the death of Nero. He was crowned Emperor of Rome. This was not a direct reward for his excelling in battle. It was what any man would receive upon being elevated to the throne of Emperor of Rome. (3) This One is pictured as having a bow in his hand. This is a symbol of going forth to war. This also did Vespasian do! But there is another who is greater in battle than any general who ever fought. This One is Jesus Christ who waged war against the wiles of Satan. All the symbols represented here truly fit only Him. (a) He is the essence of Purity. (b) He was crowned with a crown before coming to redeem His people. He laid aside that crown and took it on Himself again upon finishing the work which He was sent to do. (3) He conquered death, hell, and the grave and is set down at the right hand of the Father to make intercession for the saints. In this respect, He is still conquering. So I conclude that this One who is seen in the opening of the first seal is none other than Jesus Christ, our Conqueror.

We may find a last proof of this conclusion in Re 19:11, " And I saw heaven opened, and behold a white horse; and he that sat upon him was called Faithful and True, and in righteousness he doth judge and make war." Please continue reading through Re 19:16 and you will find these words, " And he hath on his vesture and on his thigh a name written, KING OF KINGS, AND LORD OF LORDS."

Scriptures concerning God’s use of the Bow:

David gives us some insight to the bow seen in the hand of Him on the white horse, " The LORD shall send the rod of thy strength out of Zion: rule thou in the midst of thine enemies." {Ps 110:2}

Ps 7:11-13, " God judgeth the righteous, and God is angry with the wicked every day. If he turn not, he will whet his sword; he hath bent his bow, and made it ready. He hath also prepared for him the instruments of death; he ordaineth his arrows against the persecutors." Additional clarification of the bow’s meaning may be found in the following Scripture references.

Isa 41:2, " Who raised up the righteous man from the east, called him to his foot, gave the nations before him, and made him rule over kings? he gave them as the dust to his sword, and as driven stubble to his bow."

La 2:4, " He hath bent his bow like an enemy: he stood with his right hand as an adversary, and slew all that were pleasant to the eye in the tabernacle of the daughter of Zion: he poured out his fury like fire."

Zec 9:12-13, " Turn you to the strong hold, ye prisoners of hope: even to day do I declare that I will render double unto thee; When I have bent Judah for me, filled the bow with Ephraim, and raised up thy sons, O Zion, against thy sons, O Greece, and made thee as the sword of a mighty man."

Zec 10:3-5, " Mine anger was kindled against the shepherds, and I punished the goats: for the LORD of hosts hath visited his flock the house of Judah, and hath made them as his goodly horse in the battle. Out of him came forth the corner, out of him the nail, out of him the battle bow, out of him every oppressor together. And they shall be as mighty men, which tread down their enemies in the mire of the streets in the battle: and they shall fight, because the LORD is with them, and the riders on horses shall be confounded."— Eld. Charles Taylor

[1] Upon Vespasian’s return to Rome, Titus, his son, was left to fight in Judaea. Especially against Jerusalem. Neither of these could ever be understood to be this conqueror who sat upon the white horse with the Bow of battle.

PBC: Rev 6:3 - -- Re 6:3-4 And when he had opened the second seal, I heard the second beast say, Come and see.  And there went out another horse that was red: and powe...

Re 6:3-4 And when he had opened the second seal, I heard the second beast say, Come and see.  And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.

After this seal is opened we see an opposing force. Instead of white we find a rider on a red horse. This is not a figure of peace; it is a figure of evil. Some might portray this to be Satan, but I submit to you that it is a power used by Satan.[1]  We are to understand this Book’s original time placement, with the opening of the Book’s Seals in the light of the destruction of Jerusalem which was finished in the year 70 A.D. Power was given to him to take peace from the earth, and that they should kill one another with the sword. During the battle which ensued between the Romans and Jews, many of those Jews who were fainthearted wanted to desert to the Roman Army. As a result of this there was fighting and killing between various factions among the Jews. This further weakened their ability to be successful. Titus penetrated the first wall of the city. He proceeded to penetrate the second wall but was driven back. On the second attempt, he was successful and the slaughter was terrible. The Jewish historian Josephus states that those who continued to fight against the Romans who occupied places around the wall had to trample the dead bodies in the streets. Many other terrible acts took place as men slew one another. " Thus did the miseries of Jerusalem grow worse and worse every day, and the seditious were still more irritated by the calamities they were under, even while the famine preyed upon them, after it had preyed upon the people." Again, The opening of the second seal of the Red Horse represents the powers of Rome (Titus and his army) and the great slaughter which accompanied the taking of the city of Jerusalem.— Eld. Charles Taylor  

