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Exodus 28:15-29

Context

28:15 “You are to make a breastpiece for use in making decisions, 1  the work of an artistic designer; you are to make it in the same fashion as the ephod; you are to make it of gold, blue, purple, scarlet, and fine twisted linen. 28:16 It is to be square 2  when 3  doubled, nine inches 4  long and nine inches wide. 28:17 You are to set in it a setting for stones, four rows of stones, a row with a ruby, a topaz, and a beryl – the first row; 28:18 and the second row, a turquoise, a sapphire, and an emerald; 28:19 and the third row, a jacinth, an agate, and an amethyst; 28:20 and the fourth row, a chrysolite, an onyx, and a jasper. 5  They are to be enclosed in gold in their filigree settings. 28:21 The stones are to be for the names of the sons of Israel, twelve, according to the number of 6  their names. Each name according to the twelve tribes is to be like 7  the engravings of a seal.

28:22 “You are to make for the breastpiece braided chains like cords of pure gold, 28:23 and you are to make for the breastpiece two gold rings and attach 8  the two rings to the upper 9  two ends of the breastpiece. 28:24 You are to attach the two gold chains to the two rings at the ends of the breastpiece; 28:25 the other 10  two ends of the two chains you will attach to the two settings and then attach them 11  to the shoulder pieces of the ephod at the front of it. 28:26 You are to make two rings of gold and put them on the other 12  two ends of the breastpiece, on its edge that is on the inner side of the ephod. 28:27 You are to make two more 13  gold rings and attach them to the bottom of the two shoulder pieces on the front of the ephod, close to the juncture above the waistband of the ephod. 28:28 They are to tie the breastpiece by its rings to the rings of the ephod by blue cord, so that it may be above the waistband of the ephod, and so that the breastpiece will not be loose from the ephod. 28:29 Aaron will bear the names of the sons of Israel in the breastpiece of decision over his heart 14  when he goes into the holy place, for a memorial before the Lord continually.

Exodus 39:8-21

Context
The Breastpiece of Decision

39:8 He made the breastpiece, the work of an artistic designer, in the same fashion as the ephod, of gold, blue, purple, and scarlet, and fine twisted linen. 39:9 It was square – they made the breastpiece doubled, nine inches long and nine inches wide when doubled. 39:10 They set on it 15  four rows of stones: a row with a ruby, a topaz, and a beryl – the first row; 39:11 and the second row, a turquoise, a sapphire, and an emerald; 39:12 and the third row, a jacinth, an agate, and an amethyst; 39:13 and the fourth row, a chrysolite, an onyx, and a jasper. They were enclosed in gold filigree settings. 39:14 The stones were for the names of the sons of Israel, twelve, corresponding to the number of 16  their names. Each name corresponding to one of the twelve tribes was like the engravings of a seal.

39:15 They made for the breastpiece braided chains like cords of pure gold, 39:16 and they made two gold filigree settings and two gold rings, and they attached the two rings to the upper 17  two ends of the breastpiece. 39:17 They attached the two gold chains to the two rings at the ends of the breastpiece; 39:18 the other 18  two ends of the two chains they attached to the two settings, and they attached them to the shoulder pieces of the ephod at the front of it. 39:19 They made two rings of gold and put them on the other 19  two ends of the breastpiece on its edge, which is on the inner side of the ephod. 20  39:20 They made two more 21  gold rings and attached them to the bottom of the two shoulder pieces on the front of the ephod, close to the juncture above the waistband of the ephod. 39:21 They tied the breastpiece by its rings to the rings of the ephod by blue cord, so that it was above the waistband of the ephod, so that the breastpiece would not be loose from the ephod, just as the Lord had commanded Moses.

The Song of Songs 8:6

Context
The Nature of True Love

The Beloved to Her Lover:

8:6 Set me like a cylinder seal 22  over your heart, 23 

like a signet 24  on your arm. 25 

For love is as strong as death, 26 

passion 27  is as unrelenting 28  as Sheol.

Its flames burst forth, 29 

it is a blazing flame. 30 

Isaiah 59:17

Context

59:17 He wears his desire for justice 31  like body armor, 32 

and his desire to deliver is like a helmet on his head. 33 

He puts on the garments of vengeance 34 

and wears zeal like a robe.