[1] Re 12:3 Shows " great red dragon, having seven heads and ten horns, and seven crowns upon his heads [Upon examination, you will find this figure as being Satan. Therefore, it could not be the same figure represented in Re 6:4]

Haydock: Rev 6:1 - -- I saw that the Lamb had opened one of the seven seals, or the first seal. The interpreters are much divided in expounding what is to be understood b...

I saw that the Lamb had opened one of the seven seals, or the first seal. The interpreters are much divided in expounding what is to be understood by the sealed up contents, and in applying them to such and such persecutions, persons, and events, by all which it appears that there is no certainty as to such applications and expositions, even of particular ancient fathers; though at the same time it is both certain and evident that many pretended interpretations, (that is, arbitrary inventions, from the private spirit of heretics) are both false and groundless, contrary to the unexceptionable authority (to use Dr. W.'s words) of the primitive fathers, and inconsistent with the doctrine and belief of the Catholic Church, as I may have occasion to shew that the ridiculous fable is of this number, of so many popes being antichrist, and the beast of the Apocalypse. I shall, for the satisfaction of the Christian reader, as I hinted in the preface of this book, give a short account of those expositions that are not improbable. (Witham)

Haydock: Rev 6:2 - -- A white horse, such as conquerors used to ride upon at a solemn triumph. This is commonly understood of our Saviour, Christ, who, by himself and his...

A white horse, such as conquerors used to ride upon at a solemn triumph. This is commonly understood of our Saviour, Christ, who, by himself and his apostles, preachers, martyrs, and other saints, triumphed over all the adversaries of his Church. He had a bow in his hand, the doctrine of his gospel, piercing like an arrow the hearts of the hearers; and the crown given him, was a token of the victory of him who went forth conquering, that he might conquer. (Witham) ---

He that sitteth on the white horse is Christ, going forth to subdue the world by his gospel. The other horses that follow represent the judgments and punishment, that were to fall on the enemies of Christ and his Church: the red horse signifies war; the black horse famine; and the pale horse (which has death for its rider) plagues or pestilence. (Challoner) ---

White horse; viz. Jesus Christ, who came to subdue all nations to the faith. The bow signifies the gospel, and the word of God, those powerful arms, of which St. Paul so often speaks, as being so necessary for all who are engaged in bringing souls to the faith of Christ. The crown marks the sovereign power of Jesus Christ, and the assurance of conquest. (Cornelius; Bossuet; Du Pin)

Haydock: Rev 6:3-4 - -- Opened the second seal, &c. portending wars and shedding of blood, and so he is said to have power to take away peace from the earth . (Witham) --- ...

Opened the second seal, &c. portending wars and shedding of blood, and so he is said to have power to take away peace from the earth . (Witham) ---

Another red horse. This red horse signifies the cruel persecutions, which the Roman emperors carried on against the Christian religion. For this end, it is said immediately after, one sat thereon, to take peace from the earth, and kill one another; for this purpose was a great sword given to him. (Andræas; Menochius; Grotius)

Gill: Rev 6:1 - -- And I saw, when the Lamb opened one of the seals,.... Of the sealed book; one of the seven seals of it, as read the Alexandrian copy, the Vulgate Lati...