Ephesians 6:14

Context
6:14 Stand firm therefore, by fastening 35  the belt of truth around your waist, 36  by putting on the breastplate of righteousness,

Ephesians 6:1

Context

6:1 Children, 37  obey your parents in the Lord 38  for this is right.

Ephesians 5:8

Context
5:8 for you were at one time darkness, but now you are 39  light in the Lord. Walk as children of the light –
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[28:15]  1 tn Heb “a breastpiece of decision” (חֹשֶׁן מִשְׁפָּט, khoshen mishpat; so NAB). The first word, rendered “breastpiece,” is of uncertain etymology. This item was made of material similar to the ephod. It had four rows of three gems on it, bearing the names of the tribes. In it were the urim and thummim. J. P. Hyatt refers to a similar object found in the Egyptian reliefs, including even the twisted gold chains used to hang it from the priest (Exodus [NCBC], 282).

[28:16]  2 tn Heb “four.”

[28:16]  3 tn “when” is added for clarification (U. Cassuto, Exodus, 375).

[28:16]  4 tn The word זֶרֶת (zeret) is half a cubit; it is often translated “span.”

[28:20]  5 sn U. Cassuto (Exodus, 375-76) points out that these are the same precious stones mentioned in Ezek 28:13 that were to be found in Eden, the garden of God. So the priest, when making atonement, was to wear the precious gems that were there and symbolized the garden of Eden when man was free from sin.

[28:21]  6 tn For clarity the words “the number of” have been supplied.

[28:21]  7 tn The phrase translated “the engravings of a seal” is an adverbial accusative of manner here.

[28:23]  8 tn Heb “give, put.”

[28:23]  9 tn Here “upper” has been supplied.

[28:25]  10 tn Here “the other” has been supplied.

[28:25]  11 tn Here “them” has been supplied.

[28:26]  12 tn Here “other” has been supplied.

[28:27]  13 tn Here “more” has been supplied.

[28:29]  14 sn So Aaron will have the names of the tribes on his shoulders (v. 12) which bear the weight and symbol of office (see Isa 9:6; 22:22), and over his heart (implying that they have a constant place in his thoughts [Deut 6:6]). Thus he was to enter the presence of God as the nation’s representative, ever mindful of the nation’s interests, and ever bringing the remembrance of it before God (S. R. Driver, Exodus, 306).

[39:10]  15 tn That is, they set in mountings.

[39:14]  16 tn The phrase “the number of” has been supplied.

[39:16]  17 tn Here “upper” has been supplied.

[39:18]  18 tn Here “other” has been supplied.

[39:19]  19 tn Here “other” has been supplied.

[39:19]  20 tn Heb “homeward side.”

[39:20]  21 tn Here “more” has been supplied.

[8:6]  22 sn In the ancient Near East חוֹתָם (khotam, “seal”) was used to denote ownership and was thus very valuable (Jer 22:24; Hag 2:23; Eccl 17:22). Seals were used to make a stamp impression to identify the object as the property of the seal’s owner (HALOT 300 s.v. I חוֹתָם). Seals were made of semi-precious stone upon which was engraved a unique design and an inscription, e.g., LMLK [PN] “belonging to king […].” The impression could be placed upon wet clay of a jar or on a writing tablet by rolling the seal across the clay. Because it was a valuable possession its owner would take careful precautions to not lose it and would keep it close to him at all times.

[8:6]  23 tn The term לֵבָב (levav, “heart”) is used figuratively here as (1) a metonymy (container for the thing contained) for his chest over which the cylinder seal was hung or (2) a metonymy (concrete body part for the abstract emotions with which it is associated) for his emotions, such as love and loyalty to the Beloved (e.g., Judg 16:25; Ruth 3:7; 1 Sam 25:36; 2 Sam 13:28; 1 Kgs 8:66) (HALOT 514-15 s.v. לֵב) (see H. W. Wolff, Anthropology of the Old Testament, 40-58).