And I saw, when the Lamb opened one of the seals,.... Of the sealed book; one of the seven seals of it, as read the Alexandrian copy, the Vulgate Latin, and the Oriental versions, and the Complutensian edition; that is, the first; so "one" is used for first in Gen 1:5; and as appears from the following seals being called second, third, fourth, &c. These seals express events to be fulfilled; and therefore cannot respect the steps towards, and the signs of Jerusalem's destruction, and that itself, which had been accomplished some years before the vision of the seals; and which vision would have been needless: and these are called seals, because they were sealed among God's treasure, or were resolved on, and decreed by him; and because they were hidden and unknown until they came to pass; and when they were come to pass, they were pledges of what God would do in the destruction of Rome Papal, as here in the destruction of Rome Pagan: for these seals, at least the first six of them, concern the Pagan empire, and the state of the church in it; and are so many gradual steps to the ruin of it, and to the advancing and increasing of the kingdom of Christ; and these, with the seven trumpets, which the last seal introduces, reach from the times of the apostles to the end of time, as appears from Rev 10:6. Now the opening of these seals is the revealing of the events signified by them, and expressed in the hieroglyphics here made use of, and the fulfilment of them;

and I heard as it were the noise of thunder; a voice very loud and sonorous, exciting the attention of John:

one of the four beasts saying, come and see; this was the of the four living creatures, for the word one is used in the same sense as in the foregoing clause; and this creature was like to a lion, Rev 4:7; wherefore his voice was loud, as when a lion roars, Rev 10:3, and is fitly compared to thunder: there is no need to look out for any particular person, as intended by this living creature; or to conclude him to be Peter, as Grotius, who was dead before this seal was opened; or Quadratus, Aristides, and Justin Martyr, who courageously appeared in the Christian cause, and made very excellent apologies for it, with success, since these lived under the second seal; it is enough in general to understand the ministers of the Gospel, who, as sons of thunder, loudly and publicly preached the Gospel, and, as lions, boldly and bravely defended, and took notice of the power and providence of God in succeeding their ministry, and in weakening the kingdom of Satan in the Gentile world, and particularly in the Roman empire; and therefore are represented as calling to John to "come and see"; observe and take notice of the following hieroglyphic, representing the success of the Gospel ministry, תא חזי, "come and see", is a phrase often used by the Jews, to stir up attention to what is about to be said; See Gill on Joh 1:46.

Gill: Rev 6:2 - -- And I saw, and behold a white horse,.... Representing the ministration of the Gospel in the times of the apostles, which were just now finishing, John...

And I saw, and behold a white horse,.... Representing the ministration of the Gospel in the times of the apostles, which were just now finishing, John being the last of them, who saw this vision; and the "horse" being a swift, majestic, and warlike creature, and fearless of opposition and war, may design the swift progress of the Gospel in the world, the majesty, power, and authority with which it came, and opposition it met with, and which was bore down before it; and its "white" colour may denote the purity of Gospel truths, the peace it proclaims, the joy brings, and the triumph that attends it, on account of victories obtained by it, and which is afterwards suggested: white horses were used in triumphs, in token of victory n; a white horse, in a dream, is a good sign with the Jews o; and Astrampsychus says p, a vision of white horses is an apparition of angels; and so one of those angels which the Jews suppose to have the care of men, and the preservation of them, is said q to ride by him, and at his right hand, upon a white horse; but the rider here is not an angel, but the head of all principality and power:

and he that sat on him had a bow; with arrows; the bow is the word of the Gospel, and the arrows the doctrines of it; see Hab 3:9; so called for their swift motion, sudden and secret striking, piercing, and penetrating nature, reaching to the very hearts of men; laying open the secret thoughts and iniquity thereof; wounding, and causing them to fall, and submit themselves to the sceptre of Christ's kingdom:

and a crown was given unto him; by God the Father; expressive of Christ's regal power and authority, of his honour and dignity, and of his victories and conquests:

and he went forth, conquering and to conquer; in the ministration of the Gospel, which went forth, as did all the first ministers of it, from Jerusalem, to the several parts of the world; from the east, on which side of the throne was the first living creature, who called upon John to come and see this sight, as the standard of the tribe of Judah, which had a lion upon it, was on the east side of the camp of Israel; and out of Zion went forth the word of the Lord, which was very victorious, both among Jews and Gentiles, to the conversion of thousands of them, and to the planting of a multitude of churches among them, and to the setting up and advancing the kingdom of Christ; but inasmuch as yet all things are not made subject to him, he is represented as going forth in the Gospel, still conquering, and to conquer, what remain to be conquered: that Christ is designed by him that sat on the white horse, and is thus described, is evident from Rev 19:11; with which compare Psa 45:3, though as this emblem may respect the Roman empire, the white horse may be an emblem of the strong, warlike, and conquering state of it; and the rider which a bow and crown may design Vespasian, whom Christ made use of as an instrument to conquer his enemies the Jews, and who, in consequence thereof, had the imperial crown put upon him; and it may be further observed, that though his conquest of them was a very great one, yet they afterwards rose up in the empire, in great numbers, rebelled, and did much mischief, when they were entirely conquered by Trajan and Hadrian, who seem to be intended in the next seal.

Gill: Rev 6:3 - -- And when he had opened the second seal,.... Of the sealed book; that is, the Lamb, as before: I heard the second beast say, come and see; this livi...

And when he had opened the second seal,.... Of the sealed book; that is, the Lamb, as before:

I heard the second beast say, come and see; this living creature was the ox, whose situation was on the west side of the throne, as the standard of Ephraim, on which was an ox, was on the west of the camp of Israel; no mention is made of the noise of thunder, as before, the voice of the ox being lower than that of the lion; and this perhaps may point out a decrease in the Gospel ministry; to fix on any particular person, as, with Grotius, the Evangelist Matthew, because he says, Mat 24:7, nation shall rise against nation, which carries in it some likeness to what is said at the opening of this seal; or, as with Brightman, Justin Martyr, whose second apology was not regarded by the emperor, is mere conjecture; the ministers of the Gospel are intended who lived under this seal, who, though they might not be strong and courageous like the lion, or their predecessors, yet were like the ox, laborious in preaching, and patient in suffering; and these are represented in this vision as inviting John to behold and observe the following hieroglyphic.

expand all
Commentary -- Verse Notes / Footnotes

NET Notes: Rev 6:1 The addition of “and see” (καὶ ἴδε or καὶ βλέπε [kai ide or kai b...

NET Notes: Rev 6:2 The participle νικῶν (nikwn) has been translated as substantival, the subject of the verb ἐξῆλθ&#...

NET Notes: Rev 6:3 Grk “he”; the referent (the Lamb) has been specified in the translation for clarity here and throughout the rest of the chapter.

Geneva Bible: Rev 6:1 And ( 1 ) I saw when the Lamb opened one of the seals, and I heard, as it were the noise of thunder, one of the four beasts saying, Come and see. ( 1...

Geneva Bible: Rev 6:2 And ( 2 ) I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conq...

Geneva Bible: Rev 6:3 And ( 3 ) when he had opened the second seal, I heard the second beast say, Come and see. ( 3 ) The second sign joined with words of declaration (aft...

expand all
Commentary -- Verse Range Notes

TSK Synopsis: Rev 6:1-17 - --1 The opening of the seals in order, and what followed thereupon, containing a prophecy to the end of the world.

MHCC: Rev 6:1-8 - --Christ, the Lamb, opens the first seal: observe what appeared. A rider on a white horse. By the going forth of this white horse, a time of peace, or t...

Matthew Henry: Rev 6:1-2 - -- Here, 1. Christ, the Lamb, opens the first seal; he now enters upon the great work of opening and accomplishing the purposes of God towards the chur...

Matthew Henry: Rev 6:3-8 - -- The next three seals give us a sad prospect of great and desolating judgments with which God punishes those who either refuse or abuse the everlasti...

Barclay: Rev 6:1-2 - --As each of the seven seals is broken and opened, a new terror falls upon the earth. The first terror is depicted under the form of a white horse and...

Barclay: Rev 6:3-4 - --The function of the second horse and its rider is to take peace from the earth. They stand for that destructive strife which sets man against man and...

Constable: Rev 4:1--22:6 - --III. THE REVELATION OF THE FUTURE 4:1--22:5 John recorded the rest of this book to reveal those aspects of the f...

Constable: Rev 6:1-17 - --B. The first six seal judgments ch. 6 John received revelation concerning the j...

Constable: Rev 6:1-2 - --1. The first seal 6:1-2 6:1 "I saw" marks the continuation of what John had seen that chapters 4 and 5 record, but also the commencement of revelation...

Constable: Rev 6:3-4 - --2. The second seal 6:3-4 6:3 When the Lamb broke the second seal on the scroll, John heard the second living creature order the second horseman forwar...