[8:6]  24 tn Literally “cylinder-seal” or “seal.” The term חוֹתָם (khotam, “cylinder-seal”) is repeated in 8:6 for emphasis. The translation above uses the terms “cylinder seal” and “signet” simply for the sake of poetic variation. The Beloved wanted to be as safe and secure as a cylinder seal worn on the arm or around the neck, hanging down over the heart. She also wanted to be placed on his heart (emotions), like the impression of a cylinder seal is written on a document. She wanted to be “written” on his heart like the impression of a cylinder seal, and kept secure in his love as a signet ring is worn around his arm/hand to keep it safe.

[8:6]  25 tn Alternately, “wrist.” In Palestine cylinder seals were often hung on a bracelet worn around one’s wrist. The cylinder seal was mounted on a pin hanging from a bracelet. The cylinder seal in view in Song 8:6 could be a stamp seal hung from a bracelet of a type known from excavations in Israel. See W. W. Hallo, “‘As the Seal Upon Thy Heart’: Glyptic Roles in the Biblical World,” BRev 2 (1985): 26.

[8:6]  26 sn It was a common practice in the ancient world to compare intense feelings to death. The point of the expression “love is as strong as death” means that love is extremely strong. The expression “love is as cruel as Sheol” may simply mean that love can be profoundly cruel. For example: “His soul was vexed to death,” means that he could not stand it any longer (Judg 16:16). “I do well to be angry to death,” means that he was extremely angry (Jonah 4:9). “My soul is sorrowful to death,” means that he was exceedingly sorrowful (Matt 26:38 = Mark 14:34) (D. W. Thomas, “A Consideration of Some Unusual Ways of Expressing the Superlative in Hebrew,” VT 3 [1953]: 220-21).

[8:6]  27 tn Alternately, “jealousy.” The noun קִנְאָה (qinah) has a wide range of meanings: “jealousy” (Prov 6:34; 14:30; 27:4), “competitiveness” (Eccl 4:4; 9:6), “anger” (Num 5:14, 30), “zeal” (2 Kgs 10:16; Pss 69:10; 119:139; Job 5:2; Sir 30:24), and “passion” (Song 8:6). The Hebrew noun is related to the Akkadian and Arabic roots that mean “to become intensely red” or “become red with passion,” suggesting that the root denotes strong emotion. Although קִנְאָה is traditionally rendered “jealousy” (KJV, RSV, NASB, NIV), the parallelism with אַהֲבָה (’ahavah, “love”) suggests the nuance “passion” (NJPS). Coppes notes, “This word is translated in the KJV in a bad sense in Song 8:6, ‘jealousy is as cruel as the grave,’ but it could be taken in a good sense in parallel with the preceding, ‘ardent zeal is as strong as the grave’” (TWOT 2:803).

[8:6]  28 tn Heb “harsh” or “severe.”

[8:6]  29 tn Heb “Its flames are flames of fire.”

[8:6]  30 tn The noun שַׁלְהֶבֶתְיָה (shalhevetyah, “mighty flame”) is related to the nouns שַׁלְהֶבֶת (shalhevet, “flame”), לֶהָבָה (lehavah, “flame”), and לַהַב (lahav, “flame”), all of which are derived from the root להב “to burn, blaze, flame up” (HALOT 520 s.v. לַהַב). The form שַׁלְהֶבֶתְיָה is an unusual noun pattern with (1) a prefix ־שׁ that is common in Akkadian but rare in Hebrew; it has an intensive adjective meaning, (2) a feminine ־ת ending, and (3) a suffix ־יָה whose meaning is debated. The suffix ־יָה has been taken in three ways by scholars and translators: (1) יָה is an abbreviated form of the divine name יהוה (“Yahweh”), functioning as a genitive of source: “the flame of the Lord” (NASB). The abbreviated form יָהּ is used only in poetic texts as a poetic variation of יהוה (e.g., Exod 15:2; 17:16; Pss 68:5, 19; 77:12; 89:9; 94:7, 12; 102:19; 104:35; 105:45; 106:1, 48; 111:1; 112:1; 113:1, 9; 115:17, 18; 116:19; 117:2; 118:5, 14, 17-19; 122:4; 130:3; 135:1, 3, 4, 21; 146:1, 10; 147:1, 20; 148:1, 14; 149:1, 9; 150:1, 6; Isa 12:2; 26:4; 38:11). However, the Masoretes did not point the text as שַׁלְהֶבֶת־יָהּ (shalhevet-yah) with maqqep and daghesh in the הּ, as would be the case with the divine name. (2) Thomas suggests that, just as אֱלֹהִים (’elohim) and אֵל (’el) are sometimes used to express superlatives or intensive ideas, so יָה expresses the superlative/intensive: “a mighty flame” (D. W. Thomas, “A Consideration of Some Unusual Ways of Expressing the Superlative in Hebrew,” VT 3 [1953]: 209-24). Examples of אֱלֹהִים (’elohim): “a mighty wind” (Gen 1:2), “a mighty prince” (Gen 23:6), “a great struggle” (Gen 30:8), “a great fire” (Job 1:16), “an exceeding great city” (Jonah 3:3). Examples of אֵל (’el): “the mighty mountains” (Ps 36:7) and “the mighty cedars” (Ps 80:11). Examples of יָה (yah) suffixed: “darkest gloom” (Jer 2:31), “mighty deeds” (Jer 32:19), and “mighty deeds” (Ps 77:12). (3) The most likely view is that יָה is an intensive adjectival suffix, similar to –iy and –ay and –awi in Aramaic, Akkadian, and Arabic: “a most vehement flame” (KJV), “a mighty flame” (RSV, NIV), and “a blazing flame” (NJPS). This also best explains “darkest gloom” (Jer 2:31), and “mighty deeds” (Jer 32:19) (see S. Moscati, Comparative Grammar, 81, §12.18, and 83, §12.23).

[59:17]  31 tn Or “righteousness” (KJV, NASB, NIV, NRSV, NLT); NCV “goodness.”

[59:17]  32 tn Or “a breastplate” (traditional; so many English versions); TEV “a coat of armour.”

[59:17]  33 tn Heb “and [as] a helmet deliverance on his head.”

[59:17]  34 tn Heb “and he puts on the clothes of vengeance [as] a garment.”

[6:14]  35 sn The four participles fastening… putting on…fitting…taking up… indicate the means by which believers can take their stand against the devil and his schemes. The imperative take in v. 17 communicates another means by which to accomplish the standing, i.e., by the word of God.

[6:14]  36 tn Grk “girding your waist with truth.” In this entire section the author is painting a metaphor for his readers based on the attire of a Roman soldier prepared for battle and its similarity to the Christian prepared to do battle against spiritually evil forces. Behind the expression “with truth” is probably the genitive idea “belt of truth.” Since this is an appositional genitive (i.e., belt which is truth), the author simply left unsaid the idea of the belt and mentioned only his real focus, namely, the truth. (The analogy would have been completely understandable to his 1st century readers.) The idea of the belt is supplied in the translation to clarify the sense in English.

[6:1]  37 tn The use of the article τά (ta) with τέκνα (tekna) functions in a generic way to distinguish this group from husbands, wives, fathers and slaves and is left, therefore, untranslated. The generic article is used with γύναῖκες (gunaikes) in 5:22, ἄνδρες (andres) in 5:25, δοῦλοι (douloi) in 6:5, and κύριοι (kurioi) in 6:9.

[6:1]  38 tc B D* F G as well as a few versional and patristic representatives lack “in the Lord” (ἐν κυρίῳ, en kuriw), while the phrase is well represented in Ì46 א A D1 Ivid Ψ 0278 0285 33 1739 1881 Ï sy co. Scribes may have thought that the phrase could be regarded a qualifier on the kind of parents a child should obey (viz., only Christian parents), and would thus be tempted to delete the phrase to counter such an interpretation. It is unlikely that the phrase would have been added, since the form used to express such sentiment in this Haustafel is ὡς τῷ κυρίῳ/Χριστῷ (Jw" tw kuriw/Cristw, “as to the Lord/Christ”; see 5:22; 6:5). Even though the witnesses for the omission are impressive, it is more likely that the phrase was deleted than added by scribal activity.

[5:8]  39 tn The verb “you are” is implied in the Greek text, but is supplied in the English translation to make it clear.



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