College: Rev 6:1-17 - --REVELATION 6 B. THE FIRST VISION OF THE FUTURE (6:1-8:1) In our study of Revelation 4-5, we saw that the "scroll with writing on both sides and seal...

expand all
Introduction / Outline

Robertson: Revelation (Book Introduction) THE REVELATION OF JOHN ABOUT a.d. 95 By Way of Introduction Difficulty in the Problem Perhaps no single book in the New Testament presents so ...

JFB: Revelation (Book Introduction) AUTHENTICITY.--The author calls himself John (Rev 1:1, Rev 1:4, Rev 1:9; Rev 2:8). JUSTIN MARTYR [Dialogue with Trypho, p. 308] (A.D. 139-161) quotes ...

JFB: Revelation (Outline) TITLE: SOURCE AND OBJECT OF THIS REVELATION: BLESSING ON THE READER AND KEEPER OF IT, AS THE TIME IS NEAR: INSCRIPTION TO THE SEVEN CHURCHES: APOSTOL...

TSK: Revelation (Book Introduction) The obscurity of this prophecy, which has been urged against its genuineness, necessarily results from the highly figurative and symbolical language i...

TSK: Revelation 6 (Chapter Introduction) Overview Rev 6:1, The opening of the seals in order, and what followed thereupon, containing a prophecy to the end of the world.

Poole: Revelation 6 (Chapter Introduction) CHAPTER 6

MHCC: Revelation (Book Introduction) The Book of the Revelation of St. John consists of two principal divisions. 1. Relates to " the things which are," that is, the then present state of...

MHCC: Revelation 6 (Chapter Introduction) (Rev 6:1-8) The opening of the seals, The first, second, third, and fourth. (Rev 6:9-11) The fifth. (Rev 6:12-17) The sixth.

Matthew Henry: Revelation (Book Introduction) An Exposition, with Practical Observations, of The Revelation of St. John the Divine It ought to be no prejudice to the credit and authority of this b...

Matthew Henry: Revelation 6 (Chapter Introduction) The book of the divine counsels being thus lodged in the hand of Christ, he loses no time, but immediately enters upon the work of opening the seal...

Barclay: Revelation (Book Introduction) INTRODUCTION TO THE REVELATION OF JOHN The Strange Book When a student of the New Testament embarks upon the study of the Revelation he feels him...

Barclay: Revelation 6 (Chapter Introduction) The Opening Of The Seals (Rev_6:1-8) As one by one the seals of the roll are opened, history unfolds itself before John's eyes. As we study th...

Constable: Revelation (Book Introduction) Introduction Historical background The opening verses of the book state that "John" wr...

Constable: Revelation (Outline) Outline I. The preparation of the prophet ch. 1 A. The prologue of the book 1:1-8 ...

Constable: Revelation Revelation Bibliography Abbott-Smith, George. A Manual Greek Lexicon of the New Testament. Edinburgh: T. & ...

Haydock: Revelation (Book Introduction) THE APOCALYPSE OF ST. JOHN, THE APOSTLE. INTRODUCTION. Though some in the first ages [centuries] doubted whether this book was canonical, and ...

Gill: Revelation (Book Introduction) INTRODUCTION TO REVELATION That this book was written by the Apostle and Evangelist John, is clear not only from the express mention of his name, a...

Gill: Revelation 6 (Chapter Introduction) INTRODUCTION TO REVELATION 6 This chapter contains the vision of the opening six of the seals of the sealed book, by the Lamb, and of the events fo...

College: Revelation (Book Introduction) PREFACE This commentary on the Revelation of John has been prepared for general readers of the Bible who desire to deepen their understanding of God'...

College: Revelation (Outline) OUTLINE I. PROLOGUE - 1:1-20 A. Introduction to the Prophecy - 1:1-3 B. Sender - 1:4a C. Recipients - 1:4b D. Prescript - 1:4c-5a E. ...

Advanced Commentary (Dictionaries, Hymns, Arts, Sermon Illustration, Question and Answers, etc)


TIP #20: 'To dig deeper, please read related articles at BIBLE.org (via Articles Tab).' [ALL]
created in 0.25 seconds
powered by
bible.org - YLSA